Sheppard’s “Geronimo” (2014) is a booming indie-pop anthem with a chant-along chorus and fearless energy, about diving headfirst into love and change. . #Ausmusic #Music #AnythingGoes

The Jungle Giants’ “Feel The Way I Do” (2017) is a euphoric indie-pop dance track about mutual attraction and the electricity of connection. . #Ausmusic #Music #WeekendDanceParty

Soaring with cinematic alt-rock power, Silverchair’s “The Greatest View” (2002) is about reclaiming control after scrutiny and struggle. . #Ausmusic #Music #80sAndUp

Spacey Jane drape The Beatles’ classic "Here Comes The Sun" in their own indie shimmer, with jangly guitars and warm, sun-bleached optimism. . #Ausmusic #Music #RemakeThursday

A fuzz-soaked burst of garage rock rebellion, Bean Magazine's “Free As Hell” (2025) thrashes through self-doubt with scrappy attitude and melodic spark. . #Ausmusic #Music #WildcardWednesday

Thelma Plum turns quiet heartbreak into golden light with "Freckles" (2024), a song that smiles through the sting of wanting what you can’t have. . #Ausmusic #Music #SoloPerformances

Birds of Tokyo - “Plans” (2010) is all soaring alt-rock heartbreak and cosmic longing, about the push and pull of fate and feeling. . #Ausmusic #Music #MoodyMonday

Dustin Tebbutt's "First Light" (2016) is a glowing indie-folk reverie capturing those first sacred moments of falling for someone, where love's dawn feels cosmic and endless. . #Ausmusic #Music #LaidBackTracks

A feral electro banger from The Presets, “Do What You Want” (2018) is pure chaos and catharsis - pounding beats, glitchy vocals, and a mantra of reckless freedom that dares you to let go and lose control. . #Ausmusic #Music #WeekendDanceParty

Tame Impala’s “Let It Happen” (2015) is a surreal, synth-soaked freefall through fear and surrender. . #Ausmusic #Music #AnythingGoes

For more suggestions on how to #AUSIFY your #Music playlist, check out: www.ausify.com.au . #Ausmusic

It's the first day of #Ausmusic Month 2025!!! Get ready for more great Australian #Music posts throughout November!

🎵Fight so dirty, but you love so sweet Talk so pretty, but your heart got teeth Late night devil, put your hands on me And never, never, never ever let go🎵 5 Seconds of Summer - "Teeth" (2017) . #Ausmusic #Music #WeekendDanceParty #Halloween #HalloweenSongs

The Birthday Party’s “Release the Bats” (1981) is gothic chaos at its finest: a snarling, campy punk exorcism where Nick Cave howls “Sex! Horror! Vampire!” over shrieking guitars. . #Ausmusic #Music #80sAndUp #Halloween #HalloweenSongs

The Amity Affliction turn The Weeknd’s sleek pop hit "Can't Feel My Face" into a blood-splattered zombie love story with heavy metalcore riffs. . #Ausmusic #Music #RemakeThursday #Halloween #HalloweenSongs

Erthlings’ dream-pop track “Halloween Weather” (2025) drifts like a hazy memory, with shimmering synths, soft percussion, and wistful harmonies that feel both distant and intimate. . #Ausmusic #Music #WildcardWednesday #Halloween #HalloweenSongs

Tones And I turns insomnia into euphoria on “Won’t Sleep” (2021), a kaleidoscopic pop fever dream of glitter, chaos, and late-night secrets. It’s a carnival of sound where the party never ends… even when it probably should. . #Ausmusic #Music #Halloween #HalloweenSongs

Explosive riffs, cinematic screams, and undead guilt collide in RedHook's “Dead Walk” (2020) - a metal-horror anthem about buried secrets clawing back to life. . #Ausmusic #Music #MoodyMonday #Halloween #HalloweenSongs

LAZY GHOST turn hangxiety into hazy surf-psych gold on “Sunday Scaries” (2025). Jangly guitars and woozy vocals capture that post-weekend dread - sunny on the surface, restless underneath. . #Ausmusic #Music #LaidBackTracks #Halloween #HalloweenSongs

Dark, hypnotic, and dripping with desire, Dom Dolla & Tove Lo's “Cave” (2024) builds a pulse of lust and power and turns surrender into a club anthem - with a monster-hunting music video. . #Ausmusic #Music #WeekendDanceParty #Halloween #HalloweenSongs

Sultry, savage, and supercharged, nightlight's “what if I’m the devil?” (2025) is a dark-pop inferno of vengeance, lust, and liberation. . #Ausmusic #Music #AnythingGoes #Halloween

A sleek, sultry and self-aware blend of alt-R&B and dreamy pop, Jewel Owusu's “spark” (2025) smoulders with late-night tension where desire flickers just shy of heartbreak. It’s the sound of getting burned and loving the glow anyway. #Ausmusic #Music #WeekendDanceParty

With smoky folk-blues tones and tender vocals, The Audreys' “Small Things” (2008) is a hymn for the soft-spoken and the steadfast. Gentle, poetic, and quietly devastating. . #Ausmusic #Music #80sAndUp

Jarryd James’ soulful take on Weezer's "Say It Ain't So" is wrapped in smoky keys, sparse beats, and falsetto tenderness. . #Ausmusic #Music #RemakeThursday

Anieszka’s “how do I” (2025) glows with slow-burn soul - it's a meditative R&B track about quieting doubt and reconnecting with intuition. . #Ausmusic #Music #WildcardWednesday

