🚀 Barrieren oder Partizipation in den #DigitalHumanities? 🎙️In der neuen Folge von #RaDiHum20 sprechen wir mit Ulrike Wuttke, Vivien Wolter und Jonas Müller-Laackmann (DHd-Verband) über Community, Barrierefreiheit und Internationalisierung in den DH. 🎧 Jetzt hören auf radihum20.de

Die Sommerpause ist vorbei und unsere neue Folge da! Wir bedanken uns ganz herzlich bei Ulrike Wuttke, Vivien Wolter & Jonas Müller-Laackmann vom DHd-Verband für das reichhaltige Interview zu Partizipation & Barrieren im Verband! Und hier gibt’s die neue Folge: radihum20.de/radihum20-sp...

We can’t wait to welcome our great keynote speakers at next week’s Summer School! Find out more details about their sessions on our website. @annafoka.bsky.social @gavinbrookes.bsky.social @mkschumacher.bsky.social #DHSS2025 #DigitialHumanities

The program for our Summer School is out 🤩 Get ready for exciting keynotes, workshops, participants‘ presentations and much more: www.dhss.phil.fau.eu/summer-school/ #digitalhumanities @fau.de @dhssfau.bsky.social

Realisiere gerade, dass das, was Loriot damals für Haare festgestellt hat, auch für Tonwellen gilt: wenn man hier was wegnimmt, dann fällt es dort ja ganz anders! 😁 #Podcast

Had a wonderful time at the #DraCorSummit! Taking home lots of Inspiration and some beautiful gadgets. Thanks so much @umblaetterer.bsky.social @peertrilcke.bsky.social @juliajbeine.bsky.social @lucagiovannini.bsky.social @danja.bsky.social and the whole organisation team!

Frisch erschienen ist dieser Band zur Klimakrise im Drama & auf der Bühne. Von mir darin einen Aufsatz zur Umwelt-Trilogie des GRIPS Theaters (1977-1990). Sie zeigt, dass es "Klimatheater" nicht erst seit 2000 gibt - und sich die Beschäftigung mit Kinderdramen lohnt. brill.com/display/title/71823

Mareike @mkschumacher.bsky.social, Marie Flüh & Felix Lempp explore how plants, animals & habitats appear in 680 German #DraCor plays (1510–1947). 🌱🐎🌳 Findings: ecologies appear rarely, peak twice (1800–1850 & 1900), and are richer in speech than in stage directions Read: zenodo.org/records/1693...

How can we connect our smart humanities data to LLMs (when locking them away is not an option, because we want to follow ideas of open access and open science)? – a question raised and investigated with a DraCor-Claude-chatbot by the @dracor.org team at the #DraCorSummit

To use small (large) language models might need more thorough planing and preparation in the humanistic project, but it comes with more insight into wether and how it fits the task – now Thomas Jäger from the University of Vienna is reporting on the use of LLMs in drama analysis #DraCorSummit

"Near perfect classification results are not expected and they are also not desirable" – Benjamin Krautter in his talk on drama analysis of Kleist in the context of periodisation in literary history at the #DraCorSummit

We're kicking off the Workshop on Computational Drama Analysis at #DraCorSummit 2025 @freieuniversitaet.bsky.social! Exciting line-up of 11 presentations, full programme here: summit.dracor.org/computationa... The 195-page conference reader was uploaded to Zenodo: doi.org/10.5281/zeno... #DraCor

See how #DraCor neatly builds into the very circle of life!🐝 The conference reader with all papers, including the one about animals and plants in the German drama, is online: zenodo.org/records/1693... #DraCorSummit

Yesterday on my stroll through Berlin-Dahlem, where the #DraCorSummit takes place, I stumbled upon this information about how this place is humming of insects (again). This afternoon we will explore how GerDraCor is populated by animals and plants in our talk „ecologies on stage“ – looking forward!

Central problem of all Corpora integrated in DraCor by now: We do not know enough about the whole population of published plays to say anything about how representative the selection is. The canon might be well represented but is this enough? – Question raised by Lou Bernard at the #DraCorSummit

Let's talk about corpus creation! Second day of #DraCorSummit is dedicated to corpora. An issue uttered by @juliajbeine.bsky.social in the first talk of the day: We need a larger crowd to build larger corpora.

