NEW ISSUE KLAXON: Shakespeare Bulletin 43.4 is now published via Project Muse! Find the final issue of Shakespeare Bulletin's 2025 volume, now fully open access. 📰: muse.jhu.edu/issue/56610

Noel Sloboda reviews Folger Theatre and Cincinnati Shakespeare Company’s 2025 production of A Room in the Castle, written by Lauren M. Gunderson, directed by Kaja Dunn 🎭: www.folger.edu/whats-on/a-r... 📰: muse.jhu.edu/article/981809 📷: Erika Nizborski

Elizabeth Klett reviews 4th Wall Theatre Company’s 2025 production of Bedlam’s Hamlet, dir. Kim Tobin-Lehl 🎭: www.4thwalltheatreco.com/hamlet 📰: muse.jhu.edu/article/981810 📷: Gabriella Nissen

Sheila T. Cavanagh reviews Avant Bard Theatre’s 2025 production of The Magriad, or, The Tragedy of Queen Margaret, adapted and directed by Séamus Miller 🎭: avantbard.org/project/the-... 📰: muse.jhu.edu/article/981816 📷: DJ Corey Photography

Remson DeJoseph reviews The Wasteland Theatre Company’s 2024 production of Richard the Ghoul, dir. Jonathan Thomas 🎭: www.wastelandtheatre.com/director-s-b... 📰: muse.jhu.edu/article/981814 📷: Jessica-Star Hussiere

Joan Raube-Wilson reviews the American Shakespeare Center’s 2024 production of The Merry Wives of Windsor, dir. Dawn Monique Williams 🎭: americanshakespearecenter.com/events/merry... 📰: muse.jhu.edu/article/981819 📷: October Grace Media

Justin B. Hopkins reviews Arlekin Player’s 2024 production of The Merchant of Venice, adapted and directed by Igor Golyak 🎭: www.merchantofveniceplay.com 📰: muse.jhu.edu/article/981817 📷: Pavel Antonov (The Merchant of Venice)

Today’s Extra Credit focuses on Valerie Clayman Pye’s article ““I have thee not, and yet I see thee still”: Shakespeare’s Globe, Augmented Reality, and Actor Training”. Check out these open-access resources to go along with this open-access article! 📰: muse.jhu.edu/pub/1/articl...

Today’s Extra Credit focuses on Linhan (Shumo) Gan’s article “Bound by Belief: The Collapse of Bushido and the Rise of Faith in Ran”. Check out these open-access resources to go along with this open-access article! 📰: muse.jhu.edu/pub/1/articl...

Today’s Extra Credit focuses on Emily MacLeod’s article “Editing Margaret: Theatrical and Filmic Cuts in Much Ado about Nothing”. Check out these open-access resources to go along with this open-access article! All resources are included in the link in our bio. 📰: muse.jhu.edu/pub/1/articl...

NEW ISSUE KLAXON: Shakespeare Bulletin 43.3 is now published via Project Muse! This open access issue features articles on Margaret's presentation in Much Ado; an analysis of bushido in Kurosawa's Ran; and a pedagogy-oriented exploration of a Globe app for actor-training. 📰: muse.jhu.edu/issue/56353

Today’s Extra Credit focuses on Benjamin Blyth’s article, “Shakespeare’s “Dramatic Style” at the Curtain: A Collaborative Model for Site-Responsive Practice-as-Research”. Check out these open-access resources to go along with this open-access article! 📰: muse.jhu.edu/pub/1/articl...

Edel Semple reviews Reduced Shakespeare Company’s 2025 production of The Comedy of Hamlet! (a prequel), written and directed by Austin Tichenor and Reed Martin 🎭: www.reducedshakespeare.com/productions/... 📰: muse.jhu.edu/article/974952 📷: Meg Moore

Terri Bourus reviews Chicago Shakespeare Theater’s 2024 production of Pericles, dir. Tamara Harvey 🎭: www.chicagoshakes.com/productions/... 📰: muse.jhu.edu/article/974950 📷: Johan Persson

Zola P. Feasel and Joseph F. Stephenson reviews Wild Goose Theatre’s 2024 production of Twelfth Night, dir. Paul Alex Nicholls 🎭: www.oxfordcastleandprison.co.uk/events/event... 📰: muse.jhu.edu/article/974949 📷: Phil Morton (Twelfth Night)

Che Floy reviews Folger Theatre’s 2024 production of Romeo and Juliet, dir. Raymond O. Caldwell 🎭: www.folger.edu/whats-on/rom... 📰: muse.jhu.edu/pub/1/articl... 📷: Erika Nizborski

