#EvilDeadBurn may not be the scariest entry in the franchise, but it is the most disturbing – sometimes upsettingly so. Although I became desensitized to the gruesome torture of its characters early on, director Sébastien Vaniček’s novel direction kept me thrillingly engaged.

Extensive in its reverence for cinema history, #MinionsAndMonsters will bring a massive smile to the face of anyone who loves movies. As a sendup of old Hollywood and classic works of slapstick humor, the film plays to the strengths of its dim-witted yet lovable characters.

My 15 favorite films of the year so far in no particular order: 15. Toy Story 5 14. Hokum 13. Disclosure Day 12. Blue Heron 11. The Christophers

Masterfully executed, #TheInvite is an instant classic featuring four of the best comedic performances in years. While both hilarious and raunchy, the magic comes from its subtlety and introspection as it unwinds the layers behind broken characters who’ve forgotten their passions

Director Julian Schnabel literally wears his influences on his sleeve with the inclusion of Martin Scorsese in one of the most ridiculous casts ever assembled. The self-indulgent nature of #InTheHandOfDante sabotages what could’ve been a great film had its plot been leaner.

#Supergirl lacks energy and personality. I’m a fan of Craig Gillespie, but a decent action director he is not. Every interesting element within it feels borrowed from movies that have done them better. Milly Alcock has potential as Kara, but she’s not given much to work with here

“Toy Story 5 retains the imagination that elevates these films even further to achieve all-time classic status.” @moviemiller.bsky.social reviews #ToyStory5 therollingtape.com/toy-story-5-...

#ToyStory5 retains the magic, once again providing a story packed with the emotion, excitement, and imagination that makes the series special. In tackling the idea of toys v. tech, rather than whether or not to embrace tech, it teaches kids to embrace what makes them who they are.

#DisclosureDay is the ultimate Spielberg experience. A beautifully introspective thrill ride about our place in the universe and whether we have a right to know about it. I was as entertained as I was moved by the theme of humanity finding its empathy again.

#ScaryMovie is exactly what I hoped it would be. A somewhat coherent commentary on how the horror genre’s changed in the 13 years since the last film baked within a cavalcade of stupidity and the occasional ingeniously constructed bit. Nothing special, but it’ll make you laugh.

#Backrooms is as inventive and thrilling as I’d hoped. Kane Parsons masterfully brings his brainchild to life in pure cinematic form, utilizing talent both in front of and behind the camera. Danny Vermette’s mindblowing production design is the real star.

What starts as a slice of life story evolves into a crime thriller that feels like a throwback in the best way in #Tuner. Although its plot is formulaic, witty dialogue backed by stellar sound mixing always keeps you engaged. Leo Woodall delivers a star-making performance.

#TheSheepDetectives is a return to form for family films that put children’s intelligence first. Featuring plenty of hilarity and more than enough moments of pure humanity, it will likely endure as one of the year’s most beautiful films, meant to be enjoyed by all.

Still in a galaxy far far away, we are entering the latest Star Wars trilogy and stand alone films this week on RETRO/RANKED — @moviemiller.bsky.social leads the discussion of THE FORCE AWAKENS & THE CLONE WARS therollingtape.com/retro-ranked...

Damian McCarthy’s #Hokum excels most when building atmospheric dread. The hotel in which the film takes place feels like a character and is the creepiest locale I’ve seen in a horror film in years. McCarthy marries exquisite production and sound design in a union of raw terror.

#TheDevilWearsPrada2 is a pitch-perfect legacy sequel, justifying its existence through a sincere commentary on the state of legacy media in the digital age. It’s delightful to revisit these characters and see how much they’ve grown, while maintaining what made them so iconic.

#MotherMary takes its time to reveal itself as a hauntingly mesmerizing supernatural story. David Lowery balances that aspect with the personal drama, fully drawing you into a trance as two capable performers go toe to toe in an intimate dance to rekindle a shattered relationship

While it’s thrilling to see the greatest hits play out in energetic fashion on screen, it’s clear that #Michael is a half-truth — not just because it only tells half the story of the most iconic and complicated artist there ever was. It’s a tame, safe, and manufactured experience

In writer-director Lee Cronin’s latest nasty work, there’s not a shred of fun to be found unless you’re the type of person who gets off on watching other moviegoers squirm. While it succeeds in small doses, some campy fun, as seen in previous iterations, could have suited it well

As disturbing as any of the violence is in #FacesOfDeath, the most unsettling part about the film is its searing commentary on how we’ve become so desensitized to the violent depravity encountered on social media that we enable it as a culture. It’s as smart as it is thrilling.

#TheDrama is a provocative examination of the hypocrisy of perception and whether a person’s worst moment should define their life and the way they’re treated or if forgiveness is deserved. Zendaya and Robert Pattinson’s complex performances further showcase their range as stars.

#ProjectHailMary  is a fantastic space adventure featuring a magnificent performance from Ryan Gosling who beams with charisma and heart. Although his co-star is an alien, the film’s greatest quality is its realistic approach to its high stakes, high-concept sci-fi crisis.

