@aaronkeebaugh.bsky.social writes that conductor Andris Nelsons and the @bostonsymphony.bsky.social musicians came on stage together last night wearing red carnations as symbols of solidarity. The applause was immediate and fervent. artsfuse.org/326804/conce...

@aaronkeebaugh.bsky.social writes that Odyssey Opera's production of Gian Carlo Menotti’s rarely produced "The Last Savage" delivered good tunes, a delightfully twisted story, and all-around cheer. artsfuse.org/326192/opera...

Malcolm Gay's in-depth reporting in @bostonglobe.com of the BSO crisis — dating back several years with friction mounting between the board chair and the BSO old guards www.bostonglobe.com/2026/03/13/a...

I spoke with Reginald Mobley about finding his voice and belonging in the world of early music. totalbaroque.com/en/reginald-...

@aaronkeebaugh.bsky.social writes that, with youthful vigor, Yo-Yo Ma performed the complete Bach Cello Suites, intermixing the music with stories of personal success, wishes for future generations, and gratitude for all those who make the Commonwealth function. artsfuse.org/320793/conce...

Handel's "Saul" may be an oratorio, but @aaronkeebaugh.bsky.social writes that the recent #HandelandHaydnSociety concert performance proved that it’s about as operatic as one can get. artsfuse.org/318305/conce...

In August, I sat down with H+H conductor Jonathan Cohen to discuss his approach to Saul, early music performance, and the season ahead. thedisposablemusicologist.blogspot.com/2025/09/hhs-...

@aaronkeebaugh.bsky.social is over-the-moon that Horizon Ensemble is championing Germaine Tailleferre’s mesmerizing piano concerto. artsfuse.org/317310/conce...

Aaron Keebaugh writes that the Boston Landmarks Orchestra offered a rousing valediction for a summer season drawing to a close. artsfuse.org/316107/conce...

@aaronkeebaugh.bsky.social says that the latest Boston Landmarks Orchestra concert, which included music by Val Jeanty and Beethoven, made its point: this was more than a revolt, but a revolution in sound. artsfuse.org/315726/conce...

In its latest concert, writes @aaronkeebaugh.bsky.social, the Mercury Orchestra explored nostalgia, via performances of rare Finzi and familiar Respighi compositions. artsfuse.org/315063/conce...

Aaron Keebaugh on the world premiere, at the Tanglewood Music Festival via the Boston Symphony Orchestra, of #johnwilliams’s piano concerto. The music may be intended to enrich and edify, but there’s always room for a little fandom, particularly on occasions like this. artsfuse.org/314601/conce...

Aaron Keebaugh: Music by Amy Beach, Leonard Bernstein, Florence Price, John Harbison, and John Williams -- this Boston Landmarks Orchestra concert had a little something for everyone. artsfuse.org/314450/conce...

Played and sung with verve in its New England premiere, writes @aaronkeebaugh.bsky.social, "Frederick Douglass" stands as the most significant revival Boston Modern Orchestra Project (BMOP) has undertaken in recent years. artsfuse.org/312948/opera...

Aaron Keebaugh on The Boston Camerata's "Gallery of Kings": through story, song, missives, and popular gibes at authority, program looked at kings remembered for their great deeds and those commemorated for their bumbling idiocy. artsfuse.org/312319/conce...