In an attempt to make everything ‘frightening’, writer and director Alex Magaña (ACMofficial) now turns his attention to the laundry and, unsurprisingly, fails to deliver much here.

Repost - originally published June 2018 - Inspired by 80’s slasher horror, Pool Party Massacre is a low-budget comedy horror that is far better then it has any right to be.

From Night Terrors comes The Ruins, a horror short that comes in at under two and a half minutes. Focusing on a young boy whose explorative ways gets him in trouble.

Some mighty fine bands lined up for Slam Dunk 2026! youtu.be/srfoQR-mZ2w?...

Today’s single slam features Believe in Nothing, Ventenner, Struck/Down, Civil Service, sunbleached, PINKNOISE, Downpour, Atlas, Falling Below, male//gaze, The Devil’s Trade, and Evil Scarecrow.

From exciting modern melodeath and groove metal, to intense progressive death metal, and anthemic alternative rock, to snarling deathcore, and relentless sludge. We’ve reviewed some great releases this week, and here’s our weekly reminder of what has been covered.

It’s a film that wants to be so many different things, least of all a throwback to the likes of Slither and The Faculty, but doesn’t have the story depth and detail to make it work.

Varied melodic tones, destructive and harsh heaviness, deep and ethereal atmosphere, Crowgod take the listener on a journey here.

Face Yourself are back with a raging, spitting, snarling, and intense new EP. It’s Fury, and it’s one hell of an apt title.

The best thing Dying Wish have released? Maybe, but even if that’s debatable, the progression of the record isn’t.

The silence that falls over the crowd as A Burial at Sea emerge in understated fashion, spoke volumes. Before a single note is played, they have everyone’s attention, and the connection only deepens as the show goes on.

Delilah Bon, changing the game with every release, whether you like it or not.

It has been worth the wait. Just be warned, you’re going to come away having felt chewed up and spat out.

Album Review: Orbit Culture – Death Above Life (Century Media) Orbit Culture’s Death Above Life blends melodic death metal with cinematic depth, showcasing a bold, darker evolution for the Swedish band.

A band capable of creating deep immersion with a single track, let alone four, Last Hyena return with several impressive efforts that take the listener on a deep and rewarding journey.

The Brummie trio are an uncomplicated bunch, and Loathe for Life doesn’t upend the formula, but f**k it, does it slay. Slowly and with teeth-crunching force.

These days, reimagined/remade films and sequels to classic horror are all the rage, but even then, it’s something of a surprise to see a sequel to The Mutilator pop up. Especially one that turns out to be so meta.

Today’s single slam features Biohazard, Carach Angren, Heartline, The Pretty Wild, GlassCastles, Mastiff, Bad Juju, As Everything Unfolds, divedown, Tribe of Ghosts, Chairmaker, and Conjurer.

From powerful gothic doom, to nostalgia laden metal, and profound experimentation, to potent post and blackgaze, modern core chaos, and harsh, but beautiful, heaviness. We’ve reviewed some great releases this week, and here’s our weekly reminder of what has been covered.

Ash Pines: The Motel is cheap, and it is short, but it is not satisfying at all, and ends in such abrupt fashion, it feels like a bit of a joke.

Album Review: Amorphis – Borderland (Reigning Phoenix Music) Finland's legendary genre-defying heavy metal band Amorphis enter a new era with their 15th studio album, Borderland, set for release on the 26th of September via Reigning Phoenix Music.

Describing emotional and existential distress caused by the loss of the natural world, environmental change and the concept of home, Solastalgia is a very powerful listen.

Part horror, part black comedy, and part drama, Mom is a baffling, but compelling watch.

Live Review: Urne at Camden Assembly (13/09/2025) Urne are back in London for a headline, and sold out, hometown show at the Camden Assembly on Saturday 13th of September.

Mastiff have released their new single 'Decimated Graves'. It is the second one from their forthcoming EP 'For All the Dead Dreams', out 24th October via Church Road Records.

Experimentation that fascinates, entertains, and leaves an impression. Soulkeeper brought it all here and while it will polarise, it’s going to turn a ton of heads too.

Brighton’s Industrial Post-Hardcore quartet Tribe Of Ghosts have released their brand-new single 'FOREVER FALLING UPWARDS'. Available on all major streaming platforms and Bandcamp.

Where creativity meets tradition and in the hands of experts, it is as exciting as it is satisfying, and trust me, it’s very freaking satisfying.

ten56.’s first ever headline tour and the first of the UK dates was in London, alongside Cabal, VCTMS, and The Dali Thundering Concept.

The new album, the band's first headline tour, the growth of ten56. and so much more is what we discussed with vocalist Aaron Matts a few hours before they decimated The Dome in London.

As plans for BLOODSTOCK’s 25th anniversary get underway, the festival has unveiled another 27 bands for 2026’s monumental event.

I was 16 when the original Spit came out, and now that I’ve stopped rocking with despair, I can thoroughly enjoy the hell out of a rejuvenated Kittie looking backwards and giving some of their most iconic tracks the modern treatment.

Alongside a list of impressive collaborators, Igorrr push the limitations of music, force minds to open, and create a sonic landscape that is impossibly layered.

Today’s single slam features Rituals and Sabaton.

A haunting style of blackgaze that stays with you long afterwards.

Come, wallow, if you dare.

You really should know what you’re getting into when you settle down to watch a Full Moon film called Piranha Women.

Today’s single slam features Fit for an Autopsy, Millpool, The Fear, Beauty School, What Will Be, PREYRS, Indecent Behavior, Mallavora, Terzij de Horde, Eville, Dreamslain, and Urne.

From potent symphonic deathcore to emotional post rock, to memorable post hardcore, intense progressive rock, lively alternative metal, and anthemic rock and roll. We’ve reviewed some great releases this week, and here’s our weekly reminder of what has been covered.

A hidden gem, delivering straight-forward, enjoyable gameplay with an interesting story, unique characters, comedy, and a ton of violent and sweary content.

Reenergised and refocused, Blacklist Union hit a career high with their brand-new album, ‘Slay the Dragon’, a twelve-track hard rock banger.

Fast, furiously heavy, layered with extravagant symphonic elements, and exceptionally dramatic, but catchy, touches. That sums up the album, but it’s the specific moments in songs that help it stand out.

The new wave of post hardcore is well and truly here and it’s all thanks to the rise of bands like LASTELLE.

The album, as a whole, is a staggering achievement for Beth Blade & The Beautiful Disasters and will go down as a high point in their musical career.

Horror Movie Review: Azrael (2024) Azrael is a 2024 American action horror film directed by E. L. Katz and stars Samara Weaving, Vic Carmen Sonne and Nathan Stewart-Jarrett.

Once again, Between the Buried and Me have outdone themselves and delivered an album that is so unique, even for them.

Award-nominated independent rock and metal festival, Takedown Festival, has unveiled the headliners for its 2026 edition.

Famous Strangers, the dynamic and innovative band known for their dark, moody, and mysterious sound that blends atmospheric, visual storytelling with powerful, intense music, talk horror (past and present) with us.

Sure, modern alternative metal listeners will find themselves in familiar territory, but that doesn't mean the multi-instrumentalist creative isn’t kicking a ton of ass with an album full of infectious, powerful, and exciting EDM-infused heavyweight efforts.

Funeral doom, yes, but not quite as we know it.