Adib Faiz reviews Randai Macbeth, a 2025 production by Traditional Performing Arts Centre (PuTRA), National Academy of Arts, Culture and Heritage (ASWARA), adapted and directed by Norzizi Zulkafli 📰: muse.jhu.edu/article/974944 📷: Izzat Fazil

Pascale Aebischer reviews Royal Shakespeare Company’s 2025 production of Titus Andronicus, dir. Max Webster. 🎭: www.rsc.org.uk/titus-andron... 📰: muse.jhu.edu/article/974942 📷: Marc Brenner, (Titus Andronicus)

Today’s Extra Credit focuses on Pascale Aebischer’s article, ““Why dost not speak to me?”: An Interview with Letty Thomas on Performing Lavinia”. Check out these open-access resources to go along with this open-access article! 📰: muse.jhu.edu/issue/55948

Today’s Extra Credit focuses on Stephannie S. Gearheart’s article, ““This island’s mine”: Imagining Alternatives to Thatcherism through Ghosting in Derek Jarman’s The Tempest (1979)”. Check out these open-access resources to go along with this open-access article! 📰: muse.jhu.edu/issue/55948

NEW ISSUE KLAXON: Shakespeare Bulletin 43.2 is now published via Project Muse! In this open-access issue, scholars and practitioners engage in conversations across time, media, and geographic distance. 📰: muse.jhu.edu/issue/55948

Today’s Extra Credit focuses on Sujata Iyengar’s article, “Dreams Deferred: Joseph Papp’s A Midsummer Night’s Dream (1964) and Gloria Naylor’s “Cora Lee””. Check out these open-access resources to go along with this open-access article! 📰: muse.jhu.edu/pub/1/articl...

Emma Katherine Atwood and Olivia Soileau review Resurgens Theatre Company’s 2024 production of Tamburlaine the Great, Part One and Part Two, dir. Brent Griffin. 🎭: resurgenstheatre.org/past-product... 📰: muse.jhu.edu/article/971402 📷: John Michael Hoke

Katie O’Hare reviews The Guthrie Theater’s 2024 productions of Richard II, Henry IV, and Henry V, dir. Joseph Haj. 🎭: www.guthrietheater.org/shows-and-ti... 📰: muse.jhu.edu/article/971400 📷: Dan Norman

Justin B. Hopkins reviews New York Circus Project’s 2024 production of Hamlet, created by Sam Landa and Emma Owens. 🎭: www.newyorkcircusproject.org/hamlet 📰: muse.jhu.edu/article/971397 📷: Steve Sarafian

Terri Bourus reviews Chicago Shakespeare Theater’s 2024 production of Henry V, dir. Edward Hall. 🎭: www.chicagoshakes.com/productions/... 📰: muse.jhu.edu/pub/1/articl... 📷: Liz Lauren

Joseph F. Stephenson reviews Shakespeare’s Globe’s 2024 production of The Taming of the Shrew, dir. Jude Christian. 🎭: www.shakespearesglobe.com/whats-on/the... 📰: muse.jhu.edu/pub/1/articl... 📷: Helen Murray

Today’s Extra Credit focuses on Louise Geddes and Nora Williams’ Afterword of Shakespeare Bulletin Issue 43.1, “The Fantasy of Relevance on the Shakespearean Stage”. Check out these open-access resources to go along with this open-access article! 📰: muse.jhu.edu/pub/1/articl...

Today’s Extra Credit focuses on Donovan Sherman’s article, “Whiteness and Witness: Fat Ham’s Classicism”. Check out these open-access resources to go along with this open-access article! All resources are included in the link in our bio. 📰: muse.jhu.edu/pub/1/articl...

NEW ISSUE KLAXON: Shakespeare Bulletin 43.1 is now published! Now fully open access, this issue features a cluster of essays edited by Louise Geddes and Nora J. Williams reflecting on casting, race, community, and tragedy in productions performed on and off Broadway. 📰: muse.jhu.edu/issue/55715

Today’s Extra Credit focuses on Claire Kimball’s open-access article, “Photographing Early Modern Drama in Performance: A Visual Dramaturgy.” Check out these open-access resources to go along with this open-access article! 📰: muse.jhu.edu/pub/1/articl...

