"do we have molecular loves? Yes surely we have molecular loves... What we see are global loves, but molecular loves are perhaps necessarily unconscious. I see in large part whom I love but what I love in whom I love is already more obscure... In our molar loves there is always something molecular"

“I’m very interested in the dual existence of this molecule; it lives in these two very different worlds simultaneously” Racheal Crowther on the military-industrial complex around “love hormone” oxytocin w/ her hexadecanal-air-conditioned micro-sphere of experimental sensory control “Liquid Trust”

snaps of a cathedral-like shopping mall (the Bentall Centre) in Kingston upon Thames. JG Ballard love-hated the place and it inspired Kingdom Come.

We have a postdoc medical humanities position available at Exeter on the Wellcome-funded After the End project. Are you interested in endings and aftermaths? If so, please do apply and join our research team. careers.exeter.ac.uk/vacancies/79...

Incredibly proud to publish this, by Robert Newton, a stunning piece of writing about a remote religious community in the shadow of a dormant nuclear plant, and what plans for a new plant reveal about the fractures caused by Britain's drive to decarbonise www.break-down.org/the-chapel-a...

any interesting being in technoscience, like a textbook, molecule, equation, mouse, pipette, bomb, fungus, technician, agitator, or scientist can [...] be teased open to show the sticky economic, technical, political, organic, historical, mythic, and textual threads that make up its tissues -Haraway

the Jonathan Demme films on Mubi atm are great... especially Something Wild (w/ Lulu’s toy-robot handbag-cassette, the John Waters cameo, the yuppies&ultraviolence etc)

interesting essay on nitazenes, molecule detectives, prophetic pharmacy "with the internet, virtually any esoteric molecular structure or chemistry study that is published online is instantly available to armchair chemists and illicit drug suppliers the world over" www.nytimes.com/2026/03/31/s...

"the radius of Fractals sloshed / upon the clay" (Frances Kruk, Lo-Fi Frags In-Progress)

from the big gerhard richter show

bank hawks complex hedging strategies as whack-a-mole sell off rips (found poem in FT today)

Looking forward to this JG Ballard conference in May 2026 in London. I'll be talking about the dream-forms and environmental catastrophes experimental meteorology inspires in mid-century modernism ☁️ www.eventbrite.co.uk/e/terminal-f...

🔔🔔POTENTIAL SCIENCE FICTION JOB ALERT KLAXON🔔🔔

So it looks as though you can access my new book already if you’re subscribed to OUP. Here’s the link :) 🎉✨ academic.oup.com/book/62228?s...

We are excited to join forces with the Australasian Modernist Studies Network for: "Toxic Modernism / Modernist Intoxication" Hosted at U Adelaide, Nov 19-21; proposals due 24 July. Please spread the word and join us!

I wrote about Serra’s Berlin Block & Chaplin’s secret double act with classical sculptures (in City Lights + The Great Dictator, but also early works His New Job, Work, Behind the Screen, &c.) This entire special issue—on “the Chaplinish”—is amazing! 🥾 onlinelibrary.wiley.com/doi/10.1111/...

This is brilliant. Confused feelings fold—over & over—into weird biochemical technologies… Prophecy creams make babies spew lies; shiny do-nothing pills induce vomiting; chemical mood control monuments mediate low-level public sadness; computer screens feed starving employees UV nutrients…

from Olivier Lebrun's A Final Companion to Books from The Simpsons (2018)

To mark the publication of my first book, join us online (or in-person) on 3rd Dec 2025 at 16:30GMT / 11:30EST Everyone is welcome 😊 Thanks @edinburghup.bsky.social @becimay.bsky.social @emmywaldman.bsky.social Info: bit.ly/3LZXc6w

Lee Miller’s Man and tar (c.1929-1931)

“a spectrum of chemical jams and jellies” — Fran Ross, Oreo (1974)

Can’t wait to read this, Nicholas Shapiro’s inspiring “chemical ethnography” of formaldehyde in budget mobile homes…

this is great 💊 "Polypharma Fiction" by Beth Blum academic.oup.com/alh/article-...

recent art photo dump w/ Paul Thek, Mike Kelley, Lee Seung Jio, Sophie Calle

Some close ups of Ambera Wellmann’s Death Masks Eternity (2025)

"one of those giant shopping malls surrounded by a wall that you bounced off like a rubber ball—unless you had a credit card on you" -- PKD, A Scanner Darkly (1977)

Hopefully there is already one in the works but Rosalyn Drexler's novel To Smithereens (1972) needs a UK publisher

strange days in Transnistria “Transnistria is not a real country […] It is basically a big business corporation owned and run by two local oligarchs who’ve made their fortunes on free supplies of Russian gas” on.ft.com/4gg2bew The secretive corporate empire that captured a breakaway state

“bones fuss about in your hand like spandex in a donut.” -- Keston Sutherland, Neocosis (2005)

“I gradually lost all fear of distortion. I perhaps oozed, rather than thought. What united and separated things? An imperceptible membrane, stretchy, spangled, gauzelike, of total vitality, which included laziness. A crystalline gel. An alphabet.” - Lisa Robertson's novel The Baudelaire Fractal

I wrote about doodles, democracy, & everyday aesthetics for @aeon.co. The essay is a spin-off from a chapter in my book Anexact Form & Modernist Culture!

Leigh Bowery at home in his London council flat (c 1980s) w/ Star Trek wallpaper, latex glue pour hair, kitsch Elvis Presley toy, psychedelic Dreamachine-style lamp, polyfoam shoulders, flowers, tele, etc.

Brilliant review by Eugenie Brinkema on Deleuze’s seminar On Painting... “Philosophy doesn’t work as TL;DR.”

“Leap over silent forms” - “Snow Line” (c 1928-1935) from Chika Sagawa’s Collected Poems

We are looking for multidisciplinary panels to be presented at our upcoming conference "Beyond Dualism—Thinking Creatively Across Worlds," which takes place in July next year. The full call can be found in the news section on our website: www.carsoncenter.uni-muenchen.de/news/news_ev... (1/?)

strange cloud

“Oil is sentient babbling underfoot / AI break my face” new dark age "techno poetry" by Karina Bush ("I Wear My Tinfoil Hat as a Crown" from FOURTH INDUSTRIAL REVOLUTION SLUT) youtu.be/r4K5jF7U41A?...

Publication day for my first book! Thank you @edinburghup.bsky.social & everyone that has helped over the years. The book cover image is 'The Metaphysics of Mr Lucky' by the wonderful Jonathan Lasker. Please consider reviewing and/or ordering for your university libraries! (link: bit.ly/4lp8yxj)

"Kafka’s animals, crossbreeds, and uncanny nonhumans emerge at a precise point. They are the spokescreatures of a precarious borderland where the human-ness of the human being comes undone. They speak from and embody a crisis in the human self-image" (Aaron Schuster) www.e-flux.com/notes/675817...

Kids in smalltown 1950s MA were given perks for joining “Science Club”: baseball tickets, Mickey Mouse watches, free breakfasts Only, the cereal was laced w/ radioactive iron + the milk radioactive calcium - part of a secret experiment by the Atomic Energy Commission, MIT scientists, + Quaker Oats

It seems Federer, Sampras, Djokovic all hit the ball with polyester laced with cow intestines. It takes about two cows to string a pro tennis racket & often "natural gut" strings are mixed with polyester. There are also nylon filament "synthetic gut" strings that mimic the spring of cow intestines.

“to be made pure mucous membrane” (Sartre)

My first book ANEXACT FORM & MODERNIST CULTURE is published July 2025! I'm very excited for this to be out in the world + feeling grateful to everyone at Edinburgh University Press - especially series editors Georgina Colby & Eric White!! 🎉 ꩜ 🫟 @edinburghup.bsky.social /// tinyurl.com/3sf7yj8d

“drawings clean, clear but crazy like machines” Eva Hesse to Sol Le Witt (from Abstract Erotic at the Courtauld)

and we wander in Random in the alleys of their longfaced towns taking from their sickly mandibles handbills summoning our joint spirits. I sing Sousa. The desire to disintegrate the Earth is eccentric Ed Dorn, "Sousa" (1960)

The Carpenter greets a classical sculpture bottoms up in Chaplin's film His New Job (1915). Chaplin repeatedly uses classical sculptures as comedic props & the Tramp often finds strange affinities with such (kitsch, fake, mass-produced) visions of ideal form.

“He’ll convert emergency into an occasion for pranksterism—for Nietzschean, philosophically motivated mischief.” Wayne Koestenbaum in The Anatomy of Harpo Marx

“this interminable tangle of industrial-financial interlocking—combining, extending, merging—is spawned upon the machines + the machine-men by the never-ending intertwining fabulation of numbers out of numbers, [...] in high financial fantasy, [...] a gigantic numerical hallucination"

“I like to write alone, and I don’t like to talk much… Together, Félix and I would have made a good Sumo wrestler.” — Deleuze, “Letter to Uno”

“Thought is molecular. We are slow beings, constituted by certain molecular speeds. Michaux says, ‘Man is a slow being, made possible only through fantastic speeds’.” — Deleuze, “The Brain is the Screen”