Claire Foy and Richard E Grant drive a watchable period farce about social climbing that spirals into financial ruin and calamity.

A sold-out 439-minute film screening shows that some audiences still seek intense attention, countering declining engagement with arts and culture.

A thriller about a teen mentored by a self-mythologizing acting coach mirrors Tribeca’s buzzword-heavy, eclectic festival identity.

Wrong Move was withdrawn from public access because it includes a topless 13-year-old child actor scene.

The 2026 Tribeca Festival runs June 3–14 with 100+ feature films, dozens of shorts, multiple competitions, and music-focused galas, premieres, and performances across New York City.

A romantic weekend in Warsaw turns tense when a delayed flight is caused by Mount Etna’s eruption, while a separate Vancouver Island story follows a migrant family through an eight-year-old’s perspective.

Time and Water traces Iceland’s glacier loss through Andri Snær Magnason’s family archives, linking personal history to climate change urgency.

IndieWire Honors Spring 2026 will recognize Katie Dippold and Hiro Murai for creating the Apple TV series Widow's Bay.

A$AP Rocky will receive the inaugural Tribeca X Filmmaker of the Year Award at the 25th Tribeca Festival for cross-industry storytelling across music, fashion, film, and brands.

Liminal horror uses unsettling transitional spaces and uncanny nostalgia, with the Backrooms becoming a major internet-driven success through its labyrinth lore and secret organization.

A 1975 film scene involving a 13-year-old actress is being withdrawn from circulation after a long dispute over its depiction.

“Falsche Bewegung” is being withdrawn from circulation while a dispute over a sexualized scene involving a 13-year-old character and an adult co-star continues.

Martin Scorsese invested in a text-to-image AI company and uses it to generate storyboards, prompting backlash from storyboard and concept artists over concerns about AI and artists’ work.

He-Man returns in a modern reboot blending high-stakes action with self-mocking camp, led by director Travis Knight and a writing team.

The 60th Karlovy Vary International Film Festival runs July 3–11 with 24 competition films, including world premieres and Proxima entries, judged by Justin Chang and Eskil Vogt.

A24’s Backrooms became a record-setting US box-office hit after a viral, maze-like phenomenon began with a fluorescent-lit office photo.

Auschwitz separation scene bends a gate into an X, establishing Magneto’s origin and shaping audience sympathy for his later mutant-vs-human conflict.

Casting choices for a Christopher Nolan adaptation of Homer’s Odyssey have triggered racist and authenticity complaints, alongside Greek representation concerns over the absence of Greek actors.

A woman with memory loss wakes beside a stranger and a distressed child, leading to a kidnapping-like mystery that unfolds through shifting identities and motives.

A mysterious stranger arrives in a near-abandoned Arizona ghost town, where an older gay couple’s routines and the looming AIDS crisis shape a risky threesome.

Every shot in Stop! That! Train! was made by human hands, addressing speculation about fully generative AI VFX in the film.

Regina Hall and Anna Faris returned for Scary Movie 6, bringing relief after Hollywood setbacks and personal loss, and reuniting them in a COVID and January 6 parody.

Tribeca Film Festival runs June 3–14, 2026, celebrating its 25th anniversary with screenings, Q&As, panels, and special events across New York.

A24’s Onslaught pairs Adria Arjona with Dan Stevens as a German scientist amid glowing-eyed super-soldiers, raising sequel and identity questions.

Martin Scorsese promoted Black Forest Labs and said he uses its AI for movie storyboarding, triggering backlash from filmgoers and journalists over job loss and reputational harm.

A Blender-rendered backrooms universe was translated into a Vancouver soundstage set by building 30,000 square feet of partial labyrinth spaces and using SFX to complete the world.

LGBTQ+ films about religion portray queer people staying in faith communities to seek acceptance and deepen their relationship with the divine.

Tom Selleck was the original choice for Indiana Jones, but CBS contractual obligations to Magnum PI prevented him from taking the role.

Masters of the Universe faces weak opening prospects due to franchise fatigue and brand unfamiliarity, but delivers classic, well-crafted summer escapism with strong performances.

Martin Scorsese became a partner and advisor to Black Forest Labs, using generative AI to improve and reduce the cost of storyboarding during preproduction.

A 1975 film scene involving a 13-year-old has prompted demands for removal, with Wim Wenders saying he would not film it that way today.

Backrooms is a neutral, ever-expanding space that reshapes itself from what people bring into it, turning personal memories into terror and comfort.

Devon Bostick’s TikTok “crack ship” popularity and rom-com debut in Mile End Kicks connect his Diary of a Wimpy Kid fame to a new indie-grunge audience.

Celebrities increasingly appear with fixed, enhanced facial features, raising concerns that cosmetic procedures limit on-screen expression.

Bing Crosby pioneered prerecording on magnetic tape and invested in real estate, including California estates, Nevada ranches, and Palm Springs property.

Actors rehearse and workshop Macbeth scenes with Declan Donnellan’s guidance in Twyford Abbey, focusing on meaning-making, soliloquies, and stigma of over-acting.

Stonewall (1995) is a largely overlooked queer film that more accurately portrays Stonewall’s diverse revolutionaries and was later adapted for stage in 2007.

Tom Holland says he wants to help set up the next Spider-Man chapter, potentially for Miles Morales, Spider-Gwen, or Spider-Woman, and retire after enabling a successor.

Bear mistakes romantic intensity for selfless love, and his wish-driven control turns Nikki’s affection into increasingly disturbing horror.

Rupert Everett wore false bodysuits to manage childhood insecurities about his body and height, using them on screen while directors remained unaware.

Rupert Everett says aging has made him better behaved and more respectful toward himself and his audiences.

“The World Becomes Flesh” plays during Backrooms end credits, linking Boards of Canada’s first album in 13+ years to A24’s film adaptation of the Backrooms horror myth.

Adam Sandler is filming Netflix’s “Time Out” in San Francisco while also making Bay Area stops at restaurants, a skate shop, and a basketball game.

Backrooms earned $81 million domestically and $118 million total, becoming the biggest opening for an original horror film and starring Chiwetel Ejiofor as a furniture store manager who finds a portal.

Hate That I Made You Love Me debuts as a horror-style music video starring Justin Long and Ariana Grande, featuring a basement burial, repeated reappearances, and a final reversal.

Pat Casey and Josh Miller will write the Streets of Rage movie script, continuing their Sonic film writing track.

Derek Kolstad has stepped away from writing the Streets of Rage movie, with Pat Casey and Josh Miller taking over and Jeymes Samuel attached to direct.

A biopic in development will trace Gene Wilder’s rise from shy theater actor to iconic comedic film voice, examining personal struggles and relationships.

Bound premiered in limited release on October 4, 1996, and later became a major early work by Lana and Lilly Wachowski, preceding The Matrix’s cultural dominance.

Ariana Grande released a horror-themed video for “Hate That I Made You Love Me,” starring Justin Long as a murderous lover haunted by Grande’s ghost.