“Run For Your Life” (2014) is propelled by pulsing synths and urgent drums with Bertie Blackman’s voice cutting through, turning fear into motion and escape into empowerment. . #Ausmusic #Music #SoloPerformances

Thundering drums, hypnotic bass, and a mantra for awakening - Cog's “Resonate” (2005) channels pure energy and defiance, blurring the line between riff and revelation. . #Ausmusic #Music #MoodyMonday

With soft guitar and piano, Ben Lee’s “Rise Up” is a warm acoustic hymn to perseverance and love - gentle, hopeful, and quietly defiant. . #Ausmusic #Music #LaidBackTracks

Harry Hayes - “This Place Is Ours” (2025) fuses pulsing house rhythms, glowing synths, and heartfelt vocals into a warm, late-night groove that feels like finding your people under neon lights. . #Ausmusic #Music #WeekendDanceParty

Hermitude's “The Buzz” (2015) (ft. Mataya, Young Tapz) blends airy vocals, hypnotic bass, and trap-infused beats into pure atmosphere - that electric moment as everything kicks in. . #Ausmusic #Music #AnythingGoes

Hermitude's "Speak Of The Devil" (2012) is a funky, upbeat track blending infectious electronic beats with playful hip-hop flair. . #Ausmusic #Music #AnythingGoes

A euphoric nu-disco revival built from Sam-Jam’s 1979 groove, “Dance & Chant” (2019) pulses with hypnotic bass, brass, and mantra-like vocals. Yolanda Be Cool spin vintage funk into modern dancefloor joy. . #Ausmusic #Music #WeekendDanceParty

Glide’s "Open Up & Croon" (1995) is a heavy shoegaze/rock track humming with wounded swagger - part confession, part taunt. . #Ausmusic #Music #80sAndUp

Alice Ivy’s cover of “How Bizarre” (ft. Allday & Odette) renews OMC’s cult classic with bouncing beats, bright brass, and smooth vocals. . #Ausmusic #Music #RemakeThursday

MOWGLI & SANJAY's luminous remix of Jordane’s “When I’m Older” gives the track an electro-pop pulse. . #Ausmusic #Music #WildcardWednesday

Jordane’s “When I’m Older” (2025) glows with soulful warmth - smooth R&B grooves, tender vocals, and longing for a love that's timeless. . #Ausmusic #Music #WildcardWednesday

Luke Hemmings’ “Benny” (2024) is a cinematic alt-pop slow burn, smouldering with quiet heartbreak about guilt, distance, and devotion that costs too much. . #Ausmusic #Music #SoloPerformances

With lo-fi synths and soft beats, Headaches & Golden Vessel - “Make It Somehow” (2023) drifts through the quiet ache of fading love and a heart still hoping to reconnect. . #Ausmusic #Music #MoodyMonday

Shimmering like a love you can still feel in your chest, Charlie Collins’ “Wish You Were Here” (2018) is dreamy alt-country melancholy wrapped in warmth and wonder. . #Ausmusic #Music #LaidBackTracks

Beks ignites with “Who You Kidding” (2025), a glossed electro-pop anthem built on defiant truth, pulsing synths, and fearless self-presence. . #Ausmusic #Music #WeekendDanceParty

Courtney Barnett's "Depreston" (2015) is a languid, melancholic meditation on mortality, memory, and the mundanity of life. . #Ausmusic #Music #AnythingGoes

The Griswolds' “Nice To Meet Ya!” (2020) is an electro-funk-pop spark bursting with rhythm, connection, and feel-good energy. . #Ausmusic #Music #WeekendDanceParty

A lament for what almost was - Speedstar’s “Song For You” (2002) drifts from fragile acoustic intimacy to post-grunge catharsis. . #Ausmusic #Music #80sAndUp

Gordi turns Augie March’s “One Crowded Hour” into pure quiet ache - stripped-back piano, trembling grace, and the soft hum of survival. It’s heartbreak reimagined as a hymn. . #Ausmusic #Music #RemakeThursday

Perth’s Adrian Dzvuke blends Afro House pulse with late-night vulnerability on “maybe sometime” (2025) - a tender, percussive confession that moves like memory caught between hope and hesitation. . #Ausmusic #Music #WildcardWednesday

Charli Lucas flips heartbreak into rebellion on “How To: Ruin Everything” (2024) with sharp alt-pop and zero patience for lazy love. . #Ausmusic #Music #WildcardWednesday

Dreamy guitars and alt-rock grit collide in Lucky’s “Clover” (2025) - a hazy, heartfelt trip through lost innocence and quiet hope, chasing the luck you made for yourself. . #Ausmusic #Music #SoloPerformances

"'Lady Beetle' (2025) is a punchy, emotionally charged track that captures the messy thrill of breaking out of your comfort zone. Lucky delivers jangling guitars, driving bass lines, and a vocal that’s equal parts sweet and sardonic." . #Ausmusic #Music #SpoutibleMusic #WhaleSongs #SoloPerformances

With soaring alt-rock grit and heart-on-sleeve melancholy, Trophy Eyes’ “Friday Forever” (2018) aches for the euphoric nights you never wanted to end. . #Ausmusic #Music #MoodyMonday

Panama's aching vocals melt into Tinlicker’s lush synths in "Fade into Black" (2021) - ethereal, reflective, and melancholy. . #Ausmusic #Music #MoodyMonday