‼️OUT NOW‼️The George Nicholas Animator Reel is finally out! This has been a true labor of love and I'm so excited to see it go live! I hope you enjoy!!~ youtu.be/QBZi-82Vtr4

‼️NEW VIDEO‼️COMING MARCH 20!! After a three year hiatus, I'm pleased to announce I'll be releasing a BRAND-NEW Sakuga MAD reel on Disney/Chuck Jones/Hanna-Barbera animator George Nicholas. Please look forward to it!!~

Hey! Did you know I have a letterboxd? Follow me there to learn my thoughts on what I’m watching or shame me for the movies I haven’t seen yet. I’ve been very active on it lately so give a look if you’re curious boxd.it/3KskX

Forget Singin' in the Rain*! More animators should 1969's "Sweet Charity" to understand communicating personality, rhythm and inventive staging. Shirley MacLaine, brightly dancing to director Bob Fosse's flawless choreography, brings out a truly magical moment for movie musicals. Highly recommended!

Richard Williams' animated credits sequence for the Richard Lester adaptation of "A Funny Thing Happened on the Way to the Forum" (1966). Brilliantly rendered to encapsulate the aged beauty of Roman mosaic art, fitting the accurate to life comedic identity of Lester's Rome: beauty caked with sleaze

The beauty of commentary tracks is experiencing new perspectives and important historical context that enrichens your appreciation of the greatest works of cinematic art. Oppositely, it's enjoyable listening to an academic roast for trash that doesn't deserve a second glace. Such as...

Benny Carter's isolated score for Faith & John Hubley's "Urbanissimo" (1966). Carter captures the destructive waste of urban industrialism using a bright hot swinging jazz ensemble. Gentle swing mixed with violent hardbop, playing into the film's effortless political satire. Have a listen!!