It is only with the support of journals like @bloodhoneylit.bsky.social and the hard work of editors like @davidestringel.bsky.social that we can reach new audiences and find the reciprocal energies to keep putting work out. Thank you

Thanks again to @bloodhoneylit.bsky.social for the support. #freepalestine🇵🇸

I appreciate getting this work or to a new audience. It seems more important than ever to investigate and question the designations d the designators of meaning, to question power inside its own mouth, to tackle that tongue. Thanks to @bloodhoneylit.bsky.social for the support. #freepalestine🇵🇸

bsky.app/profile/bloo... with thanks to @davidestringel.bsky.social for the support

I’m very happy to be presenting a series of work through @bloodhoneylit.bsky.social both written and visual and sound based. I’m thankful for the support and platform.

I’ve been writing these pieces since lockdown, they’re improvisations on objects, written one section at a time, biro drawing, thanks to @davidestringel.bsky.social and @bloodhoneylit.bsky.social for the support www.bloodhoneylit.com/aodan-mccard... #freepalestine #boycottdivestmentsanctions 🇵🇸

My new book is out from Veer Books, two long poems that are scores for Performance. Who gets to say what something means and the randomness that means any of us get to be who we are. Get it here veer2.org/Aodan-McCard... #freepalesti̇ne 🇵🇸 #boycottdivestmentsanctions 🇵🇸 #performance #performancewriting

Just spent an evening with this and it’s worth it … en.m.wikipedia.org/wiki/Blaze_(...

I have a short essay in this but there are many other wonderful bits of writing on the amazing poet writer and translator William Rowe ojs.uc.cl/index.php/es...

As 2025 kicks in I’m trying to focus on a show I have coming in the Autumn in the Regional Culture Centre in Letterkenny. Essentially it’s one large work though based on an improvised evolution and dialogue between the canvases over a period of 5 years. This is a couple from 2024. #bds🇵🇸