"Radigue pursued an exciting musical life, moving from electroacoustic feedback to electronic music (with the help of her inseparable ARP 2500) and finally reinventing herself through fruitful collaborations with numerous instrumentalists.” R.I.P. Éliane Radigue buff.ly/ShlQoU5

The paper I published in @areajournal.bsky.social last year has very kindly been 'highly commended' by @culturalgeogaus.bsky.social as part of their annual paper prize for early career researchers. Do consider following the study group if you are a cultural geographer in Australia!

Spinoza's Geographical Ethics - out now, open access in e-book form: edinburghuniversitypress.com/book-spinoza... @edinburghup.bsky.social

Worth reading alongside Claire Wilmot’s new piece, ‘Fascistic Dream Machines’, on the far right’s use of AI video: www.lrb.co.uk/blog/2025/se...

#OpenAccess in Area: 'Displaced attention: Bergson, attentive habits and Tony Conrad's drone music' by @georgeburdon.bsky.social This paper explores the intimate links between attention and the different material environments of everyday life. doi.org/10.1111/area... #geosky

Just published: Thinking about the relations between attention and environment by way of Henri Bergson and drone music. Open access in @areajournal.bsky.social doi.org/10.1111/area...

New paper from me - a Geography Compass piece on sound art geographies: compass.onlinelibrary.wiley.com/doi/full/10....

A few days left to contribute to our proposed session on the geographies of attention at this year's RGS-IBG conference in Birmingham. Cfp and details of where to send an abstract below. Deadline Friday! @rgsibg.bsky.social