Here Naruto whirlpool aligned with the background, with creative liberties in the foreground. There is plenty more for those of you interested in doing this yourself: you can engage directly on the platform, just select one and click on 'geolocalize'! This one had inspired me to study#JapaneseArt!

Where would you stand to see this view? That is the puzzle at the heart of Drawing from the Crowd—a citizen science project exploring how Edo-period Japanese prints depicted landscapes. We'd love your help solving it 🧵

How do you create AI guidelines that support rather than undermine student learning? I've developed AI_d—a prompt-activated chatbot that guides course instructors through creating pedagogically sound AI policies using learning frameworks like Bloom's Taxonomy, SAMR, and Cognitive Apprenticeship.

The DO was started with the idea of brining to a wide audience developments and topics in the #DH worlds of Asian, N. African and Middle Eastern fields. It is currently the only platform that does so, as open-access resource. Support us

Off to the University of Cambridge! Really excited to take part in this Symposium. #graphicnarratives #earlymodernjapan #kusazoushi

Invitation to join me at the Nippon Foundation-organized "Japan Studies Webinar 1 - Next-Gen Career Paths: Interdisciplinary and Diverse Trajectories in Japan Studies" (Fri Sept 26, 5PM JST): #JapanStudies #AcademicCareers /1

Thank you for the opportunity!

This Thursday I'm presenting "Developing Learning-Outcome-Oriented AI Usage Guidelines" at the #AIinTeaching Forum @UZH! The goal? Moving from "You can't use GPT" to "For this specific assignment, AI can help you with X, Y, and Z, but you need to do A, B, and C yourself to master the core skills."

Looking forward to meeting old and new colleagues! Here's to building minds, developing ideas, constructing concepts, connecting serendipities. 19. #Japanologentag, in Frankfurt (M), Goethe-Universität.

JOB: Lecturer in Digital Methods for the Study of Visual Cultural Data Start: Jan 2026 | Permanent | 100% 👀 Focus: digital curation, computational analysis (CV, ML, network analysis, data ethics) of artworks, photographs, films… #DigitalHumanities #VisualCulture #DigitalArtHistory

"The Temple of Time" (1846) by Emma Willard.⠀ From our essay by Susan Schulten exploring the pioneering work of Emma Willard (1787–1870), a leading feminist educator whose innovative maps of time laid the groundwork for the charts and graphics of today: publicdomainreview.org/essay/e...

Locations for next ADHO conferences: 2026 : Daejeon, South Korea 2027: Galway, Ireland 2028: Capetown, South Africa ! dh2026.adho.org #dh2025 #dh2026 #dh2027 #dh2028

#DH2025 - only the final keynote left to go now. You all've been inspiring. Let's keep in touch! @adho-org.bsky.social

1st session, day 2: “The global state of digital history: Establishing data culture(s) in uncertain times” / Take away quote: “History is important because it shows the past was different which means the future can be different” - Till Grallert, Humboldt-Universität zu Berlin bit.ly/3IO2LU1 #DH2025

Chose “Digital Mapping & Crowdsourcing for Cultural Heritage & Dialect Studies” for my first #DH2025 session. bit.ly/40R5T7U / maps are such a key entry point for many DH projects and these were all excellent examples / great to see @iiif.bsky.social used in various projects

Ready for an exciting first morning at the #DH2025 conference! I'll be speaking about our "Drawing from the Crowd" geo-citizen science project on early modern Japanese prints in the second panel, at 11am!

Fantastic insights, especially re: working with questions, not lists of features. #DH2025 #digitalhumanities #GIS

Got all ducks in a row for the first #digitalhumanities session of #DH2025! First up: a workshop on Computer Vision and the Illustrated Book, by Giles Bergel and David Miguel Susano Pinto (Oxford).

Off to Lisboa, for #DH2025! Excited to attend the pre-conference workshops and speak about my geolocalisation of Japanese ukiyo-e prints utilizing citizens' and computers' intelligences!

@dkrichardson.bsky.social and I presented "Drawing from the Crowd", which we prototyped between August 2024-January 2025, at The Digital Orientalist's “AI and the Digital Humanities” Virtual Conference 2025, Panel 2: AI, Digital Histories, and Visual Archives. digitalorientalist.com/2025/05/16/a...

