Och nu har det även gått ut i pressen! Gården Hilma af Klints ateljé har öppnat på Adelsö. Öppet för allmänheten fre-lö kl 11-16 fram t.o.m. 30 augusti. www.expressen.se/noje/svenska...

Sorry for the delay. On June 15 we inaugurated the first place dedicated to Hilma af Klint. The center is called Hilma af Klint’s Ateljé and it’s located on the island Adelsö, about 1hr from Stockholm.

We are marking a pause in the series Parsifal as we are about to enter the last sub-series of the 144 paintings. An obvious association regarding Parsifal is the opera by Richard Wagner (1813-1883) with the same name. >>🧵

🖼HaK328 Series Parsifal Group 3, no. 122 29 November 1916 Note by Hilma af Klint otsd: "Then comes an indigo-colored one." "In the last page, the result is shown: a very beautiful color has emerged, it is violet. The violet color is predominantly bluish-red, with blue being its purest part. >>

Nu går solen knappast ner, bländar bara av sitt sken. Skymningsbård blir gryningstimme varken tidig eller sen. Juni natt blir aldrig av, liknar mest en daggig dag. Slöjlikt lyfter sig dess skymning och bärs bort på ljusa hav. Harry Martinsson 1953 📷 Hilma af Klints ateljé Adelsö 7 juni 2025 kl 22.50

Brand på Konstakademien i Stockholm idag lördag den 7 juni. Hoppas allt gått väl. konstakademien.se

🖼HaK327 Series Parsifal Group 3, no. 121 29 November 1916 Note by Hilma af Klint otsd: "The one following that is blue-green." "And in the following image, both are erased. They have decided to completely and fully close their gates in order instead to acknowledge their inability. >>

🖼HaK326 Series Parsifal Group 3, no. 120 [119 seems to be missing] 28 November 1916 Note by Hilma af Klint otsd: "The next page is yellow-green." "The next page is a description of when the human soul has come to realize its discord, begun to understand the fall. The fall consisted precisely in >>

Recommending the Hilma af Klint exhibition, "What Stands Behind the Flowers," at MoMa. Pick up the tote too! #WildflowerWednesday

🖼HaK325 Series Parsifal Group 3, no. 118 28 November 1916 Note by Hilma af Klint otsd: "The second page is similar, only with the difference that the square has changed to orange." Further on, she explains: "The physical body is fragile; it is to be regarded as a photograph of life. It absorbs >>

🖼HaK324 Series Parsifal Group 3, no. 117 28 November 1916 Note by Hilma af Klint otsd: "The square I am tasked with explaining has the fiery red color. This means that we must start from our earthly forces, including even a burning desire, if I may put it that way—starting from an intense >>

🖼HaK323 Series Parsifal Group 3, no. 116 [115 seems to be missing] 30 November 1916 Here is our third "egg" or ellipse or pearl - Hilma opens yet another sub-series in Group 3. She doesn't leave a note on November 30, but the day before she writes: >>

🖼HaK322 Series Parsifal Group 3, no. 114 24 November 1916 Note by Hilma af Klint otsd: "And in the last one, the black color is white; otherwise, the same designation. And the St. Andrew’s cross has a different color scale: within the green square, the color on both sides is pink, >>

🖼HaK321 Series Parsifal Group 3, no. 113 24 November 1916 Note by Hilma af Klint otsd: "In the next image, the light brown has become light violet; otherwise, the same designation."

🖼HaK320 Series Parsifal Group 3, no. 112 24 November 1916 Note by Hilma af Klint otsd: "The St. Andrew’s cross runs through the middle square but does not touch the walls of the house, thus extending out into space. This means that the very foundation contains the St. Andrew’s cross, >>

🖼HaK319 Series Parsifal Group 3, no. 111 24 November 1916 Note by Hilma af Klint otsd: "And on the third one there shall be only a slight remnant of color. I will further describe the four corners—they shall have a peculiar hue. The astral body is compelled to clothe itself in ignorance; >>

🖼HaK318 Series Parsifal Group 3, no. 110 24 November 1916 Note by Hilma af Klint otsd: "But to show that the astral body undergoes changes, I will make a seemingly insignificant alteration in the next one—letting the colors lighten outward."

