Marvel's Wolverine – Gameplay Trailer (Sound Design & Mix by Sweet Justice Sound). A huge thank you to our good friends on the Insomniac Games audio team for continuing to welcome us into their worlds. We can’t wait to share more of what we’ve been cooking together. www.youtube.com/watch?v=s3pD...

Orion is quite magical to use, feels like the next step for creative sound design, also the idea of being able to use all the 1000's of un-meta'd, un-named files we have is 😍

New features!

We're hiring for the roles we wish existed when we were starting out

Launching Creature Vox Large today: a new sound library for designing creature vocals of all sizes. Out now: www.paulstoughton.com/sfx-store#!/... Quick peek into the creative process: youtu.be/zgRv1BxSBl8

Okay updated latest with an FFT visualiser to show the before/after changes. Also just pushed up my other plugin I had WIP, a re-creation of Backwards Machine that was retired many years ago. Called the reversinator, you can grab here github.com/samueljustic... that's me for a while now!!

Curves!

I made a pitch flattener VST3/AU, great for turning dopplered sirens, screams, or animal cries into pitch-locked, high-energy sci-fi source. Weird, glitchy, artefacty fun. Free AU/VST3 (Mac/Win). Uses Rubber Band + FFT. 👉 github.com/samueljustic...

Thank you Team Jade, TiMi Studio Group and Tencent for continuing to trust us with the sound design on these exciting cinematics. Check out the Delta Force Season 5: Break cinematic, which we recently had the pleasure of handing sound design and atmos mixing for. www.youtube.com/watch?v=9Csz...

New home digs are complete

Slow and discrete obstruction systems has been the standard for too long. So excited about our upcoming propagation tech!

A little home renovation

The BMW M4 CS Edition VR46 celebrates the legacy of the one and only Valentino Rossi, and we were thrilled to help bring it to life. Big thanks to Hochkant and director Alessandro Pacciani for bringing us onboard—sound by Sweet Justice Sound Group

Gustav showcases more features of SweejTech 005; this video goes into detail about using modular content in various types of environments, allowing core-gameplay audio to adapt and change based on the location in the world (for example in a shooter; weapon tails, explosion tails, bullet casings etc)

Congratulations to Team Jade and Tencent on the release of the Delta Force: Black Hawk Down campaign. Sweet Justice Sound contributed the sound design and mix in Dolby Atmos for the cinematics. It was a great experience blending modern audio techniques with inspiration from the original(cont.)

Animated shorts are so much fun to work on. @csabawagner.bsky.social and myself have been chipping away on this awesome one. Dieselpunk robots? Yes pls!

The Millenia HV32 goes upto 200khz, coupled with the CO100K, cranked to 11, oh my the harmonic content 😍 feels like Sanken V2

While we're hard at work on audio features, we're building out a foundational layer to make the most of modern hardware. Read more here: https://buff.ly/3DcklOY Come chat with us about it on Discord! https://buff.ly/3DavboC

Hyyype, everyday is a pinch me moment with the projects we get to play with

@tomjaine.bsky.social about to wreck me at Warcry

There’s no bigger workout than cabling and rewiring studio gear

Congratulations to our friends at BioWare for the release of Dragon Age The Veilguard! We had a wonderful time working with the awesomely talented audio team, starting off by creating bespoke audio palettes of sound design source for them to use in for the various characters and races. (Cont.)