C.Scott
@cscott412.bsky.social
š¤ 91
š„ 84
š 170
Pittsburgh-based producer & music person.
reposted by
C.Scott
VGArtAndTidbits
7 months ago
Donkey Kong Country promotional artwork.
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C.Scott
Blockhead
8 months ago
Singing that part of "everybody loves the sunshine" but in a Borat voice like "my wife, my wife , my wife , my wife" , just being the worst possible human i can be.
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reposted by
C.Scott
Mrs. Detective Pikajew, Esq.
10 months ago
They finally made the milk from that hotel
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Petās name with a gif
add a skeleton here at some point
11 months ago
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Perfect storm of Real Life Stuff landed me in a position to play Mario Kart World on launch night. You know what, world of chaos? I canāt even be mad. Forces I canāt understand are guiding me. Letās get it.
11 months ago
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C.Scott
Stacie Loves David
about 1 year ago
Sure Happy Itās Thursday! What song is stuck in your head right now?
#EarWorm
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And yeah, I did share some Studio Ghibli AI slop. Normally I wouldnāt but it was that picture of Kenny G and Miles Davis and I couldnāt help myself. Sorry Mr. Miyazaki it wonāt happen again. š
about 1 year ago
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At the gig drinking an NA beer, thinking about playing Xenoblade when I get home. Sober 30s are kinda a vibe lol.
about 1 year ago
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Every time a video of Jaco comes up on the timeline, it invites the most brain dead musical takes of all time. I donāt listen to a lot of his stuff anymore, but still feel compelled to jump in and defend the guy. Go listen to Hejira.
about 1 year ago
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First heard this in a 9th Wonder samples DJ mix years ago (blended into Junior Mafia obv.). No track listing so I had no idea what it was until much later, but that āhey hey uh huhā stuck in my memory that whole time like something from a dream. The groove! Man!
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Sylvia Striplin āā You Can't Turn Me Away ā 1981
YouTube video by Antony Rosano
https://youtu.be/L3RkUVnYGnE?si=8rzYkWk2s355fhXt
about 1 year ago
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While weāre at it, Sylvia Striplin - āGive Me Your Loveā b/w āYou Canāt Turn Me Awayā is the best 12ā ever released. Perfect peak hour dancefloor banger + perfect end of the night slow dance jam. I played both sides at my last gig and I will probably play both sides at my next gig. 11/10 no notes.
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Sylvia Striplin Give me your love 1980
YouTube video by Funk Soul and Disco Classics Chris
https://youtu.be/J-DYQhC4y-I?si=JEpIofDVC6bmaPBs
about 1 year ago
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Roy Ayers created the syntax of modern groove-based music. Deep house, boom-bap hip-hop, neo-soul, & contemporary jazz funk donāt exist or donāt sound the way they do without him. Heās that important. Huge loss. Rest well, king. š
about 1 year ago
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Roy Ayers. What else can I say that hasnāt been said? Groove king. Changed my life as a teen getting hip to his music. Just gonna post some joints here. Byron Miller is crushing on this shit BTW.
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The Black Five
YouTube video by Roy Ayers Ubiquity - Topic
https://youtu.be/Y_UCEqm9FTs?si=8vH0FWLwlqk_E0QR
about 1 year ago
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#MWE
done. Had fun listening to some new (to me) music. Now I want to pivot hard back into listening to old favorites because TBH the most enjoyment I got out of recreational listening this month was running Yes - Close to the Edge again for the millionth time in my lifetime. That album rules.
about 1 year ago
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#MWE
Day 28 A compilation of various Thelonious Monk sessions from the early-mid 50s, a couple cuts of which feature Sonny Rollins. Man. Sonny Rollins is a master of melody - a seemingly endless wellspring of ideas. I just want to say that weāre all lucky to be living at the same time as him.
about 1 year ago
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#MWE
Day 27 Gritty Midwestern soul meets silky Philly elegance (Gamble & Huff! Thom Bell! Vince Montana!). You can hear the emergent strains of what would become disco in a few years, but itās really about the ballads and slow dance numbers here. They donāt make slow jams like they used to. Word.
about 1 year ago
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My Tooth? Spooky.