This is my home stop. Such a delight to see this color on the regular.

🖼HaK317 Series Parsifal Group 3, no. 109 24 November 1916 Note by Hilma af Klint otsd: "Once again, we shall begin with our private studies. I must proceed through the astral body, for in order to understand the construction of the house, I must provide an explanation of its contents. >>

🖼HaK316 Series Parsifal Group 3, no. 108 [there seems to be no number 107] 30 November 1916 [Hilma af Klint does not leave a note this day. This painting also doesn't come in chronological order, as the next sub-group is painted on November 24, ie nearly a week earlier. >>

🖼HaK315 Series Parsifal Group 3, no. 106 23 November 1916 Note by Hilma af Klint otsd: "In the following image, the ellipse is to be returned to its initial position. Once again, alternate white and pink, but to indicate what has occurred, let the one on the left going upward be white, the one >>

🖼HaK314 Series Parsifal Group 3, no. 105 23 November 1916 Note by Hilma af Klint otsd: "The following image is similar to the previous day's work. Nevertheless, it is a very significant change: the white color moves downward, the red moves upward. And to indicate that the ellipse is at work in >>

🖼HaK313 Series Parsifal Group 3, no. 104 23 November 1916 Note by Hilma af Klint otsd: "I now want to begin my own studies. Thus, within the mental body that I describe, there exists mobility to the right and to the left. The question now is: Is it possible during earthly life to maintain a >>

🖼HaK312 Series Parsifal Group 3, no. 103 22 November 1916 Note by Hilma af Klint otsd: "The following image has the same construction, with the only difference being that the colors change — white and pink remain constant, but blue and yellow switch places. The blue color that goes downward in >>

🖼HaK311 Series Parsifal Group 3, no. 102 22 November 1916 Note by Hilma af Klint otsd: "The first focal points lie within the etheric body as primary causes. The other focal points are expressions of the generative ability of the first human couple, where a boy and >>

🖼HaK310 Series Parsifal Group 3, no. 101 22 November 1916 Note on the painting: "Pages 98 through 103 shall be executed in the same size as the small squares on pages 104 to 109" Note by Hilma af Klint otsd: "Perseverance is required to understand this mental image — perseverance because >>

🖼HaK309 Series Parsifal Group 3, no. 100 22 November 1916 Note by Hilma af Klint otsd: "H Before I begin to develop my mental image, I first want to try to free myself from something that has once again caused a certain irritation within me, because it has entered my own domain of innocence — >>

🖼HaK308 Series Parsifal Group 3, no. 98 21 November 1916 Note by Hilma af Klint otsd: "In the following image, the cross is lifted up; nothing more of the rose’s rays is visible except for three that go straight downward — one through the upper edges of the last square — but none of them >>

Series Parsifal Group 3, no. 97 21 November 1916 Note by Hilma af Klint otsd: "I proceed to the next page. Yet another square of the violet cross is moved across. Only a few rays from the invisible rose stream downward."

🖼HaK306 Series Parsifal Group 3, no. 96 21 November 1916 Note by Hilma af Klint otsd: "Yesterday's text ended at the green square, at its point of contact with the Garden of Eden. Now, on the next page of the document, it must lie within the Garden of Eden. The forces and juices of earthly life >>

In Her Botanical Paintings, Hilma af Klint Hurtles Back to Earth #art #artnews #MoMA #museums #NYC

🖼HaK305 Series Parsifal Group 3, no. 95 20 November 1916 Note by Hilma af Klint otsd: "I also wish to sketch the following page. The cross has now passed beyond the square; that part shall only be suggested by a small dotted line. The entire square shall be filled with emerald green. >>

🖼HaK304 Series Parsifal Group 3, no. 94 20 November 1916 Note by Hilma af Klint otsd: "While we are gathered and I receive support from both of you, I would like to present the following document. The cross is in the next [section] revealed, it shows what it contains: The cross, which we must >>

Rutgers Botanist Lena Struwe builds bridge between Science and Art in the exhibit on Hilma af Klint ”What Stands Behind the Flowers” at the Museum of Modern Art, showing 20th c. herbarium sheets and Hilma af Klint’s notebooks and floras describing plants. sebsnjaesnews.rutgers.edu/2025/05/rutg...