Firework Happy Oscars Sunday! 🏆 vimeo.com/1173096908

As Alive As You Need Me To Be vimeo.com/1173096908

#Golden vimeo.com/1173096908

It’s Oscars weekend once again and for the second year in a row, I’m excited to share a tribute to the past year in film. In this video you’ll find moments from over 130 movies that were released in 2025. vimeo.com/1173096908

#Hoppers  is a delightful new entry into the Pixar canon. It expertly hops between telling a poignant story that packs a lot more heart than I was expecting and simply making you laugh with some of Pixar’s best comedy to date. It will be one of the funniest movies you see all year

Glen Powell’s dependable charm combined with breezy pacing and an involving plot makes #HowToMakeAKilling worth your time even if suffers from a lack of character development and a rushed narrative. Mileage may vary thanks to muddled themes and an odd Margaret Qualley performance

The lush cinematography and ravishing design among all the crafts in #WutheringHeights makes up for much of what the film lacks in subtlety and complexity. For as subversive as it is, Emerald Fennel’s interpretation of this classic story doesn’t have anything noteworthy to say.

Bart Layton’s sleek approach to #Crime101 elevates it from a standard crime thriller. The film’s key value lies within its commitment to its layered characters. While I would’ve liked to have seen them explored even deeper, the excellent performances help fill in the blanks.

Packed with referential humor and meta gags, the real charm of #nirvannathebandtheshowthemovie stems from the comedic chemistry between Matt Johnson and Jay McCarrol. Their energy is infectious and adds heart to all the zany shenanigans that’s been missing in comedies as of late.

#TheMoment is a scathing satire of the music and concert industry from the perspective of one of pop’s biggest stars. As hilarious as the film is, its strength is the surprising vulnerability displayed in Charli XCX’s performance as she confronts a peak moment in her career.

#GOAT is a textbook underdog tale. While its world can best be described as Zootopia-light, the “Roar Ball” aspect brims with original ideas that the film largely dodges in favor of an unappealing story and characters. Featuring more product placement than heart, this is a miss.

#Mercy is nowhere near as provocative as its premise wants you to think. It’s a perfectly serviceable action thriller that works better with your brain off than if you try to engage with it in a way that could be additive to the conversation of society’s growing reliance on AI.

#SendHelpMovie is a total blast. Equally hilarious and chilling, Rachel McAdams and Dylan O’Brien’s excellent dynamic keeps the story moving even during slower-paced sections. Sam Raimi’s signature wacky flair makes this a movie experience you’ll be happy to be stranded with.

If you haven’t tuned in to Retro//Ranked yet, this would be a great season to start! We found a really fun and analytical rhythm this season that I hope to keep up in the show’s future and I had a spectacular group of guests to do it with @therollingtape.bsky.social.

#AvatarFireAndAsh underwhelms, largely showcasing more of the same rather than unearthing new layers of Pandora and the story of the Sully clan. James Cameron introduces one major twist, but it doesn’t help the film from feeling mostly derivative of what’s come before.

#TheHousemaid surprised me in ways I wasn’t expecting. Sexy and complex, it entertains enough in its first half with a relatively predictable, albeit intriguing setup. However, once it gets past a long period of exposition in the third act, the movie ends with an absolute bang.

Rob Reiner is one of the greatest filmmakers of all time. He was a master of genre, whose films touched millions of people’s hearts. Stand By Me, Misery, When Harry Met Sally. The list goes on and on. I’ll always remember the impact his work has had on my life and love of cinema.

Epic in structure and themes, #WeaponsMovie will have you sunken in your seat from fear in one moment and laughing on the verge of tears in the next. Its intricately engrossing plot is backed up by a slew of tremendous performances from its ensemble cast. It’s an instant classic.

#TheNakedGun is the best comedy I’ve seen since “Joy Ride.” With its nonstop barrage of jokes, there is something here for everyone no matter what style of humor appeals most to you. Liam Neeson’s committed performance is one of my favorites of 2025. See it with a large crowd.

#Superman  is an exciting, action-packed and unabashedly fun spectacle that wears its heart and hopeful themes on its chest. It’s a movie that leaves you with a smile and inspiration to create some good in the world. I can’t wait to see more stories told in this new DC Universe.

#JurassicWorldRebirth is another disappointing entry in this franchise. Director Gareth Edwards utilizes his deft sense of scale to make the dinos feel larger than life. It’s the paper-thin writing and characters that put the film on a path to extinction in viewers’ minds.

#NowWatching… in IMAX F1 (2025) dir. Joseph Kosinski, starring Brad Pitt, Damson Idris, and Kerry Condon

#BringHerBack is an attempt from the Philippous at something more serious in tone and themes that often doesn’t measure up to its lofty ideas. The relationship between its central characters explores the complexities of grief better than the underdeveloped supernatural premise.

#FightorFlight is the most fun I’ve had at the movies this year. It takes a cliche action premise and pumps it full of frenetic violence and a vicious sense of humor. Josh Hartnett embodies a complex action hero that I’d love to see more of in the future. See it with a crowd!

#Thunderbolts is a return to form for Marvel, not just from a quality perspective, but it’s the first project in quite some time that you can actually feel that the heart is there. Excellent character growth, well-constructed set pieces, and more make this entry a well-earned win

#Sinners is a generational event. A brilliantly original blend of genres, styles, and culture that contextualizes a story that would remain engrossing even if the genre aspects were completely removed. Ryan Coogler provides the type of rare movie magic that we’ve been begging for

#NowWatching THE AMATEUR (2025) dir. James Hawes, starring Rami Malek, Laurence Fishburne, and Rachel Brosnahan

#NowWatching WORKING MAN (2025) dir. David Ayer, starring Jason Statham, Eva Mauro, and Arianna Rivas