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about 1 year ago
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#MWE
Day 26 Generally, more of the kind of material present on the first LP with slightly better recording quality. What I said about Take One applies. āReverend Leeā is a huge stand out- vivid storytelling with her voice contorting to match every lyric and an all-timer Chuck Rainey bassline.
about 1 year ago
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Day 25 A ballad-heavy set that exemplifies Flackās steadfast elegance. What would be saccharine in someone elseās hands is graceful in hers. My favorite moments are the more groove-oriented tunes. Ron Carter absolutely holds it DOWN on āCompared to Whatā and āTryinā Timesā.
about 1 year ago
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Iām so tired of jazz album cover design thatās an inferior rip-off of either the Blue Note or ECM graphic design aesthetic. We need more arch-top guitars on Mars.
about 1 year ago
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My Cheer? Blue.
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about 1 year ago
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My Mole? Matching.
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about 1 year ago
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My Machine? Soft.
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about 1 year ago
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#MWE
Day 24 Kool & the Gangās early brand of jazz-inflected funk speaks for itself. I just have one question: Is āRated Xā the greatest funk Mellotron performance? Itās kinda running unopposed unless we count the outro of āMercy Mercy Meā. Still though, love hearing Mellotron outside of prog.
about 1 year ago
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The Thai spot where I grab lunch on work days sometimes has the illest smooth jazz playlist. Got that Harry Styles grown and sexy cruise version going right now š„š„š„
about 1 year ago
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#MWE
Day 23 Scarface casts a cold, unflinching gaze towards 90s street life. Thereās a darkness underpinning everything- even the escapism afforded by sex, weed, and drink. Vivid and soulful, every word carries the greatest possible weight. Howād it take me this long to get around to this?!
about 1 year ago
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#MWE
Day 22 A precision engineered missile of angsty rock aimed squarely at 13-year-olds from ā94 til Infinity. Basically immune to critique- it is exactly what it aims to be. No more and no less. The album that launched a million power chor
about 1 year ago
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#MWE
Day 21 Noodly. Not necessarily in a bad way. Has the vibe of a live-focused group attempting to consolidate their sound into a studio recording. The LP makes me more curious to seek out a live bootleg. National Health, this groupās heir apparent, got it right tho. For nerds and completists.
about 1 year ago
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Day 20 Honestly? Went into all of these albums expecting to dislike them and maybe get a dunk or two off. Coming out of all of them not necessarily loving everything, but deeply appreciating that a guy as open and curious as JC can be successful. Good for him.
about 1 year ago
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Day 19 You know what? I went in expecting to really detest this album but I donāt. R&B JC isnāt my favorite, but this could be a lot worse. I donāt need to hear him rap ever again tho. Sidebar: sometimes I wish music school students never found out about Dilla tbh.
about 1 year ago
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Heās in it for the quiche/ you might as well not ask him for no free shit, capiche?
add a skeleton here at some point
about 1 year ago
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In doing a Jacob Collier deep dive Iāve realized something: If he were born like 45 years earlier, heād probably have lead a Canterbury/ prog type group somewhere along the lines of Hatfield and the North or Gentle Giant and it would rule. Weāre in the wrong timeline.
about 1 year ago
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#MWE
Day 18 Kind of a nice surprise! When JC slightly dials back his maximalist approach, heās capable of moments of subtle beauty and charm. The folk orientation works better for his voice. A bit long, and stumbles towards the end, but I found myself enjoying this much more than anticipated.
about 1 year ago
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#MWE
Day 17 What happens when you put Hiatus Kaiyote, Bo Diddley, and Hideki Naganuma in a blender? Track 3. Itās⦠a whole lot. I can kind of appreciate the boundary-free exploration of styles but the phrase that kept coming to mind: Just because you can doesnāt mean you should.