🖼HaK303 Series Parsifal Group 3, no. 93 20 November 1916 Note by Hilma af Klint otsd: "H Overflow us, O Lord, with Your power. We acknowledge Your omnipotence, our dependence on You, and we believe that we possess within us an atom of You, capable of development through eternity upon eternity. >>

What can the flowers tell you? "This little spring flower, the Tussilago, which shoots up out of damp clay soil, wants to tell us what is required of a human being." -Hilma af Klint, April 26, 1919 From a gorgeous new exhibition at moma

When the Guggenheim introduced Hilma af Klint to New York in a blazing 2018-19 retrospective, it scooped sublime canvases out of obscurity and laid them out like freshly polished gems. They were big, abstract and geometrical, yet they also celebrated recognisable organic forms.

The One comes to us … by a presence transcending knowledge. … It is present only for those who are prepared for it and are able to receive it, to enter into harmony with it ~Plotinus Hilma af Klint

🖼HaK302 Series Parsifal Group 3, no. 92 29 November 1916 [About 2-3 weeks have passed in November 1916. Hilma af Klint sets off for the third group of Parsifal. This drawing is not the next one chronologically speaking, but the next one in her numbering of the sheets.] >>

Hilma af Klint at MoMA — artist who blended botany and mystery https://www.ft.com/content/2b2c863f-9448-4a9c-8f16-c84b43ab276a

[Pause in the Parsifal series before we begin with the new sub-group, group 3. Parsifal has many spellings: Perceval, Percival, Parcifal, Peredur... The earliest reference to Parsifal date to the 12th centry romance “Erec et Enide” by Chrétien de Troyes's, where he is called Percevaus of Wales. >>

Today is the opening of the exhibition "What stands behind the flowers" at the MoMA in New York, showing a portfolio of 46 botanical drawings by Hilma af Klint. In the spring and summer of 1919 and 1920, she drew flowers almost every day. Runs until September 27. Link: www.moma.org/calendar/exh...

🖼HaK301 Series Parsifal Group 2, no. 91 5 November 1916 Endpage of Group 2 Note by Hilma af Klint Nov. 7 1916: "On the back of the envelope, the rose shall have a red pearl, which may be facing downward, with blue to the right and yellow to the left. Furthermore, the pearl shall only have the >>

Yesterday, May 8, was the White Lotus Day, a celebration of Theosophists. It marks the anniversary of the death of Helena Petrovna Blavatsky, founder of the Theosophical Society. Let’s realise HP Blavatsky actually wasn’t Russian: she was *Ukrainian*, as she was born in present Dnipro in 1831. 🙏

🖼HaK300 Series Parsifal Group 2, no. 90 November 1916, undated "The Convolute of the Physical plane" - Your strength is inexhaustible Note by Hilma af Klint on November 4 1916: "The next page is titled: 'Be faithful to yourself' [painting no. 83]. 'Your strength is inexhaustible'" >>

🖼HaK297 Series Parsifal Group 2, no. 87 November 1916, undated "The Convolute of the Physical plane" - "Outwards" 1/3

🖼HaK294 Series Parsifal Group 2, no. 84 November 1916, undated "The Convolute of the Physical plane" - "Forward" 1/3

🖼HaK293 Series Parsifal Group 2, no. 83 November 1916, undated "The Convolute of the Physical plane" - 'Be faithful to yourself' Note by Hilma af Klint on November 4 1916: "The next page is titled: 'Be faithful to yourself'. 'Your strength is inexhaustible' [painting no. 90]" >>

🖼HaK292 Series Parsifal Group 2, no. 82 November 1916, undated "The Convolute of the Mental plane" - Christ went voluntarily to crucifixion Note by Hilma af Klint on November 4 1916: "Third page: 'Harden yourself, beware of weakness' [painting no.75], and underneath: >>

🖼HaK289 Series Parsifal Group 2, no. 79 November 1916, undated "The Convolute of the Mental plane" - "Outwards" 1/3