Which came first, Image Comics and James Tynion’s Exquisite Corpses comic or the Samara Weaving-starring READY OR NOT 2: HERE I COME? Movie Review:

A24’s UNDERTONE plays a little like an aural counterpart to the visuals-based horror of SKINAMARINK. Movie Review:

Netflix’s THRASH dumps another bland bucket of chum in the already overcrowded ocean of shark movies. Review:

Choking on cliches, PSYCHO KILLER trots out trope after trope to create a copycat serial killer thriller. Movie Review:

Without the grindhouse feel of being shot on 16mm film, there isn’t much else to distinguish DOLLY from a glut of similar masked murderer movies. Review:

If you want to watch two men yell at each other in between wrestling matches with alien puppets, JIMMY AND STIGGS has that covered. Movie Review:

Having not played the game it’s based on, I can’t say how well THE MORTUARY ASSISTANT works as an adaptation. I can say it doesn’t work well as a commercial that makes me want to play it. Movie Review:

More about the journey than the destination, there’s no driver better suited to be behind SEND HELP’s wild wheel than Sam Raimi. Movie Review:

SCURRY has a good gimmick (shot and edited to look like one take). What it doesn’t have is a compelling story to fit that format. Movie Review:

Only biting off what its indie mouth can chew, BODYCAM is more of a snack than a meal, but it’s perfectly portioned for its smaller size. Movie Review:

COLD STORAGE - a horror/comedy for Liam Neeson fans who have always wanted to see the actor deliver exposition over a phone in no less than four separate scenes. Movie Review:

It’s as if the filmmakers made THE STRANGERS: CHAPTER 3 only 80 minutes long because they knew viewers wanted this misguided trilogy over with as fast as possible. Movie Review:

WHISTLE might not be the most formulaic fright film about a cursed object in horror history, but it’s certainly in contention for that title. Movie Review:

The McManus Brothers continue carving out a unique niche in indie sci-fi with REDUX REDUX. Movie Review:

In hindsight, maybe the more muted 28 YEARS LATER had to walk so the more meaningful THE BONE TEMPLE could run. Movie Review:

THE DREADFUL starring Sophie Turner and Kit Harington makes its audience feel uncomfortably unwelcome from the outset. Movie Review:

RETURN TO SILENT HILL turns a pixelated parade of digital eyesores into a flimsy fantasy more frustrating than frightful. Movie Review:

WE BURY THE DEAD’s press release touts an ambitious zombie adventure the movie very much is not. Review:

PRIMATE generously portions comforting fast-food flavors on its gleefully gory plate of killer chimp carnage. Movie Review:

Amanda Seyfried and Sydney Sweeney crank the soap opera salaciousness up to 11 in THE HOUSEMAID. Movie Review:

Luc Besson’s DRACULA (formerly subtitled “A Love Story”) is an unintentionally campy take on Bram Stoker’s classic tale. Movie Review:

The SILENT NIGHT, DEADLY NIGHT remake may not supplant the seasonal slashing of the original, but it still serves a quick fix of holiday horror. Movie Review:

Nobody does indie folk horror better than The Adams Family, and they make a welcome return to those witchy roots with MOTHER OF FLIES. Movie Review:

Blumhouse’s FIVE NIGHTS AT FREDDY’S 2 is less of a sequel to the first film and more of a prequel to a presumed third movie. Review:

Bryan Fuller’s DUST BUNNY with Mads Mikkelsen could use much more of its monster, and a heavier spark of eccentricity too. Movie Review:

Taking the title to heart, SLEEPWALKER sees its cast going through routine roles like they’re only half awake. Movie Review:

Patton Oswalt and Stephen King feature in Alexandre O. Philippe’s “Texas Chainsaw Massacre” documentary CHAIN REACTIONS. Movie Review:

Rosamund Pike and Matthew Rhys keep HALLOW ROAD swimming as strongly as possible against the strong current of a drowsy pace. Movie Review:

Ring in the new year with a horror movie worth watching - Director Danishka Esterhazy’s MATCH starring Humberly Gonzalez on Tubi. Review:

One more movie review before Christmas - Hulu’s THE HAND THAT ROCKS THE CRADLE with Maika Monroe and Mary Elizabeth Winstead:

PREDATOR: BADLANDS has high value as an action-intensive outer space adventure. Movie Review:

Just in time for Christmas, Nicolas Cage and FKA Twigs star in a horror movie about the teenage years of Jesus. THE CARPENTER’S SON Review:

Tatiana Maslany’s compelling performance keeps Osgood Perkins’s KEEPER from feeling the full weight of its semi-silly mythology. Movie Review:

‘Tis the season for slashing! THE NAUGHTY LIST OF MR. SCROOGE - Movie Review:

Krampusnacht is almost here, and Casper Kelly’s ADULT SWIM YULE LOG 2: BRANCHIN’ OUT is a great way to celebrate the season. Movie Review:

It ain’t JURASSIC WORLD, but PRIMITIVE WAR also isn’t a bad choice for a matinee movie on a rainy Saturday afternoon. Review:

BONE LAKE takes viewers back to the ‘90s with a throwback erotic thriller fit for a past-midnight slot on Cinemax. Movie Review:

COYOTES has a hard time balancing horror, humor, and heart, even with a simple animal siege setup. Movie Review:

A notable name claimed DREAM EATER “will be the scariest movie of the year.” Well, it isn’t. Not even close. Review:

Chris Stuckmann’s SHELBY OAKS tries something old and something new as a “found footage” horror film. Movie Review:

Tina Romero’s QUEENS OF THE DEAD sands down rough edges with a high-spirited effort focused firmly on fun. Movie Review:

Guillermo del Toro’s FRANKENSTEIN on Netflix is a marvel of visual design, but with a wearying runtime built by extensive philosophizing. Movie Review:

BLACK PHONE 2 has an abundance of nightmarish eeriness and excessive exposition, but more of the latter than the former. Movie Review:

Stuck in a slowed-down style, HELL HOUSE LLC: LINEAGE just doesn’t work for delivering absorbing scares or audience engagement. Movie Review:

The concept behind GOOD BOY sounds like a gimmick, but there’s a sentimental sincerity that makes the movie more than a cheap trick. Review:

Stephen King proves to be as prescient as Margaret Atwood in envisioning a horrifying scenario that once appeared improbable, but now seems frighteningly possible. THE LONG WALK Movie Review:

A comically ill-conceived sequel, THE STRANGERS: CHAPTER 2 asks all the wrong questions about how to expand a conceptually limited idea. Movie Review:

Unnecessarily cryptic and built out of excessive B-roll, VICIOUS with Dakota Fanning is a slow-burn snoozer. Movie Review:

What’s the most notable thing about the disappointing horror film HIM? Believe it or not, it represents Culture Crypt’s 2,000th movie review!

V/H/S/HALLOWEEN represents a rebound for the long-running horror anthology series, as it’s the franchise’s strongest, most consistent collection in years. Movie Review: