while reading the checklist at a gallery group show i saw (b. 2000) and had to sit down

laura owens makes work at the intersection of isabella stewart gardner museum and photoshop

The wonder of the regional art museum: defector.com/the-wonder-o...

do i really have to post about the same thing i wrote on instagram, twitter, AND bluesky ?

when museum guards tell me to wear my backpack on the front, i want to tell them i can safely keep it on my back because as a gay person i have enhanced spatial awareness

of all the exhibitions about art and technology i've seen, "The Living End: Painting and Other Technologies, 1970-2020" is my favorite. I reviewed it for my newsletter: www.patreon.com/posts/heres-...

as part of Frieze's year-in-review coverage I wrote about how museums presented the relationship between art and AI in 2024: www.frieze.com/article/year...

My piece highlighting Gen AI “myths” in terms of how we talk about the technology, and what purpose those myths serve, is my self-serving contribution (looking to post a bunch from other folks today too). www.techpolicy.press/challenging-...

it’s a bummer that the art world won’t engage in any conversations that aren’t about “identity.” the backlash to dean kissick’s essay just proves his point

yesterday I sent out a newsletter with the third edition of my recommendations of art to look at and things to read. the first two were for subscribers only but i liked how this came out, so i decided to make it public: tinyurl.com/a7hksm95

Why does hotel art look like that? defector.com/why-does-hot...

i’m organizing a reading group to discuss Anna Kornbluh’s Immediacy, meeting both in New York and online. get in touch if you want to join! www.patreon.com/posts/rough-...

"For people with the ability and willingness to work on network problems, the real choice isn't between staying on the wasteland surfaces of the internet and going underground, but between making safer and better places for human sociability and not doing that."

This isn’t an echo chamber for me. I disagree with you all in some way.

last week i went on a press trip to China to see Beeple’s first museum show. i wrote about it for my newsletter tinyurl.com/4whxtm2c

I thought this was really interesting and at certain moments parallels some of the tensions in Dean's Harper's essay and its reception: www.newyorker.com/culture/open...

i should probably use a normal profile pic instead of the twitter egg, which i thought was hilarious in june 2023. i still think it’s kinda funny though

using Selfie to summon followers

last month for my newsletter i wrote a review of the gwangju biennale that praised its orientation toward the future, which makes it stand out among biennials that rummage through the past. www.patreon.com/posts/what-i...

i read dean kissick’s harper piece.. i feel like the way the magazine frames it overemphasizes his critique of identity art (which is tired) and undersells his critique of the institutional mainstream’s obsession with historical work (which is something that needs to be critiqued)

i need to travel less

maybe trump’s victory and the subsequent crypto bull market will mean my expertise in NFT art will be valuable and I can make money again

not sure i want to know what “pork floss” is but i like eating it

hello new followers, i look forward to disappointing you

i think pr companies should subscribe to my patreon as a way to compensate me for receiving all their emails

rip

i would like to see more writing on the differences between GANs and generative AI and less on whether AI is art

i was at a play and really enjoying it but then an actor accidentally broke the scenery and they sent everyone home.. no one told them that the show must go on i guess

and just like that, i skeeted

my microbiome is in shambles

what should i skeet about?