Póster oficial de #AmargaNavidad, de Pedro Almodóvar. Un reparto excepcional encabezado por Bárbara Lennie, Leonardo Sbaraglia, Aitana Sánchez-Gijón y Victoria Luengo, en una producción de El Deseo con la participación de @movistarplus 20 de marzo, solo en cines @WarnerBrosSpain

08.01.26 Cover for @internazionale.it The new imperialism. The attack on Venezuela shows that Donald Trump recognizes no limits on the exercise of his power. AD Maysa Moroni

Teaser póster para la nueva película de Pedro Almodóvar. AMARGA NAVIDAD #AmargaNavidad — 20 de marzo, solo en cines. @warnerbrospictures.bsky.social @Eldeseo

24/10/25 Newsweek @newsweek.com Visa Power: How China is Buying its Way into America’s Heart. How Chinese citizens are buying their way into U.S. citizenship and taking a hold in strategic industries. Text by Didi Kirsten Tatlow. AD by Carrie Bremner.

Kaixo Bilbao! You can now visit the exhibition “Javier Jaén x The New Yorker”, featuring a selection of works created for The New Yorker @newyorker.com as part of the JA! Festival @jabilbaofestival.bsky.social

TERUEL! Del 31.07 al 19.10.25 exposición “MEDIO LLENO” en el Museo de Teruel @museodeteruel

Javier Jaén expone en Teruel: un universo gráfico entre el juego visual y la reflexión simbólica

Cover for Télérama @telerama.bsky.social for their special issue on color: “Place à la couleur.” Art direction by Loran Stosskopf

Trophy for the Archiletras Awards @archiletras.bsky.social #archiletras #premiosarchiletras2025

Poster for FURIA — @hbo.bsky.social @streammaxes.bsky.social #FuriaHBO 5 women. 5 stories. Unfiltered. The new series by Felix Sabroso premieres July 11. Starring Cecilia Roth, Nathalie Poza, Pilar Castro, Pilar Castro, Candela Peña and Carmen Machi. Big thanks to everyone at @hbo.bsky.social ❤️

The New York Times @nytimes.com How to Wreck the Nation’s Health, by the Numbers. The administration's cuts to the Department of Health and Human Services are going to do irreparable harm to the nation’s health. Text by Steven H. Woolf. AD by Sam Whitney

Poster for STILLER A film by Stefan Haupt, Based on the masterpiece by Max Frisch, with Albrecht Schuch and Paula Beer. Produced by @studiocanal.com

The New Yorker. @newyorker.com The Sublime Spectacle of Donald Trump and Elon Musk’s Social-Media Slap Fight. The President has kept the upper hand so far, partly because of his bully pulpit, and partly because he has remained relatively understated. Text by Jessica Winter.

Movistar Plus+ @movistarplus.bsky.social is launching a new pop-up channel entirely dedicated to the work of renowned Spanish filmmaker Pedro Almodóvar

The New Yorker @thenewyorker.bsky.social R.F.K., Jr., Anthony Fauci, and the Revolt Against Expertise. It used to be progressives who distrusted the experts. What happened? — Text by Daniel Immerwahr. Art Direction by Supriya Kalidas

Hoy en Casa Seat Barcelona: www.casa.seat/es/agenda/Gr...

Very happy to share that our cover “Gen Z: Reasons to Be Cheerful” for The Economist @theeconomistevents.bsky.social has won Best Special Interest Cover at the American Society of Magazine Editors Awards. Thank you to the jury and to Ben Shmulevitch for the trust and collaboration. ✨

The Atlantic @theatlantic.com The Day the Music Died. Is This the Worst-Ever Era of American Pop Culture? An emerging critical consensus argues that we’ve entered a cultural dark age. Text by Spencer Kornhaber @skornhaber.bsky.social Art direction by Elizabeth Hart @lizziehrt.bsky.social

WWF Magazine @wwf.eu The Pollution Solution. The planet is drowning in plastic, with dire impacts on wildlife, ecosystems, and human health. Could a landmark global treaty help turn the tide? Text by Kevin Nance. Art direction by Carla Delgado

The New York Times. @nytimes.com The Dark Side of Empathy. Empathy without ethics isn’t virtuous. It’s manipulative. And it’s starting to feel all too commonplace. Text by Michael Ventura. Ad by Rebecca Chew.

