Bill Knight
@billknight.bsky.social
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Photographer - portraits, opera and dance
reposted by
Bill Knight
AliceInTheSky
6 months ago
Can I like that photo very much without coming across as VERY creepy? Do I get some indulgence points for it being After-Halloween-Day - which I don’t give a toss about, but that’s nobody’s business :D
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reposted by
Bill Knight
theartsdesk.com
6 months ago
★★★★ Photography all over the town: Photo Oxford 2025 ranges over the genre in a most satisfactory way, finds
@billknight.bsky.social
theartsdesk.com/visual-arts/...
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Photo Oxford 2025 review - photography all over the town
Photo Oxford 2025 presents a programme of exhibitions, lectures and events ranging from well-known artists and documentary photographers to new talent, spread over the town at 26 venues in colleges, g...
https://theartsdesk.com/visual-arts/photo-oxford-2025-review-photography-all-over-town
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reposted by
Bill Knight
David Nice
7 months ago
Came back early from Dublin to see how marvellous mezzo Niamh O'Sullivan fared in her first Carmen. Voice often lost in the Coliseum vasts and wide-open big stage, but dramatically perfect. So many good shots by
@billknight.bsky.social
for
@theartsdesk.bsky.social
; hard to choose.
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Carmen, English National Opera review - not quite dangerous
“Safe” is a word used far too often in ENO’s bizarre new version of a programme, full of uncredited articles, at least two of which look as if they’re AI generated. Everything intimacy director Haruko...
https://theartsdesk.com/opera/carmen-english-national-opera-review-not-quite-dangerous
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reposted by
Bill Knight
David Nice
8 months ago
@billknight.bsky.social
, who takes wonderful photographs of opera productions, inter alia, for
@theartsdesk.bsky.social
, came round to document the compelling horror of the fire in my flat, before the clear-up begins. Which it still hasn't, after five weeks. We kick and prod the insurers daily.
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A few more snaps from Figaro. I feel like a wedding photographer...
10 months ago
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reposted by
Bill Knight
David Nice
10 months ago
So many classy pleasures in Mariame Clément's new Figaro at Glyndebourne, with a splendid cast led by Louise Alder and Huw Montague Rendall, but the conducting throws a few rocks in the way. Otherwise, sheer delight.
theartsdesk.com/opera/le-noz...
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Le nozze di Figaro, Glyndebourne review - perceptive humanity in period setting
Over 100 years ago, John Christie envisaged Wagner’s Parsifal with limited forces in the Organ Room at Glyndebourne. He would have been amazed to see it arrive on the main stage this year. But emigres...
https://theartsdesk.com/opera/le-nozze-di-figaro-glyndebourne-review-perceptive-humanity-period-setting
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Details from Cabaret l'Enfer at the Royal Opera production of Faust
12 months ago
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Read Richard Fairman's review in
@financialtimes.com
of Parsifal at Glyndebourne
www.ft.com/content/e9d7...
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Glyndebourne’s Parsifal is musically enthralling — review
The staging of Wagner’s opera is problematic, but floating clouds of sound unfold from the orchestra conducted by Robin Ticciati
https://www.ft.com/content/e9d7fa98-8538-4b9e-a9f8-21aa6155fefa
12 months ago
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Read Richard Fairman's review in
@financialtimes.com
of Die Walkure at the Royal Opera
www.ft.com/content/a577...
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Royal Opera’s new Die Walküre deftly untangles Wagner’s epic — review
Director Barrie Kosky’s London staging has a clear theme, while the cast tackle their roles with conviction
https://www.ft.com/content/a5770587-20e6-4335-9a0e-eccea7663cba
about 1 year ago
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Read
@davidnice.bsky.social
from
@theartsdesk.bsky.social
on a thrilling Die Walküre at The Royal Opera House
www.theartsdesk.com/opera/die-wa...
More snaps below
about 1 year ago
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Do go and see Charles Court Opera's Magic Flute at Wilton's Music Hall.
about 1 year ago
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Read
@davidnice.bsky.social
from
@theartsdesk.bsky.social
on Mary Queen of Scots at English National Opera see
theartsdesk.com/opera/mary-q...
snaps here
about 1 year ago
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I took this picture in 2013 as part of my exhibition The Refugee's Gift. Hasan has been in my thoughts in the last few days. I hope he has been able to find his family.
over 1 year ago
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Read David Nice
[email protected]
on Pirates of Penzance at English National Opera. He liked it. More snaps below
www.theartsdesk.com/opera/pirate...
over 1 year ago
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Here's a snap from the current production of Gilbert and Sullivan's Pirates of Penzance at English National Opera. The Pirate King (John Savournin) and Ruth (Gaynor Keeble) are discussing a paradox with Frederick (William Morgan)
over 1 year ago
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