Good Morning! Have a great week! ♥️🙌

Barbara Payton #NoirAlley #TCMParty

Andy Clyde, William Boyd, Russell Hayden on the set of PIRATES ON HORSEBACK (1941)

Birthday remembrance - Paul Douglas #botd

NORA PRENTISS (1947) Fred Kelsey, Ann Sheridan

Good Morning! Happy Friday! ❤️🙌

On the set of THE MORE THE MERRIER (1943) Ann Savage, Joel McCrea, playing 'Battle Checkers' between takes.

Ann Savage

Good Morning! 🌄☕❤️

James Garner (7 April 1928 - 19 July 2014) #jamesgarner #botd #therockfordfiles

Good Morning! 🌇

Buster Keaton

🍽️❤️☕

Good Morning! 🌄☕♥️

Dennis O'Keefe and Mary Meade - T-MEN (1947) #NoirAlley #TCMParty

I love this outtake of Bette Davis #botd from a photo session at her home by Alfred Eisenstaedt in 1939.

Happy Easter! 🐣🐰♥️

Good Morning! 🌄

A LETTER TO THREE WIVES (1949) Linda Darnell, Ann Sothern, Jeanne Crain, John Venn

Evelyn Keyes - THE DESPERADOS (1943)

Just in time for lunch!

Good Morning! 🌅

Good Morning! 🌄

BACKGROUND TO DANGER (1943) Brenda Marshall, Peter Lorre

Good Morning! 🌄 ❤️

Ann Sheridan 🥰

Good Morning! 🌄

Rhonda Fleming in her dressing room during filming of THE GOLDEN HAWK (1952)

Happy 87th birthday to Terence Hill/Mario Girotti! #terencehill #botd

CAGED (1950) Hope Emerson, Eleanor Parker #TCMParty #NoirAlley

Saturday Night's picture! ♥️🙌📽️

Sterling Hayden, Rhonda Fleming, director Sam Katzman, on Columbia backlot during filming THE GOLDEN HAWK (1952)

ARKANSAS JUDGE (1941) (aka FALSE WITNESS), Pauline Moore, Roy Rogers

Rubbish from the first sentence: "In 1986, The New York Times ran a screed against a film-restoration trend gaining steam." Colorization was never restoration. Neither is using AI to take a stab at what Orson Welles (and Stanley Cortez, they never mention him, which is alarming) might have wanted.

❤️👍