Jeffrey Shaw, Video Narcissus, 1987

Inhabiting the Threshold (Still from video, Detail), 2024

Ornithopter and maker George R. White at Saint Augustine, 1927

the sun is up

Datacatcher, Andy Boucher

A RADIANT FUTURE is available as an interactive HMTL / standalone app featuring the work by @digitalcoleman.art @cerensu.bsky.social, Sophie Kahn @claudiabraileanu.bsky.social Harriet Davey, Parag K. Mital, nouseskou @yoshisodeoka.bsky.social gallery.manifold.xyz/listing?list...

☎️ The 2-frame gif ‘Emergency’ (2022) is part of the ‘Shifting Landscapes’ screening programme running April 4 - May 5 in Wintercircus, Ghent (BE). Curated by @dianedrubay.bsky.social with a.o. @memoakten.bsky.social @claudiabraileanu.bsky.social @kelly-richardson.bsky.social @cerensu.bsky.social

Discover @cerensu.bsky.social’s biodigital creatures at the end A RADIANT FUTURE on a speculative rendering of Three Mile Island. Experience all the participating artists’ works online and in VR at epoch.gallery.

A RADIANT FUTURE features the work by @digitalcoleman.art @cerensu.bsky.social, Sophie Kahn, @claudiabraileanu.bsky.social, Harriet Davey, Parag K. Mital, nouseskou, @yoshisodeoka.bsky.social Funds are equitably distributed amongst the artists and EPOCH. gallery.manifold.xyz/listing?list...

“I found myself suddenly in the middle of the river of life” is now on view as part of the Athens Digital Arts Festival until April 7. You can read the text related to the work and check out the full ADAF program : 2025.adaf.gr/artworks/i-f...

2/2 Watch on YouTube! www.youtube.com/watch?v=cjey...

💥Here are some install photos of A RADIANT FUTURE from last Saturday Rip Space featuring work by Sophie Kahn @digitalcoleman.art @yoshisodeoka.bsky.social @claudiabraileanu.bsky.social +…

@cerensu.bsky.social Harriet Davey, Parag K. Mital, nouseskou

I’ve had the privilege to curate my first digital exhibition 5x5: Metal - the element of progress and decay Organized by Cyberforms on Objkt Featuring artworks from: Ceren Su, Brolket, MEK, 0x3y3, Sabato and myself

Opening party for 𝗔 𝗥𝗔𝗗𝗜𝗔𝗡𝗧 𝗙𝗨𝗧𝗨𝗥𝗘 is this Saturday at Rip Space (LA) from 6-10pm! Featuring @digitalcoleman.art @cerensu.bsky.social, Sophie Kahn, @claudiabraileanu.bsky.social, Harriet Davey, Parag K. Mital, nouseskou, @yoshisodeoka.bsky.social It’s also EPOCH’s 5th anniversary 🎉 RSVP 🔗👇🏽

I am excited to share that I have two new works included in @epoch.gallery’s upcoming show 𝗔 𝗥𝗔𝗗𝗜𝗔𝗡𝗧 𝗙𝗨𝗧𝗨𝗥𝗘 curated by Peter Wu+! The exhibition opening will take place at RipSpace in Los Angeles, CA, on March 22, as part of the Epoch’s five-year anniversary celebration.

Detail from Inhabiting the Threshold, 2024

Peter Kaufman's "The Moving Image" is a groundbreaking guide to navigating video as today's dominant medium, presenting new tools, best practices, and community resources for integrating film and sound into media that matters: mitpress.mit.edu/978026253816...

Le repos du fakir Gilles Paté, Stéphane Argillet, Paris 2003 vimeo.com/325833046

filmfreeway.com/Missingscene... (05:13) ADEGAN YANG HILANG DARI PETRUS - DRAFT #4 (Missing Scene from Mysterious Shooter - draft #4) {2019, Arief Budiman; Indonesia}

🙂

Semi-Allogeneic Bone Apparatus, Oil on Paper, 50 x 70 cm, 2023

Recommending this film by artist Jonas Staal, who usually is not known for using humor in his work: vimeo.com/796392916 I saw it last spring at art space Radius in Delft (The Netherlands), a rare art institution solely dedicated to ecological crisis (et. al) art. 💪

Shirin Neshat, All Demons Flee, 1995 www.guggenheim.org/artwork/10240

The dark mate aspect of these screens look even better when the artwork has a black background like with this video by @acrwrs.bsky.social

Apartment bell pushes. Photographed in Venice, 2012.

Ian Tyson, Untitled, 1972 https://botfrens.com/collections/14375/contents/1115347

Castle, detail

Individuality Of Objects, 2022

Detail, 2019