Site-specific, post-apocalyptic, cocktails included, and maybe a ghost. @loreningrid.bsky.social reviews LAST CALL. exeuntnyc.com/reviews/revi...

What is an autofiction performance installation, anyway? @loreningrid.bsky.social reviews IRANIAN GIRLFRIEND. exeuntnyc.com/reviews/revi...

A tense and intense exploration of cruelty and capitalism. @loreningrid.bsky.social reviews. exeuntnyc.com/reviews/revi...

Lorin Wertheimer appreciates the joy of SATURDAY CHURCH. exeuntnyc.com/reviews/revi...

When is a performance not a performance? @loreningrid.bsky.social reviews THE ESSENTIALISN’T. exeuntnyc.com/reviews/revi...

@loreningrid.bsky.social finds THE MATRIARCHS nuanced in its characters but a little out of balance. exeuntnyc.com/reviews/revi...

@mildlybitter.bsky.social can’t look away from THE WILD DUCK. exeuntnyc.com/reviews/revi...

This pirate musical gets a little lost at sea. @loreningrid.bsky.social reviews. exeuntnyc.com/reviews/revi...

ROAD KILLS isn't quite a comedy, but it finds some levity and wry humor in some pretty dark places. (Read the content warning on their website if you're squeamish or have a hard time with depictions of abuse, though.) @loreningrid.bsky.social reviews exeuntnyc.com/reviews/revi...

A deep dive into grief. @loreningrid.bsky.social reviews WELL, I'LL LET YOU GO. exeuntnyc.com/reviews/revi...

A new parody of The Parent Trap delivers mile-a-minute laughs. @lanewilliamson.bsky.social reviews GINGER TWINSIES. exeuntnyc.com/reviews/revi...

Schrodinger's comedy: just don't call it stand-up. @loreningrid.bsky.social reviews JOSH SHARP'S TA-DA! exeuntnyc.com/reviews/revi...

@loreningrid.bsky.social reviews WINNING IS WINNING, a piece about the horrors of our modern moment. exeuntnyc.com/reviews/revi...

OPEN is a heartfelt solo piece about magical thinking and the magic of theater. @loreningrid.bsky.social reviews. exeuntnyc.com/reviews/revi...

Speculative fiction about Prince George is surrounded by more personal stories in Jordan Tannahill’s PRINCE FAGGOT. @lanewilliamson.bsky.social reviews. exeuntnyc.com/reviews/revi...

A sobering look at the costs of war, even when you're fighting Fascism. @loreningrid.bsky.social reviews AT THE BARRICADES. exeuntnyc.com/reviews/revi...

Jean Smart plays an aspiring poet trapped in an abusive marriage in this cliché-ridden solo play. Cameron Kelsall reviews CALL ME IZZY. exeuntnyc.com/reviews/revi...

John Krasinski deftly navigates a middle-aged man’s spiral into conservative hell in Penelope Skinner’s ANGRY ALAN. @lanewilliamson.bsky.social reviews. exeuntnyc.com/reviews/revi...

A scathing satire of art in the age of oligarchy. @loreningrid.bsky.social reviews PROSPEROUS FOOLS. exeuntnyc.com/reviews/revi...

A moving portrait of a marriage and an homage to an American classic: Carol Rocamora reviews LUNAR ECLIPSE. exeuntnyc.com/reviews/revi...

Carol Rocamora is enchanted by this revival of Sarah Ruhl's EURYDICE. exeuntnyc.com/reviews/revi...

Show #2 in @clubbedthumb.bsky.social's Summerworks is very funny but there's some deep existential dread there too. @loreningrid.bsky.social reviews NOT NOT JANE'S. exeuntnyc.com/reviews/revi...

A laugh a minute is no exaggeration in Red Bull Theater’s new adaptation of Molière’s THE IMAGINARY INVALID. Juliet Hindell reviews. exeuntnyc.com/reviews/revi...

An explosively kinetic theatrical event. @loreningrid.bsky.social reviews BOWL EP. exeuntnyc.com/reviews/revi...

