The best new writing here—and there. This autumn, we've partnered with @grantamag.bsky.social to bring you a joint subscription deal. One year of the best writing from the U.K. and the U.S. for a special price. Subscribe: subscribe.granta.com/store/produc...

“The clocks tick pink, then turn to horses. Please, put my heart in the tunnel of your telescope while there’s time.” — Michelle Kohler, "To Die Is Different" yalereview.org/article/kohl...

Took me a min to read Maggie Millner’s gr8 piece in @yalereview.bsky.social, but I’d noted the defensive IG comments when it appeared, which show the lightning speed w which lyric shame circulates. So chuffed she used my work so subtly!! yalereview.org/article/mill... “Is Mary Oliver Embarrassing?”

"The kingdoms have no exiles. They have, instead, coral noises that pique your curiosity." — Michelle Kohler, "To Die Is Different": yalereview.org/article/kohl...

"A new idea crept into Joseph’s thoughts. It troubled him for weeks before he brought several small pots of paint home from the factory and set them on the table in front of the blank canvas." From Katherine Dunn's "Process," new in TYR this week. yalereview.org/article/kath...

Truly a stunning essay by Adina Hoffman j. @yalereview.bsky.social yalereview.org/article/hoff...

The Windham Campbell Festival begins today! 🎉 Come hear from our fall issue contributors in person this week. On Thursday & Friday morning, join TYR editors for coffee and casual conversation with these eight remarkable writers. Full schedule here: windhamcampbell.org/festivals/20...

“The clocks tick pink, then turn to horses. Please, put my heart in the tunnel of your telescope while there’s time.” From "To Die Is Different," by Michelle Kohler, TYR's Poem of the Week: yalereview.org/article/kohl...

Thank you @yalereview.bsky.social for providing revelatory analysis of the social system rather than redundant criticism of the individual operator. bit.ly/4nxrATk

”When AI Speaks for the Dead.“ Professor Patricia Williams‘ latest article for @yalereview.bsky.social examines the ethical complexities surrounding AI technology that recreates voices and personas of deceased individuals. yalereview.org/article/patr...

"The finished painting was wrong but tantalizing. He stared at it in confusion for two whole afternoons." From Katherine Dunn's story "Process," published today in TYR.

"'Write every day.' It’s a nice idea! But it’s kind of the writing-advice equivalent of your mother shouting 'Be good!' from the car window." —Audrey Wollen

"It seemed clear that my disavowal of Oliver was more about my own shame and snobbery than about the merit of the work itself." Maggie Millner on Mary Oliver.

For nine months, media coverage of Trump’s second presidency has obsessed over his psyche. Rana Dasgupta argues this focus misses the real story: a deeper crisis in the American state itself.

“What does will mean in an age of autonomous doppelgängers owned by self-interested others? What does identity mean?” —Patricia J. Williams

Two weeks left! Send us your poetry, fiction, essays, translations before September 30. theyalereview.submittable.com/submit

In advance of her posthumous short story collection, out this October, read Katherine Dunn's "Process," published today in TYR. yalereview.org/article/kath...

“Cold is a hard style. It strikes in straight lines. It lifts the roof tile. ” A new poem by Anthony Vahni Capildeo.

New on Back Matter, TYR’s Substack: an interview with Audrey Wollen. She talks about how essays begin for her—usually with a hunch—and why she thinks of language as a found object. open.substack.com/pub/yalerevi...

"A half-fox blazed. Across the absences of grass. It had my face. It spoke." — Temperance Aghamohammadi, "Brocken Specter": yalereview.org/article/temp...

'It is not metaphorical to say that her words are green and full of liveliness and decay. They are actually, visibly, truly green.' Audrey Wollen on Claire-Louise Bennett's BIG KISS, BYE-BYE for @yalereview.bsky.social: yalereview.org/article/audr...

“A sentence that has no choice but to be haunting and painful. The cousin of Jazz. That grabs at the attention. It might be cruel. Evidence that it’s in the right place.” From Hélène Bessette’s “The Manifesto,” translated by Kate Briggs.

"To read CRUSH, then as now, is to be consumed by it." @RichieHof on Richard Siken's seminal poetry collection—and its many afterlives.

The Windham-Campbell Festival begins next week! Join us for a Morning Wake Up on Thursday with some of this year's prizewinners. Free copies of our fall issue, featuring their work!

“With or without Trump," Rana Dasgupta writes, "the American republic is mutating away from what it was during the high-constitutional era of the late twentieth century." yalereview.org/article/dasg...

