For @ivnafr.bsky.social's newsletter 𝘧𝘰𝘳𝘬𝘦𝘳𝘵, I spoke to Ida Urd and Ingri Høyland, whose album 𝘋𝘶𝘷𝘦𝘵 (on Albert Salinas and @philipsherburne.bsky.social's Balmat) was lowkey one of the most beguiling ambient releases of 2025.

For @ivnafr.bsky.social's newsletter forkert, I reviewed Valby Vokalgruppe's new album 'Solids For Voice', a stunning collection of "rhythmical architectures built almost solely from the voice" that sound like "trance without electronics".

Thx to @ivnafr.bsky.social for inviting me on her Forkert newsletter to write a piece on this year Roskilde : 🌧️ mud up to your knees 🙅‍♀️ greta literally refusing selfies 🎸 nine inch nails screaming into a drunk dead crowd ♻️ roma women scooping bottles for coins shorturl.at/MJJ9g

wrote about Erik Klinga's debut album >> passiveaggressive.dk/erik-klinga-...

some Copenhagen event recommendations for the next two weeks >> forkert.substack.com/p/two-weeks-...

Fall '24 highlights feat. Doris Dana, Zaumne, Secret Boyfriend, Civilistjävel! and others: forkert.substack.com/p/only-good-...

got to see Mary Lattimore and Death & Vanilla at Malmö's Inkonst recently 🫠👇 forkert.substack.com/p/saturday-n...

i brižna i ažurna majka

uz to što redovno primam mailove za drugu Ivnu F. (koji su btw jebeni - od Kuzme & Shaka Zulu do opravdanja djetetovog izostanka iz škole), sad su mi krenuli pristizati i mailovi za DJ Ivnu Ji 🫠

New review for @ivnafr.bsky.social's Forkert: I wrote about Karen Juhl's eclectic, stream of consciousness driven mixture of electronic styles on her debut Mother Tongue (out via inklingroom).

For @ivnafr.bsky.social's Forkert, I wrote about Pauline Hogstrand's transporting, mountainous new record Áhkká. Out now on warm winters ltd!

On last week's Matana Roberts show/improvised set at Alice: forkert.substack.com/p/the-power-...