Rough Draft (@roughdraftatlanta.com)

‘Marc by Sofia’ finds creative synergy between artist and subject A few years ago, Sofia Coppola released the “Sofia Coppola Archive” – a coffee-table sized pink book filled with behind-the-scenes photos, notes, and script excerpts from all of her films from 1999 to 2023. It’s a look book, of…

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‘Marc by Sofia’ finds creative synergy between artist and subject A few years ago, Sofia Coppola released the “Sofia Coppola Archive” – a coffee-table sized pink book filled with behind-the-scenes photos, notes, and script excerpts from all of her films from 1999 to 2023. It’s a look book, of sorts – a window into Coppola's personal aesthetic. As a Sofia Coppola obsessive, it is displayed proudly in my den. The archive is full of behind-the-scenes moments, but also stuffed to the brim with reference material for each film. There are collages of Y2K fashion that Coppola used as inspiration for Anna Faris’ character in “Lost In Translation.” Bill Owens’ photography book “Surburbia” played a large role in the aesthetic of “The Virgin Suicides.” And, for the costumes and color palette in “Marie Antoinette,” Coppola lifted from a Marc Jacobs spring collection based on the colors of Ladurée Macarons. https://roughdraftatlanta.com/2026/03/27/marc-by-sofia-finds-creative-synergy-between-artist-and-subject/?utm_source=bluesky&utm_medium=jetpack_social