In a lecture published in our Fall 2004 issue, Umberto Eco argued that literature doesn’t just reflect culture and language—it helps create it. Read “On Some Functions of Literature,” from our archives. yalereview.org/article/umbe...

"A half-fox blazed. Across the absences of grass. It had my face. It spoke." — Temperance Aghamohammadi, "Brocken Specter": yalereview.org/article/temp...

"some sunny day you’ll offer me the laughter of your life and I, heavy with moonwash moving like smoke into your door, across that amphibious plantation, will meet you crosswise" —Canisia Lubrin, From “The World After Rain,” II: Twice Awake

“Where with wherewithal. I fixed my eye. On some underdark peak.” From "Brocken Specter," by Temperance Aghamohammadi, TYR's Poem of the Week: yalereview.org/article/temp...

“I’m not being facetious when I say the epistolary novel should probably be the dominant form of our historical moment. It isn’t, not by a long shot, but it should be.” —Audrey Wollen yalereview.org/article/audr...

“When teenagers are talking, I imagine a tennis ball bouncing between them that’s never slowing down." In our fall issue, Matilda Feyisayo Ibini annotates a scene from her play SLEEPOVA. yalereview.org/article/mati...

“We can peer at her and—despite her impassivity, her antiquity—glimpse something of ourselves." Adina Hoffman on the alluring mysteries of Cycladic figurines.

“Where with wherewithal. I fixed my eye. On some underdark peak.” From "Brocken Specter," by Temperance Aghamohammadi, TYR's Poem of the Week: yalereview.org/article/temp...

Amid the glut of AI discourse, this essay, from @yalereview.bsky.social, is very good yalereview.org/article/patr...

“She loves the ampersand, loves its uprightness, its concision, its self-confidence. It is the connective tissue of her diaries.” Edmund de Waal reads Virginia Woolf.

“I am a writer. This means I can get through any airport using the shortest possible route, but I have to check my boarding pass to see if I am headed to Düsseldorf or Frankfurt.” In our fall issue, Anne Enright recounts her travels to Venice.

“Aside from the food, had she ever enjoyed herself at these dinners? Had she ever really wanted to go out on New Year’s Eve? Had the idea of a party ever excited her?” A new short story by Sigrid Nunez.

Richard Siken’s CRUSH defined a generation of poets. Then it had a second life on the internet. In our fall issue, Richie Hofmann writes about the book that remade American poetry.

There's an excerpt from Canisia Lubrin's new book, The World After Rain, in the @yalereview.bsky.social. Check it out! yalereview.org/article/cani...

A new piece from Kate Briggs with translated excerpts of Bassette’s writing about ‘the Poetic Novel’ (& Barthes makes an appearance)!! #AContinuation25 (cc: @ofbooksandbikes.bsky.social)

Great piece by Hofmann on Crush in the new @yalereview.bsky.social - I somehow have never spent much time with Siken. I aim to remedy that very soon! yalereview.org/article/rich...

Kate Briggs, whose translation of Hélène Bessette’s LILI IS CRYING came out earlier this year, offers a new translation of a poetic manifesto from the French writer.

“If it is true that the dominant position of the dollar is dependent on the United States’ continued technological leadership, the future of U.S. supremacy is substantially in the hands of tech firms," writes Rana Dasgupta in our fall issue.

After a fire broke out at Grenfell Tower, West London, in the early morning hours of June 14, 2017, killing seventy-two people, Roy Williams knew he would write about it. In our fall issue, read an excerpt from his new play "The Kings and Queens of Notting Dale." yalereview.org/article/will...

“The man I married lives in a benign universe. I do not.” In an essay in our fall issue, Anne Enright recounts three trips to Venice—before and after marriage. yalereview.org/article/anne...

In our fall issue, Audrey Wollen argues that Clarie-Louise Bennett is the novelist for our times, capturing “how it actually feels to feel something” in the modern age.

“When the rent is due Poetry is three-quarters useless” —Tongo Eisen-Martin, “Suggesting a Psyche,” a new poem in our fall issue yalereview.org/article/eise...

“She had never had trouble socializing, not even in new situations. She would have said she was good at it—adept at small talk, able as anyone to mingle and schmooze. But starting about a year ago, she had become a different person.” A new story by Sigrid Nunez.

For nine months, media coverage of Trump’s second presidency has obsessed over his psyche. Rana Dasgupta argues this focus misses the real story: a deeper crisis in the American state itself. yalereview.org/article/dasg...

What happens when AI speaks for the dead? Patricia J. Williams examines the legal implications of our new reality. yalereview.org/article/patr...