Today’s Extra Credit focuses on Jennifer T. Birkett’s open-access article, “New Solutions to Old Problems: Gender Equity and the 50/50 Shakespeare Project.” Check out these open-access resources to go along with this open-access article! 📰: muse.jhu.edu/pub/1/article/956896

Vanessa I. Corredera reviews the Globe’s 2024 production of Much Ado About Nothing, dir. Sean Holmes. 🎭: www.shakespearesglobe.com/whats-on/muc... 📰: muse.jhu.edu/pub/1/article/956911 📷: Marc Brenner

Dan Venning reviews FRIGID New York, Something from Abroad, and Quemoción’s 2023 production of Hamlet: La Telenovela, dir. Federico Mallet. 🎭: frigid.nyc/something-fr... 📰: muse.jhu.edu/pub/1/article/956910 📷: Miguel Garzón Martínez

Dan Venning reviews Patrick Page’s 2023 production of All the Devils are Here, dir Simon Godwin. 🎭: allthedevilsplay.com 📰: muse.jhu.edu/pub/1/article/956910 📷: Julieta Cervantes

Burak Urucu reviews Moda Sahnesi’s 2024 production of Othello, dir. Kemal Aydoğan. 🎭: www.modasahnesi.com/events/othel... 📰: muse.jhu.edu/pub/1/article/956909 📷: Orçun Kaya

Anna Kamaralli reviews Sport for Jove’s 2024 production of I Hate People; or Timon of Athens, dir. Margaret Thanos. 🎭: www.sportforjove.com.au/timon-of-ath... 📰: muse.jhu.edu/pub/1/article/956908 📷: Kathy Luu

Liesl Jensen reviews the Colorado Shakespeare Festival’s 2024 production of Arden of Faversham. 🎭: cupresents.org/performance/... 📰: muse.jhu.edu/pub/1/article/956907 📷: Jennifer M. Koskinen

Erin Julian reviews Crow’s Theatre’s 2024 production of The Land Acknowledgement or As You Like It, created by Cliff Cardinal. 🎭: www.mirvish.com/shows/the-la... 📰: muse.jhu.edu/pub/1/article/956906 📷: Dahlia Katz

Check out the full interview with Jennifer on our YouTube! 🎥: youtu.be/n2BPTa8ajcY

Here's a sneak peak of our interview with Jennifer Low, the editor of the special reviews section on the Ukrainian Shakespeare Festival.

NEW ISSUE KLAXON: Shakespeare Bulletin 42.4 features Claire Kimball's essay on visual dramaturgy, Jennifer Birkett's essay on the 50/50 Shakespeare project, and a special reviews section on the Ukrainian Shakespeare Festival. 📰: muse.jhu.edu/issue/53960

The countdown to 42.4 begins! Stay tuned for articles from Claire Kimball and Jennifer T. Birkett, as well as a special section of reviews on the Ukrainian Shakespeare Festival.

Let's look at Joe Falocco's article, "Performance Scripts of Richard III throughout Theatrical History"! 📰: muse.jhu.edu/pub/1/articl...

Let's take a look at Katheryn Thompson's article, "Knives and Femininity on the Early Modern Stage"! 📰 : muse.jhu.edu/pub/1/articl...

Evelyn Reidy reviews Almeida Theatre’s 2024 production of King Lear, dir. Yaël Farber. 🎭: almeida.co.uk/whats-on/kin... 📰: muse.jhu.edu/article/945042 📷: Marc Brenner

Beth Sharrock reviews the Royal Shakespeare Company’s 2023 production of All’s Well that Ends Well, dir. Blanche McIntyre, Todd MacDonald, Hayley Peplet, and John Wyver. 🎭: www.rsc.org.uk/alls-well-th... 📰: muse.jhu.edu/article/945040 📷: Ikin Yum

Dennis Colin Graham reviews the American Shakespeare Center’s 2023 production of Hamlet, dir. Cameron Knight. 🎭: https://americanshakespearecenter.com/events/hamlet-2023/ 📰: https://muse.jhu.edu/article/945041 📷: October Grace Media

Robert Hubbard reviews Guthrie Theater’s 2024 productions of Richard II, Henry IV, and Henry V, dir. Joseph Haj. 🎭: https://www.guthrietheater.org/shows-and-tickets/2023-2024-season/richard-ii/ 📰: https://muse.jhu.edu/article/945045

Noel Sloboda reviews Harrisburg Shakespeare Company’s 2024 production of The Comedy of Errors, dir. Kelli Kauterman. 🎭: www.paonstage.com/shows/2024/h... 📰: muse.jhu.edu/article/945047 📷: John Bivens