Sky’s announcement of a "world-first" grouping of streamers under one belt could fire the starting gun on further super bundles – though this particular union does not embrace either Apple TV or Amazon. www.streamingmediaglobal.com/Articles/New...

Do micro-dramas represent a profound shift in the production, consumption and gender-bias of global storytelling? www.ibc.org/production/f...

I support Vladyslav. Shame on IOC.

Is media now a subset of AV? www.ibc.org/proav/featur... @iseshow.bsky.social

“We loved that we could lean into horror tropes to capture the drama, danger and dark beauty of nature" - my intw/words with makers of #netflix wildlife doc Nightmares of Nature for RED Digital Cinema www.red.com/stories/nigh...

Massive pet hate. I had two zoom interviews this morning, both diaried and confirmed. Neither bothers to turn up, apologise or reschedule.

“We're brutal on one another. Every single idea has to be torn apart and rebuilt through the other person's brain" Ronald Bronstein on co-writing Marty Supreme with Josh Safdie www.ibc.org/production/f...

Barcelona @iseshow.bsky.social

Between first-person-view drones, expanded real-time 360° replays, and a massive virtualised production setup, Milano Cortina 2026 is set to be a major step forward in immersive, scalable, and sustainable Olympic broadcasting. www.ibc.org/production/f... #WinterOlympics

@iseshow.bsky.social opens in Barcelona

“Our key differentiator is the ability to reinvent the industry with custom solutions” Fuse Technical Group - my interview & words for @RED_Cinema www.red.com/stories/fuse

"I’d sometimes sit right in front of the screen and play it loud and try to get that feeling of motion sickness" Oscar nominated editor Andy Jurgensen talks @onebattlemovie p34 latest issue @ACEFilmEditors editfestglobal.com/cinemaeditor... #filmediting

Starting gun for ISE2026 fired with Official Preview edition ... including my chats with Sol Rashidi, Pere Ferrer, Ciarán Doran and Rich Mulholland. Excited to be part of the team on the showfloor and conference in a week's time in Barca. lnkd.in/eJE7a5i6 @iseshow.bsky.social

Where's Jordon? bsky.app/profile/theg...

Hanging By A Wire "We all understood that we needed to hold true to the inherent drama of this real situation, and that we wanted to meet this documentary reality with all of the cinematic flair of a Hollywood action thriller” www.red.com/stories/hang... my intw & words w/thanks Brendan McGinty

Mastery of data — both physical and synthetic — will determine the pace of innovation and competitiveness in the autonomous driving industry etech.iec.ch/issue/2026-0... @iecstandards.bsky.social @capgeminiglobal.bsky.social

Producer Sean Sforza talks The Beast In Me - (with me) www.sohonet.com/article/prod...

WBD debut purpose-built tech platform iBuild, at the IBC in Milan for Winter Games www.streamingmedia.com/Articles/New... #streamingmedia #WinterOlympics

“A completely virtualized Olympics would not be an Olympics” www.streamingmedia.com/Articles/New... @iocmedia.bsky.social #winterolympics #streamingmedia

Innovation in gimballed FPVs are set to take aerial cinematography to new heights - my interview / words for RED digital camera www.red.com/stories/heli...

Ultra Low Power systems are deemed essential to the growth of the IoT and the success of new applications which require extended operation without frequent charging or battery replacement etech.iec.ch/issue/2026-0... @iecstandards.bsky.social

Smart cities and digital twins are evolving into the citiverse etech.iec.ch/issue/2026-0... @iecstandards.bsky.social #citiverse

“The MovieLabs 2030 Vision is now the industry's vision for the future of media creation,” says Richard Berger, MovieLabs CEO www.ibc.org/production/f...

I'm proud to have edited the latest of makers - a global briefing for creatives issuu.com/thelocationg...

CES 2026: From the enterprise to the home to the creative suite, the future is multi-modal AI capable of massive three-dimensional world building and physical interaction ibc.org/artificial-i...

I visited Baden-Baden end of last year for this report www.ibc.org/virtual-prod...

“To me, this film is about catharsis. It’s personal and universal, about the nature of love and intensely about family – so how was I going to generate these emotions?” - Cinematographer Lukasz Żal on creating Hamnet with Chloé Zhao www.ibc.org/production/f...

Happy New Year, x maroc

"Alien and Aliens were major influences" - Cinematographer Caleb Heymann breaks down the creative and technical choices behind Stranger Things Season 5, from camera and lens choice to lighting strategy www.redsharknews.com/stranger-thi... @redsharknews.bsky.social

Among the fastest growing and biggest markets on the AV map, India’s demand for AVoIP, TV-grade video and immersive public experiences is unmatched - AVMagazine www.avinteractive.com/features/ind...

Zed's dead baby. Zed's dead... nypost.com/2025/12/12/u...

Trip to Hegra, north west Saudi #alula

"Just 90 seconds of footage took us about a week to assemble because we always had to figure out what was going on. It’s like a Russian doll in terms of construction" Editor Paul Machliss on e #RunningManMovie www.ibc.org/production/f... #IBC365

Saudi needs an outlet in Hollywood baaad - and the new Paramount bid is Saudi-backed -- you read that here first - months ago ... www.streamingmedia.com/Articles/New... #paramount #netflix #skydance #StreamingEurope

Corporate madness. Lazy thinking. How much original content could you make for $108 billion? Or $72 billion? www.theguardian.com/business/202...

“I think we’ve put a lot of people away,” Kirsten Dunst says of #metoo at Red Sea Intl Film Fest. “People definitely can’t get away with what they used to. It’s a much safer environment for all of us. I was lucky. My mother was always around. Nothing negative happened to me like that” #RSIFF

Queen Latifah: "Sometimes talent is right in front of your face. I definitely want women to feel strong to do and say whatever we want to say and do to move the culture forward.” #RedSeaFilm

Netflix raids Hollywood to land a giant of old media, but having paid billions over the odds for ageing IP, would a smarter play have involved the creator economy? www.ibc.org/ott-streamin...

Egyptian British actor Amir El-Masry honored with Variety award @RedSeaFilm #RSIFF25 “I am a product of both the middle east and western film industries. I hope that not only does it open doors for myself, but also for everybody that looks like me.”

Did Netflix buy the wrong thing? WBD = Old Media. But TikTok - that should have been the deal Sarandos made www.streamingmedia.com/Articles/New...

Caine and Diesel -- on the Red Sea Fest carpet. Kickstarting a new Fast & Furious movie perhaps?

Not many people know that ...Sir Michael Caine loves to scoot a red carpet... #RSIFF25

Fish in an airport #jeddah

Today I find myself in Baden-Baden, borders of the Black Forest, and famed for spas. Hot steam appears from dozens of vents and fountains around town.

Camerimage 2025: Key Trends, Tools, and Conversations www.redsharknews.com/camerimage-2... @redsharknews.bsky.social

Camerimage: “The time to be afraid of AI was two years ago” www.ibc.org/artificial-i...

ISE Daily 2026 reporting team revealed - www.installation-international.com/ise-daily/in... Note that there are also "highly experienced reporters providing coverage from the conference theatres" and these are myself and Monica Heck. Thought I'd give us a mention Monica...

Another flying visit to Gdansk, love this town

TNT Sports takes a hybrid approach as England’s cricket team heads down under with a sporting chance of returning with a little urn www.ibc.org/production/f...

I'm CamerimageFest all week, literal home of Copernicus and the centre of the cinematography universe