Hello good people - we’ve put a couple of jobs up: physical distribution sales type person (sell more records) and a warehouse operative (ship more records). state51.com/jobs Please share as you see fit.

Oli and I decided to re-release this 15 year old album we made together with new artwork, title, artist name and a previously missing track. It was the first album I ever recorded and the first Records Records Records record and I’m very proud of it. Here it is olichance.lnk.to/beenwaiting

1,000 British musicians, with a silent bonus track from Paul McCartney, with a simple message: ‘The British Government Must Not Legalise Music Theft To Benefit AI Companies’ Huge thanks to State51 and all the musicians involved 🙌 2/2

The vinyls of our silent album protesting the UK government’s proposals on AI & copyright are being pressed right now and they look beautiful Through pre-orders, we’ve already sold over half of the limited run of 1,000 copies :) Order one now at 1000artists.greedbag.com 🧵 1/2

Very delighted to be part of this beautifully crafted protest piece / peace

The 7” features Tear plus an exclusive Tear Rework b-side - only available on this format Cut in-house at state51 HQ by First Cut Vinyl Listen to Tear: white-flowers.lnk.to/tear

6:05 AM "Peacemaker" by 𝐌𝐄𝐌𝐎𝐑𝐈𝐀𝐋𝐒 from 𝑀𝑢𝑠𝑖𝑐 𝐹𝑜𝑟 𝐹𝑖𝑙𝑚: 𝑊𝑜𝑚𝑒𝑛 𝐴𝑔𝑎𝑖𝑛𝑠𝑡 𝑇ℎ𝑒 𝐵𝑜𝑚𝑏 (The state51 Conspiracy) #nowplaying

𝐓𝐡𝐞 𝐬𝐭𝐚𝐭𝐞𝟓𝟏 𝐅𝐚𝐜𝐭𝐨𝐫𝐲 𝐒𝐞𝐬𝐬𝐢𝐨𝐧𝐬: NYX Full video featuring cover of Suicide's 'Dream Baby Dream' youtu.be/bgQNvO8M1iw

On Cinema on Roofman (2025) 120m

Finders keepers

Here’s a wonderful read about Kate Bush’s ‘Hounds of Love’ which turns 40 today

Just a little reminder that these people own ‘independent’ music companies

Nurse With Wound's HEALSGEBEDDA BUDGERIGAR is out now via state51 records "a mind-bending trip expanded into a proper guess-again sampledelic netherworld" @boomkat.com nurse-with-wound.lnk.to/healsgebedda... *LP is now sold out*

Also the show almost falls on the 1 year anniversary of the release of the record with @state51.bsky.social This is us with our test pressing baby this time last year... Shot by lovely Louise Mason who did all our incredible photos for the album

The State51 sessions x Eat Your Own Ears: Gal Go feat. King Krule 📹 Watch via youtube.com/state51 🎟️ And catch Gal Go live at Club Cheek on Thursday 16 October. Final tickets on sale at eatyourownears.com/gal-go

Sex Swing's Singularity track ‘Wild Peacock’ is out now! The final release in our Singuliarty Series comes from noise rock supergroup, Sex Swing. An 18-minute improvisation that trades brute force for brooding psychedelia LISTEN/BUY sexswing.lnk.to/wildpeacock

they're so good live - had them at our label mates show at Moth Club. try and see them and you'll see what i mean

So many great sessions on our channel!! youtube.com/watch?v=IuO6...

This is on at our gaff on Tuesday. Great lineup and should be a lot of fun people Let me know if you want to come!

Big ups and new release energy to Clara Mann who releases the sublime Rift today. Such a gorgeous edition, it was a joy to see this one come together. Great work from the @state51.bsky.social crew! #DinkedEdition #newmusicfriday

We’re doing a launch night with Teleplasmiste at the factory 28 feb. Drop me a line for rsvp

i finally had a go at the state51 website - there are plenty of edits but does it make the right impression?? state51.com

I just finished this and loved it. It’s more like an deconstructed sci-fi novel than a game; for fans of Phillip K Dick, Gene Wolfe and anything quantum… Huge respect and admiration to my friends at Calligram for making such a brilliantly absorbing, beautifully mysterious world.

Our old friend Daniel Pemberton is releasing his ambient classic Bedroom… 30 years from first making it. For all you music and internet nerds here’s a slice of the original state51 website featuring it web.archive.org/web/19970412...

Today i shall mostly be mostly be enjoying interpol

Spotted after France at state51: nerds in the wild

Lovely to see Clara Mann here. “a stunning voice, one that feels almost unbelievable in the shape it takes, in the way it can wrap its presence around you, like a ghost creeping behind… a truly exquisite, spellbinding introduction to Mann's new body of work – and it really can't come soon enough”