Jennifer A. Low reviews The Public Theater's 2025 production of Twelfth Night, directed by Saheem Ali 🎭: publictheater.org/productions/... 📰: muse.jhu.edu/article/985858 📷: Joan Marcus

Kathleen Mitchell reviews the Cincinnati Shakespeare Company’s 2025 production of Twelfth Night, directed by Brian Isaac Phillips 🎭: cincyshakes.com/on-stage/twe... 📰: muse.jhu.edu/article/985863 📷: Mikki Schaffner

Abhirupa Roy reviews Acharya Brojendra Nath Seal College’s 2025 production of Sabbas Shakespeare, directed by Rupayan Mukherjee and Agneyo De Sarkar 📰: muse.jhu.edu/article/985860 📷: Rousan Alam

Yu Jin Ko reviews the National Changgeuk Company of Korea’s 2025 production of The Merchants of Venice, directed by Sung-youl Lee 📰: muse.jhu.edu/article/985857 📷: National Changgeuk Company of Korea

Emily Parise reviews the Center Theatre Group’s 2025 production of Hamlet, directed by Robert O'Hara 🎭: www.centertheatregroup.org/shows-ticket... 📰: muse.jhu.edu/article/985854 📷: Jeff Lorch

Noel Sloboda reviews the American Shakespeare Center’s 2025 production of The Two Gentlemen of Verona, directed by Aidan O'Reilly 🎭: americanshakespearecenter.com/events/the-t... 📰: muse.jhu.edu/article/985862 📷: Lindsey Walters

Today’s Extra Credit focuses on Mark Thornton Burnett and N.P. Ashley's article exploring caste in the Malayam-language reworking of Othello, Iru. Check out these open-access resources to go along with this open-access article! 📰: muse.jhu.edu/pub/1/articl...

Today’s Extra Credit focuses on Peter Kirwan’s interview with Aidan O'Reilly and Vanessa Morosco about Aidan's experience of being the first blind director to work at the American Shakespeare Center. Check out these open-access resources! 📰: muse.jhu.edu/pub/1/articl...

NEW ISSUE KLAXON: Shakespeare Bulletin 43.4 is now published via Project Muse! Find the final issue of Shakespeare Bulletin's 2025 volume, now fully open access. 📰: muse.jhu.edu/issue/56610

Noel Sloboda reviews Folger Theatre and Cincinnati Shakespeare Company’s 2025 production of A Room in the Castle, written by Lauren M. Gunderson, directed by Kaja Dunn 🎭: www.folger.edu/whats-on/a-r... 📰: muse.jhu.edu/article/981809 📷: Erika Nizborski

Elizabeth Klett reviews 4th Wall Theatre Company’s 2025 production of Bedlam’s Hamlet, dir. Kim Tobin-Lehl 🎭: www.4thwalltheatreco.com/hamlet 📰: muse.jhu.edu/article/981810 📷: Gabriella Nissen

Sheila T. Cavanagh reviews Avant Bard Theatre’s 2025 production of The Magriad, or, The Tragedy of Queen Margaret, adapted and directed by Séamus Miller 🎭: avantbard.org/project/the-... 📰: muse.jhu.edu/article/981816 📷: DJ Corey Photography

Remson DeJoseph reviews The Wasteland Theatre Company’s 2024 production of Richard the Ghoul, dir. Jonathan Thomas 🎭: www.wastelandtheatre.com/director-s-b... 📰: muse.jhu.edu/article/981814 📷: Jessica-Star Hussiere

Joan Raube-Wilson reviews the American Shakespeare Center’s 2024 production of The Merry Wives of Windsor, dir. Dawn Monique Williams 🎭: americanshakespearecenter.com/events/merry... 📰: muse.jhu.edu/article/981819 📷: October Grace Media

Justin B. Hopkins reviews Arlekin Player’s 2024 production of The Merchant of Venice, adapted and directed by Igor Golyak 🎭: www.merchantofveniceplay.com 📰: muse.jhu.edu/article/981817 📷: Pavel Antonov (The Merchant of Venice)

Today’s Extra Credit focuses on Valerie Clayman Pye’s article ““I have thee not, and yet I see thee still”: Shakespeare’s Globe, Augmented Reality, and Actor Training”. Check out these open-access resources to go along with this open-access article! 📰: muse.jhu.edu/pub/1/articl...

Today’s Extra Credit focuses on Linhan (Shumo) Gan’s article “Bound by Belief: The Collapse of Bushido and the Rise of Faith in Ran”. Check out these open-access resources to go along with this open-access article! 📰: muse.jhu.edu/pub/1/articl...

Today’s Extra Credit focuses on Emily MacLeod’s article “Editing Margaret: Theatrical and Filmic Cuts in Much Ado about Nothing”. Check out these open-access resources to go along with this open-access article! All resources are included in the link in our bio. 📰: muse.jhu.edu/pub/1/articl...

NEW ISSUE KLAXON: Shakespeare Bulletin 43.3 is now published via Project Muse! This open access issue features articles on Margaret's presentation in Much Ado; an analysis of bushido in Kurosawa's Ran; and a pedagogy-oriented exploration of a Globe app for actor-training. 📰: muse.jhu.edu/issue/56353

Today’s Extra Credit focuses on Benjamin Blyth’s article, “Shakespeare’s “Dramatic Style” at the Curtain: A Collaborative Model for Site-Responsive Practice-as-Research”. Check out these open-access resources to go along with this open-access article! 📰: muse.jhu.edu/pub/1/articl...

Edel Semple reviews Reduced Shakespeare Company’s 2025 production of The Comedy of Hamlet! (a prequel), written and directed by Austin Tichenor and Reed Martin 🎭: www.reducedshakespeare.com/productions/... 📰: muse.jhu.edu/article/974952 📷: Meg Moore

Terri Bourus reviews Chicago Shakespeare Theater’s 2024 production of Pericles, dir. Tamara Harvey 🎭: www.chicagoshakes.com/productions/... 📰: muse.jhu.edu/article/974950 📷: Johan Persson

Zola P. Feasel and Joseph F. Stephenson reviews Wild Goose Theatre’s 2024 production of Twelfth Night, dir. Paul Alex Nicholls 🎭: www.oxfordcastleandprison.co.uk/events/event... 📰: muse.jhu.edu/article/974949 📷: Phil Morton (Twelfth Night)

Che Floy reviews Folger Theatre’s 2024 production of Romeo and Juliet, dir. Raymond O. Caldwell 🎭: www.folger.edu/whats-on/rom... 📰: muse.jhu.edu/pub/1/articl... 📷: Erika Nizborski

Adib Faiz reviews Randai Macbeth, a 2025 production by Traditional Performing Arts Centre (PuTRA), National Academy of Arts, Culture and Heritage (ASWARA), adapted and directed by Norzizi Zulkafli 📰: muse.jhu.edu/article/974944 📷: Izzat Fazil

Pascale Aebischer reviews Royal Shakespeare Company’s 2025 production of Titus Andronicus, dir. Max Webster. 🎭: www.rsc.org.uk/titus-andron... 📰: muse.jhu.edu/article/974942 📷: Marc Brenner, (Titus Andronicus)

Today’s Extra Credit focuses on Pascale Aebischer’s article, ““Why dost not speak to me?”: An Interview with Letty Thomas on Performing Lavinia”. Check out these open-access resources to go along with this open-access article! 📰: muse.jhu.edu/issue/55948

Today’s Extra Credit focuses on Stephannie S. Gearheart’s article, ““This island’s mine”: Imagining Alternatives to Thatcherism through Ghosting in Derek Jarman’s The Tempest (1979)”. Check out these open-access resources to go along with this open-access article! 📰: muse.jhu.edu/issue/55948

NEW ISSUE KLAXON: Shakespeare Bulletin 43.2 is now published via Project Muse! In this open-access issue, scholars and practitioners engage in conversations across time, media, and geographic distance. 📰: muse.jhu.edu/issue/55948

Today’s Extra Credit focuses on Sujata Iyengar’s article, “Dreams Deferred: Joseph Papp’s A Midsummer Night’s Dream (1964) and Gloria Naylor’s “Cora Lee””. Check out these open-access resources to go along with this open-access article! 📰: muse.jhu.edu/pub/1/articl...

Emma Katherine Atwood and Olivia Soileau review Resurgens Theatre Company’s 2024 production of Tamburlaine the Great, Part One and Part Two, dir. Brent Griffin. 🎭: resurgenstheatre.org/past-product... 📰: muse.jhu.edu/article/971402 📷: John Michael Hoke

Katie O’Hare reviews The Guthrie Theater’s 2024 productions of Richard II, Henry IV, and Henry V, dir. Joseph Haj. 🎭: www.guthrietheater.org/shows-and-ti... 📰: muse.jhu.edu/article/971400 📷: Dan Norman