Dieser Ausruf erschließt sich vielleicht noch nicht jedem auf den ersten Blick (Symbolbild 😜) (gefunden im Chat des #DraCorSummit, am Blurr ist natürlich das Endgerät der Nutzerin Schuld)

"Without using computers we cannot see the forest from the trees!" – Clarisse Bardiot on theatre analytics in her keynote at the DraCor Summit 2025 #DraCorSummit

Ich bin auf der suche nach einem Roman. Er hat den Titel „Wilhelm Dümont“ und ist von Caroline Paulus (aka Eleutheria Holberg). Hat den zufällig jemand in einer Schublade und möchte ihn veräußern oder hat ihn sogar digital? Scheint etwas schwierig zu sein an dieses Buch heran zu kommen…

Always great to have the fabulous Mareike Schumacher here 🤩 @mkschumacher.bsky.social

Hey everyone! Final reminder: Got 10–15 minutes? Help us make CATMA even better by taking our short, anonymous survey! It’s open to all experience levels and only takes a little of your time. Deadline: 31.07 👉 docs.google.com/forms/d/e/1F... Thanks a lot! #CATMA #Survey #DigitalHumanities

2.005 ziemlich unperfekte Wörter müssen jetzt irgendwie in max. 2.000 perfekte verwandelt werden, um die Deadline für die #DHd2026 zu schaffen. Ich sag’s mal wie’s ist: Ausgang ist derzeit noch total unklar 🤷🏻‍♀️

📢 CFP: JCA Ten-Year Anniversary Issue The Journal of Cultural Analytics turns 10! We're marking the moment with a special issue reflecting on a decade of studying culture at scale—and imagining what comes next. 📅 Abstracts due: Sept 1, 2025 culturalanalytics.org/post/3316-cf...

Wir verlängern die Deadline für unser CRETA-Coaching! Wenn du dich mit deinen PhD-oder Postdoc-Projekt im Bereich der #DigitalHumanities bewerben willst, hast du jetzt noch bis zum 28.7.2025 Zeit: www.cretaverein.de/coaching/ Wir freuen uns auf deine Bewerbung!

Achtung! Heute & morgen kannst du dich noch für das diesjährige CRETA-Coaching bewerben. Stelle dein PhD-Projekt in einem kleinen Expert*innen-Kreis bei der CRETA-Werkstatt vor und besprich es anschließend mit 2 der CRETA-Coaches. Mehr darüber hier: cretaverein.de/coach... #DigitalHumanities #PhD

It has been such a great joy! I so much hope it will soon be the whole foot. After all, the DH water is not that cold 😄🤩

Now we are searching for very small & special phenomena in very large amounts of data using texts by Colette with Florian Cafiero & Marie Puren at #DH2025. This very much reminds me of our search for unusual gender depictions in the m*w & @diversitykorpus.bsky.social projects (👀 @mflueh.bsky.social)

I guess we need a little more theater, dance and other performance studies in Digital Humanities – people are so excited about it and seem to love to hear (and read) more about it (also: it is extremely cool, what motion analysis can do). Impression gathered from the MIME-project talk at #DH2025

Really impressive how director's style is operationalized via patterns of poses in the MIME-project just presented by Peter Broadwell, Michael Rau and Simon Wiles at the DH2025 right now.

Can we teach Digital Humanities and how? Is a very crucial questions raised by Sayan Bhattarchayya at the #DH2025 and he also mentions the challenge of positioning DH in times, in which data science is becoming more and more popular („applied data science“???)