about 1 year ago
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#MWE
Day 15 The embryonic beginnings of a distinct regional rap sound developing on the West Coast. Much of this album has more than a passing resemblance to contemporary East Coast styles (Juice Crew, Run DMC), but āJust Clowningā feels distinctly LA. Solid 80s rap LP that suggests the future.
about 1 year ago
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Day 15 There are many recordings of Ahmad Jamal playing āPoincianaā. Itās astounding that it never seems perfunctory- thereās a palpable joy that exudes from every performance. He was happy to sit in that tune, explore it a little more, and share that with folks for his whole life. Message!
about 1 year ago
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Day 14 Black Milk is a producer with few true peers as a technician. Rather than give us the full baroque treatment here, he strips it back to the loop. āDrumlessā maybe, but masterfully executed with Fat Rayās charismatic stink pink gator Detroit flow as a perfect complement.
about 1 year ago
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#MWE
Day 13 When I was a child, my mom would occasionally return home from the import store with some small instrument. I would sit around with it, tapping out rhythms or plucking notes and sitting with the reverberating sound. This album reminds me of those times innocently exploring sound.
about 1 year ago
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Day 12 I love Phil The Agony. Heās like the snotty, raw Phife Dawg of the Strong Arm Steady/ Likwit Crew continuum. Whenever he pops up on a record, itās a high point for me. This is labeled as an album but itās really a mixtape- a 2004 mixtape. Kinda a mixed bag, but again⦠Phil rules.
about 1 year ago
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Day 11 The post-Chronic 2001 checklist: Dre, Nate, Snoop, & Em features ā Mel-Man, Scott Storch, Battlecat, & Quik production ā Brickwalled to the point of slightly clipping mastering job ā ā ā Extremely of its time, but still a pretty fun listen. A step down from the last LP to me tho.
about 1 year ago
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A lot of turntablist videos come up on my feed where the DJs are cutting over the most un-funky, straight 1/16th notes with no syncopation ass beats in existence. Why?! What happened to swing?!
about 1 year ago
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#MWE
Day 10 Itās the bigger, more expensive sounding sequel record that so often falls flat on its face but here⦠doesnāt! Well, a couple regrettable choruses and beats donāt kill it anyway. A marvel of engineering- this sounds HUGE. I want my future records to knock like this.
about 1 year ago
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reposted by
C.Scott
sklutecase
about 1 year ago
#MWE
Day 6 Todd Rundgren - A Wizard / A True Star sat in my crates for years as I raided it for synth squeals to sample. A pity I never paid full attention. Its dreamy bombast sounds today-current. āCamp Aroundā thru āFlamingoā and āZen Archerā stopped me cold. If prog was as smart as it thought.
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Day 9 Hard rhyming on dusted beats. This record is the platonic ideal of a good mid-90s rap record. Nothing is blowing my mind conceptually, but it hits exactly the way it should. Also, E Swift deserves more acclaim as a producer. That manās sound is incredible.
about 1 year ago
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People who like rap are generally pretty stoked on the halftime show. People who donāt like rap generally are not. Big surprise!
about 1 year ago
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Kendrick performing new verses at the Super Bowl is incredible. The new shots at Drake in said verses are icing on the cake.
about 1 year ago
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#MWE
Day 8 Today Iām switching it up with a good rap record that I didnāt have to force myself to finish! Blu and Evidence craft a love letter to the ugly beauty of their hometown. Itās a study in contrasts: grime & glamour. āLA has a dark sideā has been explored before, but this does it well.
about 1 year ago
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Talking Book, Innervisions, Fulfillingnessā First Finale, Songs in the Key of Life or 3 Feet High and Rising, De La Soul Is Dead, Buhloone Mindstate, Stakes Is High
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about 1 year ago
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reposted by
C.Scott
BusCrates
about 1 year ago
Happy Dilla Day!
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Dilla's Pocketbook, by BusCrates
track by BusCrates
https://buscrates412.bandcamp.com/track/dillas-pocketbook
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Man⦠the CD era of rap albums produced so many bloated records with brutally unfunny skits. Getting through a whole Ja Rule album was TOUGH.
about 1 year ago
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