Coming up this Saturday! I'll be presenting with @dkrichardson.bsky.social :)

Short paper proposal for #DH2025 accepted! Super grateful for the reviewers' comments too!🙏Excited to present "Reconstructing Japan’s Scenic Past from Prints: Combining Citizen Science and AI-Methods for Authenticating Direct Observation in Ukiyo-e Landscapes" in Lisbon this July 🥳

Thank you to everyone who joined us on Monday for our digital humanities webinar on localizing ukiyo-e prints. (I also owe a debt of gratitude to my wonder collaborators, @stesantschi.bsky.social , Himanshu Panday, and @tsujihirohito.bsky.social )

I put together a starter pack for Digital Art History so that everyone can connect. If you'd like to add to it, just let me know. #digitalarthistory go.bsky.app/TqZCEqv

🎯 Discover the Past, Present and Future of Chinese Art in our upcoming Zurich Lecture in East Asian Art at the University of Zurich! Prof. Julia F. Andrews (Ohio State) and Prof. Sarah E. Fraser (Heidelberg) present: cont./

Late to party, but I thought I might do a starter pack as well. Please feel free to comment on who should be included (including yourself, of course) go.bsky.app/LmudiJF

Hello friends! As more users migrate to Bsky, we encourage you to follow us here at JPP, where we are working to promote a more diverse, inclusive, & equitable field in the Japanese humanities. 🗾 There aren't many official accounts here just yet for Japan Studies, but a starter: go.bsky.app/H54gyeg

Migration from the platform previously known as the blue bird to the blue sky complete! To old and new followers, colleagues, inspiratiors - hi. I am Postdoctoral Fellow at the University of Zurich's Chair in East Asian Art History, [cont]

Exciting news! 🎉 Recently, our project "Drawing from the Crowd: A Citizen Science Platform for Mapping Ukiyo-e Geography" has been selected by the Nippon Foundation Scholars Association (TNFSA) as one of five 2024 Nippon Social Innovators Collaboration (NSIC) projects!

#ChartingDSEA First up: Prof. Christian Henriot on "Taming the Digital Dragon". His key message: develop and provide infrastructures, not platforms for research to build the corpus -> extract data -> analyse data.

Happening now! www.mpiwg-berlin.mpg.de/event/charti... #ChartingDSEA

Job opening as Project Curator for an upcoming Samurai exhibition at the British Museum (Application deadline Jan 5, 2024) bmrecruit.ciphr-irecruit.com//templates/C...

$2 well invested for an amazing service to the community!

I am happy to announce that I will be speaking at this year's autumn conference by the International Ukiyo-e Society! I will be presenting, in Japanese, about one specific aspect of my doctoral research -

Super excited about the content of a parcel that reached my mailbox this morning - publication time! 🧵

Bags are unpacked, and I am starting the post-conference follow-up of the many strands that I was able to weave with my network during this visit to #Japan.

Pleased to announce that my report on the latest Third Thursday Lecture by Sainsbury Institute (SISJAC) has been published as part of their monthly e-Bulletin!...

Looking forward to attending #ASCJ2023 at Sophia University, Tokyo, today! https://ascjapan.org/

One of the most iconic print designs the artist I researched during my PhD, Katsushika Hokusai (1760-1849), created, is what we know in the anglophone world as "The Great Wave".

Planted my #PhTree, to symbolically pay back nature for the many printouts during my PhD journey! A lemon variety 🍋 #phdlife #PhDone @PhDVoice @PhDForum

Defended my dissertation summa cum laude! Grateful for everyone's support, and excited about what's to come in the future 🥳

I am happy to share that I've started a new position as Employee at the Cultural Department (Amt für Kultur) Grisons (Graubünden)! I'll contribute to the planned cantonal Cultural Heritage Portal (Kulturgüterportal), and am very much looking forward…...

Just im time - sent off the final draft of my dissertation! 2023 can come! 🥳 Happy 2023!

I have resigned from my position as scientific coordinator SARI and project coordinator BSO with Swiss Art Research Infrastructure (SARI), University of Zurich, as per end of this year 2022. As I will graduate from my… https://mastodon.social/@ste_santschi/109602048344790778

Just out of a meeting discussing my second dissertation draft. Confident that I'll be able to submit the final draft at the end of 2022, and defend in February 2023! What a journey. #Hokusai #earlymodern… https://mastodon.social/@ste_santschi/109394211907387850

Just out of a meeting discussing my second dissertation draft. Confident that I'll be able to submit the final draft at the end of 2022, and defend in February 2023! What a journey. #Hokusai #earlymodern #visualvocabularies #visualepistemology @PhDVoice @PhDForum

It's #BSOTuesday! Today, a gem - or should I say star - from the archive - remember when #Zurich was star-shaped? When you compare the georeferenced map visualisation with the print, you can make out the line of the old city wall in some of the streets and river channeling. 👇

It’s #BSOTuesday! Today, I am showcasing the city of #Geneva / #Genf / #Genève, due to a celebratory occasion - the Cabinet d’arts graphiques at the Musée d’art et d’histoire @MAHgeneve is our newest project partner! 👇