„Some draw a fancy graphic and call it Digital Humanities.“ – fun quote from the session on ethics, accessobility and collaboration at #DH2025

Every style is coming back: Yesterday I saw a baggy pants coming very close to 90ies design in the city center of Lisbon, today I spot comic sans in a presentation at #DH2025 ☺️

On my way „home“ from a wonderful, long and inspiring day of #DH2025 I stumbled upon a lovely street music spot. Now I‘m asking myself „were are the DHDancers (when they are needed)?“ 👀

One could call it "semi-automated" but it surely is much cooler to say "cyborg-approach" like in the discussion to scene segmentation and and textual space right now. I think, I'll keep that 🤩 #DH2025

Haven‘t times passed in which we annotated manually? I sometimes get asked by colleagues (& students). Well, I guess they haven‘t, because a lot of CATMA can be spotted in the Slides of #DH2025 (here an example of Guhr, Mao and Sherman)

How do Lake District Narratives represent space? Most distances are narrated in a more or less realistic way but some seem to be closer or more distant from the text – a wonderful way to digitally analyse how narrative space can differ from actual space #DH2025 (preseted by Ignazius Ezeani)

Btw I love it how we call methods „classic“ that are a few years older than their followers, e.g. (LDA) Topic Modeling that was a trend method on DH conferences just 10-15 years ago #DH2025

Asking is reserved for male charakters and high power positions, answering is tied to low power positions and mainly female charakters – @anastasiaglawion.bsky.social presents first outcomes of fairy tale analysis at #DH2025

Listening to Sarah Lang talking about „documentation as an activist practice“ and data principles not coming automatically to the DH, I get the impression that this is a topic for DHPadagogy and building curricula to teach documentation routines from the beginning 🤔 #DH2025

Up now: A media informatics / DH team from Regensburg presenting a topic analysis of Twitch comments to find out more about gender disparities in gaming culture. This has been the subject of a BA thesis by Greta Pfälzner supervised e.g by Michael Achmann-Denckler #DH2025

I know I‘ll be very late to the party, but I am doing everything to come (eventhough it leaves me with an extremely bad contious to fly in these times tbh) #DH2025

"Maybe the real academic career was the friends we made along the way!" I'm so very much looking forward to giving a paper with the amazing @mkschumacher.bsky.social and @mflueh.bsky.social at the DH2025 in some days - a touch of the good old Hamburg days in Lisbon.

Big reveal 🥁 Here is the second keynote speaker for our #DHSS25 summer school (22 - 26 Sept 2025) Prof. Mareike Schumacher @mkschumacher.bsky.social will talk about " #Corpus compilation and gender-sensitive analysis" Join us @fau.de in September! & don't forget to apply for a travel bursary

Ok, I have a question to people from anglo-american cultures: I am preparing an ML seminar and want to do what colleagues have done in this study arxiv.org/abs/2305.00118 but with German texts and their translations.

Ich habe mir mal wieder einen der Texte im Diversitätskorpus DisKo genauer angeschaut und einen Blogartikel darüber geschrieben: #DH #DigitalHumanities #4GenderStudies #LitWiss

📚 Du planst oder schreibst eine Dissertation in Literaturwissenschaft, Philosophie oder Linguistik & möchtest digitale Methoden integrieren? Dann bewirb dich jetzt für unser CRETA-Coaching & lerne unser Expertenteam kennen! Alle Infos: cretaverein.de/coach... #DigitalHumanities #CRETAcoaching

🎓 Bald ist es wieder so weit: Unser jährliches CRETA-Coaching steht in den Startlöchern! Wenn du an einer geisteswissenschaftlichen Dissertation arbeitest und digitale Methoden einbinden möchtest, ist das deine Chance für Expert*innen-Feedback und interdisziplinären Austausch! 1/2

A big, big recommendation for kick-starting your digital humanities project! 🥳🥳🥳 Do not despair, choose CRETA 🏝️🍹

🔍 Stell dir vor: Du präsentierst dein Digital-Humanities-Projekt in kleinem Rahmen & erhältst individuelles Feedback von 2 Expert*innen der reflektierten algorithmischen Textanalyse. Genau das bietet dir das CRETA-Coaching! Bald öffnen wir unser Postfach für deine Bewerbung. #DigitalHumanities

🚀 Morgen ist es so weit: Die Bewerbungsfrist für unser CRETA-Coaching beginnt! Für uns immer ein Highlight des CRETA-Jahres – und vielleicht auch bald für dich? Sei dabei & bring dein Dissertationsprojekt auf das nächste Level! #CRETAcoaching #PhDLife #DigitalHumanities #Dissertation