Justin B. Hopkins reviews New York Circus Project’s 2024 production of Hamlet, created by Sam Landa and Emma Owens. 🎭: www.newyorkcircusproject.org/hamlet 📰: muse.jhu.edu/article/971397 📷: Steve Sarafian

Terri Bourus reviews Chicago Shakespeare Theater’s 2024 production of Henry V, dir. Edward Hall. 🎭: www.chicagoshakes.com/productions/... 📰: muse.jhu.edu/pub/1/articl... 📷: Liz Lauren

Joseph F. Stephenson reviews Shakespeare’s Globe’s 2024 production of The Taming of the Shrew, dir. Jude Christian. 🎭: www.shakespearesglobe.com/whats-on/the... 📰: muse.jhu.edu/pub/1/articl... 📷: Helen Murray

Today’s Extra Credit focuses on Louise Geddes and Nora Williams’ Afterword of Shakespeare Bulletin Issue 43.1, “The Fantasy of Relevance on the Shakespearean Stage”. Check out these open-access resources to go along with this open-access article! 📰: muse.jhu.edu/pub/1/articl...

Today’s Extra Credit focuses on Donovan Sherman’s article, “Whiteness and Witness: Fat Ham’s Classicism”. Check out these open-access resources to go along with this open-access article! All resources are included in the link in our bio. 📰: muse.jhu.edu/pub/1/articl...

NEW ISSUE KLAXON: Shakespeare Bulletin 43.1 is now published! Now fully open access, this issue features a cluster of essays edited by Louise Geddes and Nora J. Williams reflecting on casting, race, community, and tragedy in productions performed on and off Broadway. 📰: muse.jhu.edu/issue/55715

Today’s Extra Credit focuses on Claire Kimball’s open-access article, “Photographing Early Modern Drama in Performance: A Visual Dramaturgy.” Check out these open-access resources to go along with this open-access article! 📰: muse.jhu.edu/pub/1/articl...

Today’s Extra Credit focuses on Jennifer T. Birkett’s open-access article, “New Solutions to Old Problems: Gender Equity and the 50/50 Shakespeare Project.” Check out these open-access resources to go along with this open-access article! 📰: muse.jhu.edu/pub/1/article/956896

Vanessa I. Corredera reviews the Globe’s 2024 production of Much Ado About Nothing, dir. Sean Holmes. 🎭: www.shakespearesglobe.com/whats-on/muc... 📰: muse.jhu.edu/pub/1/article/956911 📷: Marc Brenner

Dan Venning reviews FRIGID New York, Something from Abroad, and Quemoción’s 2023 production of Hamlet: La Telenovela, dir. Federico Mallet. 🎭: frigid.nyc/something-fr... 📰: muse.jhu.edu/pub/1/article/956910 📷: Miguel Garzón Martínez

Dan Venning reviews Patrick Page’s 2023 production of All the Devils are Here, dir Simon Godwin. 🎭: allthedevilsplay.com 📰: muse.jhu.edu/pub/1/article/956910 📷: Julieta Cervantes

Burak Urucu reviews Moda Sahnesi’s 2024 production of Othello, dir. Kemal Aydoğan. 🎭: www.modasahnesi.com/events/othel... 📰: muse.jhu.edu/pub/1/article/956909 📷: Orçun Kaya

Anna Kamaralli reviews Sport for Jove’s 2024 production of I Hate People; or Timon of Athens, dir. Margaret Thanos. 🎭: www.sportforjove.com.au/timon-of-ath... 📰: muse.jhu.edu/pub/1/article/956908 📷: Kathy Luu

Liesl Jensen reviews the Colorado Shakespeare Festival’s 2024 production of Arden of Faversham. 🎭: cupresents.org/performance/... 📰: muse.jhu.edu/pub/1/article/956907 📷: Jennifer M. Koskinen

Erin Julian reviews Crow’s Theatre’s 2024 production of The Land Acknowledgement or As You Like It, created by Cliff Cardinal. 🎭: www.mirvish.com/shows/the-la... 📰: muse.jhu.edu/pub/1/article/956906 📷: Dahlia Katz

Check out the full interview with Jennifer on our YouTube! 🎥: youtu.be/n2BPTa8ajcY

Here's a sneak peak of our interview with Jennifer Low, the editor of the special reviews section on the Ukrainian Shakespeare Festival.

NEW ISSUE KLAXON: Shakespeare Bulletin 42.4 features Claire Kimball's essay on visual dramaturgy, Jennifer Birkett's essay on the 50/50 Shakespeare project, and a special reviews section on the Ukrainian Shakespeare Festival. 📰: muse.jhu.edu/issue/53960