Folke Hoving “Sommarnatt, Same Ätnam” ca 1900

Paul Serusier ”Fisherman on the Laita” 1890.

Suzanne Billet de Fombelle (French 1899–1953) The Bathers

Unknown Standing Ganesha pre-Angkor period second half 7th century Cambodia Stone H. 17 ¼ in. (43.8 cm); W. 10 9/16 in. (26.9 cm); D. 6 in. (15.2 cm)

Mary Cassatt The Coiffure 1890-1891 color drypoint, softground etching, and aquatint on laid paper

Marc-Gabriel-Charles Gleyre (Swiss, 1806-1874). “Mucius Scaevola”, c.1858. Private collection. oil on canvas

Vauches au repos, Paul Gaugain, 1885 Oil on canvas

Félix Vallotton, The Rising Tide, 1913

Deer in the Forest II https://www.wikiart.org/en/franz-marc/deer-in-the-forest-ii-1914

They began to scream and chatter, from Beauty and the Beast https://www.wikiart.org/en/edmund-dulac/they-began-to-scream-and-chatter-from-beauty-and-the-beast

A photograph taken in 1938 by Mary A. Nourse for National Geographic, featuring two young Japanese women standing side-by-side outdoors, a representation of the intersection between traditional Japanese culture and burgeoning Western influence in the pre-war era.

'Parrot Tulip' 1987, par Robert Mapplethorpe #photographie #RobertMapplethorpe

Mixed media painting of Sussex Street, Cambridge. This is quite a favourite location. I've been reminded of this one by scrolling through my albums on Flickr. I've got no idea where I've stored the original: haven't seen it on any of my sort throughs recently.

Ohara Koson, Sparrows on snowy berry bush , 1930′s

Chichibu Nagatoro Un’ichi Hiratsuka (1895–1997) 1935 9 ½ x 12 Inches

Anónimo, Oso primera mitad del siglo XII (posiblemente 1129–1134) España, Castilla y León Fresco trasladado a lienzo Dimensiones totales: 78 ½ × 44 ¼ pulgadas (199,4 × 112,4 cm) The Metropolitan Museum of Art

Pompeo Girolamo Batoni (1708-1787). “Il ritorno del figliol prodigo”, circa 1773. Kunsthistorisches Museum Wien. Olio su tela.

Willem de Kooning. Oil on canvas.

L’Ares Ludovisi è una scultura romana in marmo dell’età antonina raffigurante Ares, una raffinata copia del II secolo di un originale greco della fine del IV secolo a.C., associato a Scopas o a Lysippos, che mostra il dio romano della guerra assumere il suo nome greco, Ares. Palazzo Altemps, Roma.

Eugen Von Blaas (detail)

Utagawa Hiroshige II A White Cat Playing with a String 1863

Laure Albin Guillot Estampe pour F. Marquis chocolatier-confiseur, Paris (Print for F. Marquis chocolate maker, Paris) Sans date (without date) Collection particulière, Paris

Isoda Koryusai Parrot on Quince Tree 1765–1775 Color woodblock print; chuban 24.5 × 18.1 cm (9 5/8 × 7 1/8 in.) Clarence Buckingham Collection

Henri Cros, (French, 1840-1907). “Le fil d’Ariane (Adriane’s Thread)”, c.1889. Musée des Beaux-Arts, Paris. oil and wood panel

Martin Desjardins (Martin van den Bogaert). “Captif, dit l’Espagne (Captive, known as Spain)”, c.1682-86. Originally, part of the Four Captives ensemble, Place des Victoires. Musée du Louvre, Paris. patinated bronze

Denzel Washington, portrait. #photographie #cinéma #acteur #DenzelWashington

Flowers - Robert Mapplethorpe (1946-1989), photographe américain controversé, connu pour ses portraits stylisés, ses natures mortes florales et ses images provocatrices explorant la sexualité et l'identité. #photographie #RobertMapplethorpe

Walter Crane (English, 1845-1915). “Pegasus”, c.1889. Victoria & Albert Museum, London. pencil, watercolor on paper laid on linen.

Eikō Hosoe (細江 英公) Photographe et cinéaste japonais

“Pan” – Illustration engraving for Endymion (1873). Author: John Keats, Sir Edward John Poynter (illustrations), Ferdinand Joubert (engravings). Publisher; Edward Moxon, Son and Co.

Byzantine-era bracelet of gold openwork studded with gems and pearls, from 6th century AD (photo: Bruce M White, Ferrell Collection) detroitartreview.com/2017/12/

Émile Friant (French, 1863-1932). Four Self-portraits. oil on panel

Dishes with Oysters, Fruit, and Wine (c. 1620-1624) - Osias Beert the Elder

Les Amoureux aux Poireaux, 1950. Robert Doisneau. Gelatin silver print.

Iris - Hall of the Storks (Kakushakuro). Print by an unknown artist. Japan (circa 1910). Cooper Hewitt, Smithsonian Design Museum.

Lapel watch (USA circa 1889). Enamelled gold, studded with diamonds. This lapel watch was shown at the 1889 Universal Exposition in Paris, where TIffany exhibited a group of floral brooches. Cooper Hewitt, Smithsonian Design Museum

Circular box (pre 1800) with a design of a girl and boy gathering fruit. Copper and enamel. © The Trustees of the British Museum.

A Quiet Moment, 1878 by Ernst Anders (German, 1845–1911)

Lewis Jesse Bridgman (1857-1931), ‘A Cat’, “The Guess Book of Riddles”, 1929

Adriaen van Stalbemt - Landscape with Fables (1620), Royal Museum of Fine Arts Antwerp

Juntaku Kappa drawings from the mid– 19th century work Illustrated Guide to 12 Types of Kappa 1850

Construction de l'exposition universelle Expo 58, Bruxelles, Belgique (1957) - Dolf Kruger

Emilie Mediz-Pelikan Larch Forest by Full Moon 1901 Pastel, with graphite, on gray wove paper Inscriptions Signed, dated, and numbered, lower right, in graphite: “1901 E. Pelikan / (18)” 49.6 × 61.9 cm (19 ½ × 24 3/8 in.)

Odilon Redon Strange Flower (Little Sister of the Poor) 1880 Various charcoals, with touches of black chalk and black Conté crayon, stumping, incising and erasing, on yellowish cream wove paper altered to a golden tone

The Flower Girl, Capri (also known as Capri Girl with Flowers), (detail), by Sophie Gengembre Anderson (French-born British, 1823 – 1903), oil on canvas, 36 x 28 in (91.4 x 71.2 cm), Private Collection

Kawase Hasui, Japanese (1883-1957), Lake Teganuma, 1930, woodblock, 24.0 x 36.2 cm