Tandem Magazine
@tandemmagazine.bsky.social
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A bi-monthly publication about art, old and new.
https://www.tandem-mag.com
Louise Giovanelli is one of the hottest rising stars of her generation. She spoke to Tandem about modern devotion, the overlap between Catholic imagery and porn, and why people keep asking what’s behind her famous curtains:
tandemmag.substack.com/p/dont-deliv...
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Don’t deliver me from evil
Louise Giovanelli paints modern worship
https://tandemmag.substack.com/p/dont-deliver-me-from-evil
about 2 months ago
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Working since the early 1960s, Joanne Leonard has been at the forefront of both the feminist & civil rights movements. These themes run throughout her body of work, particularly in her pioneering “intimate documentary” photographs & her groundbreaking collage practice.
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The Intimate Eye
Joanne Leonard’s feminist “intimate documentary” photography finally finds a global audience.
https://www.tandem-mag.com/the-intimate-eye/
4 months ago
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reposted by
Tandem Magazine
Eliza Goodpasture
4 months ago
Excited to now be publishing something every week at
@tandemmagazine.bsky.social
with the addition of "In tandem with..." – our new series of shorter interviews with artists and art people. Read the first one here!
add a skeleton here at some point
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Museum “rehangs” are everywhere, most recently at London's National Gallery. They inspire furious debate about mixing old art & new politics, but we forget that museums have always done that: their Victorian roots have never been more visible.
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The Victoriana of museum “rehangs”
Put on your hoop skirts
https://www.tandem-mag.com/the-victoriana-of-museum-rehangs/
4 months ago
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Introducing our new series, In tandem with... Up first, artist Grace Lee, whose soft, eerie works are like little windows into another world, they tug at assumptions and unravel our routines of looking. Read her reflections on failure, socks, and the gift of her presence:
www.tandem-mag.com/i/
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In tandem with Grace Lee
A monthly short interview series with interesting artists and art people.
https://www.tandem-mag.com/i/
4 months ago
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In Tandem’s latest, MarĂa, Isabel Rabassa, Anthony Cudahy, & Ian Lewandowski talk about their shared artistic practices. Read it here:
www.tandem-mag.com/its-a-libera...
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It’s a liberation
Queer artist couples show us that great art doesn’t have to be made alone.
https://www.tandem-mag.com/its-a-liberation/
5 months ago
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Creating a rebellious blueprint, queer artist couples teach us the importance of the collective, of the shared, and of the community. “It’s a liberation, meeting someone who opens you up,” says MarĂa Cuellar.
www.tandem-mag.com/its-a-libera...
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It’s a liberation
Queer artist couples show us that great art doesn’t have to be made alone.
https://www.tandem-mag.com/its-a-liberation/
5 months ago
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reposted by
Tandem Magazine
Eliza Goodpasture
5 months ago
I wrote about Siena's haunting allure. It's story reminds us that art follows power and power follows art – a pattern that continues today. Read more of my thoughts about its forgotten, golden renaissance here:
www.tandem-mag.com/taste-follow...
@tandemmagazine.bsky.social
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Taste follows power
Siena’s lesson in history-writing.
https://www.tandem-mag.com/taste-follows-power/
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Siena is a story of the path history didn’t take. That is the privilege of the powerful: to write something out of memory, to create the myths of nations, of religions, of power. Read more from
@elizag.bsky.social
on the what-might-have-been of Siena's renaissance:
www.tandem-mag.com/taste-follow...
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Taste follows power
Siena’s lesson in history-writing
https://www.tandem-mag.com/taste-follows-power/
5 months ago
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Artist Amy Bravo’s work is animated by one major question: "Would my ancestors like me?" She talks about her multimedia practice, her fraught relationship with her Cuban heritage, and her desire to build an army of queer women in this new interview.
www.tandem-mag.com/would-my-anc...
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Would my ancestors like me?: Amy Bravo’s reckoning with myth, heritage, and queer storytelling
New York-based painter and sculptor Amy Bravo doesn’t want to be subtle. Through her multimedia work, she toes the line between the absurd and the grotesque, oscillating “between kitsch, a Dada-esque ...
https://www.tandem-mag.com/would-my-ancestors-like-me-amy-bravos-reckoning-with-myth-heritage-and-queer-storytelling/
5 months ago
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There is a lot of stuff on the internet, and in real life, and it’s hard to know what’s good. Every month, we’re sending a list of stuff we have encountered digitally or physically that is worthy of a recommendation. Here's the first one – you’re welcome.
www.tandem-mag.com/april-bullet...
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April Bulletin
There is a lot of stuff on the internet, and in real life, and it’s hard to know what’s good. Every month, we’re sending a list of stuff we have encountered digitally or physically that is worthy of a...
https://www.tandem-mag.com/april-bulletin/
6 months ago
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reposted by
Tandem Magazine
Eliza Goodpasture
6 months ago
I wrote about beauty & art, and their strangely fraught relationship today. Politicised, deified, feminised: beauty has lost cultural currency, or gained a new one, and I dig into why for
@tandemmagazine.bsky.social
. I've been thinking about this one for ages.
www.tandem-mag.com/when-did-bea...
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When did beauty become a dirty word?
The battlefield over the beautiful in art
https://www.tandem-mag.com/when-did-beauty-become-a-dirty-word/
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"Do we relinquish “beauty” to those who wish to make it signify submission, or do we reimagine and reclaim the complexity, profundity, and spaciousness of the beautiful?" Read about the battlefield over the beautiful here:
tinyurl.com/rh9cerpu
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When did beauty become a dirty word?
The battlefield over the beautiful in art
https://tinyurl.com/rh9cerpu
6 months ago
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"When did beauty become a dirty word?" asks Eliza Goodpasture in Tandem's first essay. Read her thoughts on the politicisation of beauty, and it's general cultural devaluing, here:
www.tandem-mag.com/when-did-bea...
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When did beauty become a dirty word?
The battlefield over the beautiful in art
https://www.tandem-mag.com/when-did-beauty-become-a-dirty-word/
6 months ago
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"I see myself as a witness of my generation. By choosing to paint the stories that I do, I am witnessing how the world is evolving. I am also telling a bit of my story through everybody’s stories," says Parisian artist Johanna Tordjman. Read the full interview now at tandem-mag.com
6 months ago
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"I was asking them to tell me the story of their exile through the prism of the object." Parisian artist Johanna Tordjman talks to Isabella Fox Arias about bearing witness to her generation of migrants in Tandem's first artist interview. Read now:
www.tandem-mag.com/a-witness-of...
7 months ago
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Tandem is an arts publication for the over-stimulated; a space for in-depth, sustained thinking about art today, old and new. SUBSCRIBE NOW at the link in bio to receive our bi-monthly interviews and essays straight to your inbox. www.tandem-mag.com/signup
7 months ago
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