How will the flower bloom in 2100? We collaborated with artist Annelie Berner to create a generative web tool that visualizes how the Circaea Alpina flower might evolve in response to future climate conditions. variable.io/plant-futures/

Paul Klee 1929, In the Current Six Thresholds (In der Strömung sechs Schwellen) Source: www.guggenheim.org/artwork/2169

Josef Albers 1927, Interlocked Source: www.guggenheim.org/artwork/126

Lyonel Feininger 1933, Sardine Fisherman (Sardinenfischer) Source: www.guggenheim.org/artwork/1225

Composition 13478 / 15 1937, Georges Vantongerloo Source: www.guggenheim.org/artwork/4129

François Morellet: G.R.A.V (Groupe de Recherche d’Art Visuel) founding member, abstract painter, “inspired artist” demystifier. Used the phonebook as a PRNG. 6 répartitions aléatoires de 4 carrés noirs et blancs d’après les chiffres 1958 Centre Pompidou

Composition No. 96 1935, Friedrich Vordemberge-Gildewart Source: https://www.guggenheim.org/artwork/3779

Some permutations of the Halton sequence. The bases are supposed to be co-prime numbers to yield quasi-random looking distributions but look at these repeating patterns if they are not.

A quick look back at the 2018 Design Biennale in the Somerset House For Sweden: “Coal: Post-Fuel” by Jesper Eriksson.

Lygia Pape: founding member of Grupo Frente and co-founder of the Neo-Concrete Movement. Broke the artwork frame, the opposition between form and background. Talked about “the devouring of the culture of the other” all under a dictatorial regime. Relief in Orange and Blue 1956, Lygia Pape

Axonométrie de la maison Schröder de Gerrit Rietveld à Utrecht 1924, Gerrit Rietveld Source: Bibliothèque nationale de France (@laBnF) http://passerelles.essentiels.bnf.fr/fr/image/94b8183c-a61f-467c-87f9-9ce0421f4a5a-axonometrie-la-maison-schroder-gerrit-rietveld-utrecht-1924

Reabracadabra 1985, Eduardo Kac Currently on display at the Tate, "Electric Dreams, Art and Technology Before the Internet". #minitel

Dark Mode: On.

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