John O’Shea on provenance of food at bonus event No Harm Done #FACT2026

A deadline, says Ryuta, is a powerful technology. #FACT2026 BOOM

Jessica Walthew on collecting artworks containing viruses as design works … within a large scale bureaucracy … at #fact2026 #digipres

The program for FACT26 at ACMI is now online! We’ve added more speakers and you might want to consider coming along in Melb! There’s people speaking who you know and people you need to know! www.acmi.net.au/whats-on/fac...

The backstory behind one of four new commissioned games for ACMI’s Game Worlds - and you don’t even have to visit to play it. It’s also a lovely piece of speculative world building. (The other three new commissioned games are also online including one written for the Commodore 64)

For those _still_ making websites for museum visitors, this may be of interest …

Bennett Foddy is giving a talk at ACMI on Wednesday evening (Jan 14) . . . www.acmi.net.au/whats-on/ben...

Five months since the last one, a whopper 6250 word episode 104 of Fresh and New is now winging its way to your inbox. It’s chock full of links and sounds, some near and distant memories and pokes at some of the challenges right now. Enjoy. (Because it’s _so_ long it may be sitting in your spam…)

Cyclic Selects: Horse MacGyver Horse MacGyver is Naarm based media artist and sound designer Timothy Dwyer. He's been making some pretty unhinged music over the last decade or so on labels such as Nice music and Being Intense Records, playing live regularly, touring with Indonesia's iconic duo…

The 4th edition of ACMI’s Future of Arts Culture & Technology symposium now has Early Bird tix on sale. Feb 11-13 with first round of speakers announced. Expect some new provocations … www.acmi.net.au/whats-on/fac...

Watching along with #iPres2025 from afar - great to see how much bigger the digital preservation field is these days and how much more understanding there is of it’s importance

Melbourne tonight … so many people dressed up as Oasis fans …

Nice #MIGW quote from @louieroots.bsky.social - “A lot of times being in public, being personally next to someone, stops you being an asshole to them… You have that feeling of respect, you’re reminded there’s someone else at the other end of that computer.” www.superjumpmagazine.com/material-pla...

Indeed you can …

just a reminder that bandcamp friday is tomorrow & streaming services are interrupting music streams with ai generated shit, flooding the database with artists that don't exist in any way other than profiting the platform owners so instead of paying a monthly fee, buy an album or two each month ok

“We wanted to think instead about what we could do that was more action oriented. We wanted to locate where we have agency and not just give in to sorrow.” ❤️

The Australian Creative Histories and Futures Project is running a survey to investigate data use across the arts and culture sectors. If you're a researcher, artist, or GLAM worker you might like to give your feedback: https://unsw.au1.qualtrics.com/jfe/form/SV_78qwtk2SZhWOoku #glam

It is easy to dismiss this as a single publication ending, but it’s a wider _infrastructural_ loss - and as Louise Adler says, easy to close, very hard to rebuild. These decisions have disastrous long term consequences beyond a single slice of the cultural sector

This is _such_ an exciting thing we are able to have happen at @acmimuseum.bsky.social … don’t miss it

As Bandcamp day winds up, there’s plenty of fantastic music to explore on this label too …

Super proud of the whole @acmimuseum.bsky.social team with Game Worlds now on full sale -> au.variety.com/2025/digital... … time to start planning your trip, customise your character, fill your inventory. Open Sept 18

Oh that will not be a problem

“it feeds the interconnectedness all of those funky and psychedelic and arty things and gospel right into your brain and right into the mainline of our living folk culture all over again”

Much sampled, so good to see this available for the youths …

Unsound Adelaide: Fri 11th – Sat 12th July 2025 To call Unsound eclectic is an understatement. It never fails to provoke, confound, seduce or dismay – often in equal measure, and often in the course of one set. Held across two nights in the Adelaide CBD it has become something of a beacon for…

We always hear about art museum collections and scans revealing things beneath layers of paint, but less often stories about the other types of museum collections … www.abc.net.au/news/2025-07...

So happy to have _finally_ sourced a copy of this! It’s a fantastic synthesis of 400k words of oral histories conducted over the pandemic and captures a huge slice of sector knowledge, 50 years of practice, and method that museums have often forgotten

Telnet!

The second half of this excellent piece is worth reading twice for a zoomed out view of many policy shifts going back decades

The Australian Design Centre has had its funding cut. Design is so critically important, and so under appreciated and unsupported in Australian culture. ADC is looking for partners, sponsors, or people who can help them keep supporting designers and makers. Please share.

😢 www.theguardian.com/music/2025/j...

Episode 103 of Fresh and New is (finally) in your inbox or trapped in your spam filter! Enjoy! This one is a long one with many threads all being pulled at once

A super good and insightful read about what happens to the ‘middle’ in culture ‘industries’

ACMI + RMIT Audience Lab is back Saturday June 7 ✨ www.youtube.com/watch?v=bu4Y...

Amazing treasure trove in the Internet Archive

In all the #silksong rumours and manic excitement about @acmimuseum.bsky.social and the upcoming Game Worlds exhibition, there’s been a long historical commitment to games at ACMI - www.acmi.net.au/stories-and-...

A lovely piece from Cat Hope celebrating the life and strange music of Alan Lamb. @cyclicdefrost.bsky.social has also republished a piece from Issue 10 in 2005 on Lamb when the mag was in print form too.

GenAI ‘remakes’ (if you can even call them that!) have nothing to do with game preservation … obvs … lots of good stuff in this piece!

OMG WUT?!

I've written a new blog post on the #trove API keys debacle that answers some questions raised by my first two posts, and provides some updates on recent actions by the National Library of Australia. https://updates.timsherratt.org/2025/04/11/update-on-trove-data-access.html Please share! #glam […]

Organoids … www.theguardian.com/artanddesign...

This is coming on September at @acmimuseum.bsky.social … which you don’t want to miss! youtu.be/NsE8wTSEhEY?...

AMaGA does not often make statements on issues beyond Australian borders, but as our sector is so internationally intertwined, it is vital to reassert the importance of memory institutions and the work they do - www.linkedin.com/posts/museum...

Melbourne friends - @acmimuseum.bsky.social is doing screenings of the new Mark Pritchard & Thom Yorke visual album Talk Tales with Jonathan Zawada on May 8. See and hear it properly, first session has an exclusive live Q&A … don’t miss your tickets - www.acmi.net.au/whats-on/tal...

In a still slightly jet lagged mania, Episode 102 of Fresh and New is now winging its way to your inbox with more photos, chance musical encounters and reflections on last week in Boston. Check your spam filters! Enjoy!

Episode 101 of Fresh and New is now winging its way to your inbox with lots of photos and reflections on last week at Uni of Michigan. Check your spam filters! Enjoy!

Thinking about why public services should not be designed in the same way as private-sector ones. I've 5 points so far: (1) CHOICE: with v few exceptions, we get to choose the private-sector digital services we use but most public services need to be universal at the point of access (1/n)

As someone who runs a publicly owned ‘screen culture’ museum, I am likely biased in endorsing this perspective! Yes to public investment in an ecology of digital public spaces, and the requisite capabilities and skills to nurture them

For those faraway, like me, trying to make sense of things