A one-woman show examines the complicated history of a noted filmmaker and Nazi sympathizer. Juliet Hindell reviews LENI’S LAST LAMENT. exeuntnyc.com/reviews/revi...

O.K.! is definitely okay, but it could have succeeded more by doing less. exeuntnyc.com/reviews/revi...

@mildlybitter.bsky.social appreciates the performances in BUS STOP more than William Inge’s script. exeuntnyc.com/reviews/revi...

'Tis the season for @clubbedthumb.bsky.social Summerworks. @loreningrid.bsky.social reviews BUSINESS IDEAS. exeuntnyc.com/reviews/revi...

@loreningrid.bsky.social finds A(U)NTS! wacky and fun, and the title is perfect. exeuntnyc.com/reviews/revi...

FIVE MODELS IN RUINS, 1981 looks great but @loreningrid.bsky.social isn't quite satisfied. exeuntnyc.com/reviews/revi...

Lorin Wertheimer finds PIRATES! THE PENZANCE MUSICAL a delightful reinvention. exeuntnyc.com/reviews/revi...

@loreningrid.bsky.social finds Irish Arts Center's newest production alarmingly timely. exeuntnyc.com/reviews/revi...

@loreningrid.bsky.social is becoming a real fan of playwright Kallan Dana. exeuntnyc.com/reviews/revi...

@loreningrid.bsky.social finds RHEOLOGY's metaphor of a fragile solid resonant in many ways. exeuntnyc.com/reviews/revi...

CLASS DISMISSED feels a little too deconstructionist for Lorin Wertheimer. exeuntnyc.com/reviews/revi...

Carol Rocamora wonders whether Benedict Andrews's CHERRY ORCHARD retains its truth to Chekhov. exeuntnyc.com/reviews/revi...

FLOYD COLLINS scales up for its Broadway debut and achieves greatness. @lanewilliamson.bsky.social reviews. exeuntnyc.com/reviews/revi...

MACBETH IN STRIDE didn't quite come together for @loreningrid.bsky.social, though some of its insights into MACBETH intrigued. exeuntnyc.com/reviews/revi...

A zippy new musical comedy takes the songs from the cult TV show SMASH and refashions them for the Broadway stage. @lanewilliamson.bsky.social reviews. exeuntnyc.com/reviews/revi...

@loreningrid.bsky.social will never say no to Caryl Churchill or Deirdre O'Connell, so GLASS. KILL. WHAT IF IF ONLY. IMP. was right up her alley. exeuntnyc.com/reviews/revi...

The message in JOHN PROCTOR IS THE VILLAIN is right there in the title, but @loreningrid.bsky.social still wished for a little more ambiguity. exeuntnyc.com/reviews/revi...

A misguided revival of THE LAST FIVE YEARS lands on Broadway, but at what cost? @lanewilliamson.bsky.social reviews. exeuntnyc.com/reviews/revi...

What makes an Irish play – and what makes it Irish ~enough~? IRISHTOWN offers some laugh-filled answers to those questions. Juliet Hindell reviews. exeuntnyc.com/reviews/revi...

@loreningrid.bsky.social agrees with every piece of praise Mona Pirnot can give David Greenspan. exeuntnyc.com/reviews/revi...

With all the chaos of the world, sometimes a lighthearted hour with lesbian space aliens will do your mind good. exeuntnyc.com/reviews/revi...

@loreningrid.bsky.social and Lorin Wertheimer had some disagreements about this ILIAD-inspired synth-pop musical. exeuntnyc.com/reviews/revi...

BUENA VISTA SOCIAL CLUB is a compact and charming new musical that comes alive through the music of Cuba. Cameron Kelsall reviews. exeuntnyc.com/reviews/revi...

Carol Rocamora finds Andrew Scott's one-man VANYA true to Chekhov's themes. exeuntnyc.com/reviews/revi...

A buoyant comedy about a secret mission that changed the course of World War II. @loreningrid.bsky.social reviews OPERATION MINCEMEAT. exeuntnyc.com/reviews/revi...

Branden Jacobs-Jenkins tackles the Great American Play. @loreningrid.bsky.social reviews. exeuntnyc.com/reviews/revi...