New cover for @internazionale.it The art of distraction. The problem isn’t the ability to concentrate, but what we pay attention to.

Poster series for "Historia de un encuentro, 100 años juntos a través de Telefónica" (Story of an Encounter, 100 Years Together Through Telefónica). @movistarplus.bsky.social

📖 'La vaca, el médico y el hijo del jardinero'. ✍️ Cristina Sardà. #NuevosAutores

Trump Takes Aim at Universities. President Trump is pushing to strip funding from certain colleges, focusing on some of the richest institutions—a move critics argue undermines academic freedom.

Graphic identity for Carles Porta's new True Crime "La caza del solitario" in @movistarplus.bsky.social

The New York Times @nytimes Your Weed Habit May Be Messing With Your Sperm. A growing body of evidence now shows that cannabis is destructive to male fertility. Text by Alexander Nazaryan. Art Direction by Claire Merchlinsky.

Movistar+ @movistarplus.bsky.social The great modern musicals. To coincide with the release of Emilia Pérez—an Oscar favorite—this special channel showcases 50 years of modern musicals.

Gracias @rtvecom.bsky.social @aventurasaber.bsky.social Entrevista de Jesús Alonso www.rtve.es/play/videos/...

The New York Times Magazine. @nytimes.com The Comedian Who Anticipated Our Reality-Bent World. A new documentary shows how Andy Kaufman’s upside-down world of anti-comedy prefigured our own. Text by Jonah Weiner. Art Direction by Rachel Willey.

9 years ago. 🏳️ PATRIAS DE NAILON @fallacorona.bsky.social www.youtube.com/watch?v=19d4...

07.03.25 The New York Times. @nytimes.com Why Some Men Find Orgasms Elusive. One in 10 men over 40 experiences a condition called delayed orgasm, which can make sex difficult. Text by David Dodge. Art Direction by Claire Merchlinsky.

I’ve been reinterpreting Chillida’s sculptural language using a simple, ephemeral material—playing with void, volume, and texture, and exploring the tension between solidity and fragility, permanence and transience.

27/02/25 The Economist. @theeconomistevents.bsky.social How to get rich in 2025. Forget about your career. Today an inheritance is what matters. AD by Elizabeth Delphin

24/02/25 The New Yorker @newyorkermag.bsky.social g The End of Children. Birth rates are crashing around the world. Should we be worried? Text by Gideon Lewis-Kraws. AD by Josh Cochran.

El País. @elpais.com Tariffs on Europe Clash with Reality. Despite the Republican's protectionism, the U.S. trade deficit with Europe widened during his first term and continued to grow under Biden. In fact, exports from the Old Continent have increased. Text by Denisse Lóped. AD by @quintatinta

Cover for @fd.nl Persoonlijk. The Broken Man. Psyche. Men learn, consciously and unconsciously, that they must be strong. A divorce can then hit even harder. How can he better arm himself against life's dramas? Text by Eva Gabeler. AD by Marjolijn van Beeck​​​​

The New York Times @nytimes.com The Dangers of Arbitrary Trade Policy. What Mr. Trump is doing with tariffs is a result of a lost consensus about how the United States should interact with other countries in the global economy. Text by Mary E. Lovely. AD by Kristie Bailey

1.02.25 @theatlantic Stuck in Place. Why Americans stopped moving houses—and why that’s a very big problem. Text by Yoni Appelbaum. AD by Elizabeth Hart @lizziehrt

Cover for @theatlantic.com How Progressives Froze the American Dream. Text by @yappelbaum.bsky.social . AD by Elizabeth Hart.

Happy Birthday @newyorker.com ! — From the archive. 2013, The Anniversary Issue. Spots.

@nzz Sonntag Magazine. The decline of print journalism is more than a business crisis—it’s political deadlocks, struggling unions, and maybe even the collapse of liberal democracy. Is it adapting or vanishing, taking a generation of journalists with it? Text by Rafaela Roth. AD by Jürg Sturzenegger

Cover for @nzz.ch Sonntag Magazine. The Last of His Kind. Markus Häfliger, the country's most well-known political journalist, is stepping down. What does this say about Swiss journalism? Text by Rafaela Roth. AD by Jürg Sturzenegger

Here’s a selection of portraits we’ve created over the years for newspapers, magazines, and book covers. How many can you recognize?