Here’s one that my good friend Molly Myers and I came up with during a conversation about punctuation. #semicolon #emdash #englishprofessor #studentteacherconference #writingclass #cartoon

My favorite part of this one was serving the lion a Manhattan. #wildebeest #lion #Manhattancocktail #cartoon #ringmaster

This one came to mind on a recent visit to the zoo. So many captions, so little time. #darwin #evolution #zoo #foxnews #cartoon

Could be the start of a stand up routine. I’m sure there are others on the menu. #macerated #restaurantjoke

Thought of this one on the actual ride last week. #itsasmallworld #disneyworld #markwethli

MW, "Summer," 1996, Oil on linen, 66 x 48 inches. Collection of the Farnsworth Art Museum

Unless we act—

A moment of quiet during a dark time. In solidarity with Kilmar Abrego García. MW, "Flowers," 1992, Ink wash on paper, 9 x 8 inches

Always a delight when a painting finds the perfect home. MW, "The Still Sea," 2025, Oil on linen, 55 x 50 inches

MW, Untitled Interior, 1997, Oil on canvas, 72 x 48 inches

MW, "Bellagio," 1990, Oil on board, 8x9 inches.

MW, "Corridor," 1991, Oil on board, 9 x 8 inches

Sad to hear about the passing of Gene Hackman, one of the great actors of our time. Among many signature moments in his career, the one I'll never forget is in "The Unforgiven," when Clint Eastwood's William Munny has a shotgun aimed at Hackman's "Little Bill" Daggett. (Continued in comments)

A painting that started as a class demonstration about underpainting, at Cal State Long Beach in the late 70's, and that I finished in Maine around 1990. MW, "Flowers," 1990, Oil on panel, 9 x 12 inches

Inspired by many voices who are encouraging us not to withdraw but to pursue and to share our work, and also since my younger friends were in grammar school when I made this, another deep cut from the 90's. MW, Untitled, Oil on canvas, 24 x 20 inches