Cat Violet were active for only a short time, but the surviving recordings collected on their new self-titled album reveal a gifted Scottish group... www.psychedelicbabymag.com/2026/06/cat-...

On ‘Of Ghosts and Gods’, Sons of Town Hall turn close harmonies, maritime tales and a touch of theatre into a folk record that feels like an old story told anew.

A truly inspiring and beautifully crafted album from a band returning with new material after 40 years.

Jade Stone & Luv’s ‘Mosaics: Pieces Of Stone’ is a very strange and rather fascinating bit of late-70s Nashville psychedelia, long tucked away in collector circles. A grail of “real people’s music”. A must for outsiders. This is Subliminal Sounds version.

A fantastic release by Brooklyn’s DÜÜL SUNS, whose self-titled debut mini-album is out via Declared Goods and offers six self-produced dream-psych songs recorded and mixed in a Brooklyn basement.

Bob Bert, the drummer who helped put the voodoo thud into early Sonic Youth before battering car parts with Pussy Galore, finally has a solo album out today with ‘Beach Bongo Bloodbath’ on Bar/None Records. www.psychedelicbabymag.com/2026/06/bob-...

First issued in South Africa in 1969 and unavailable for decades, English-Zimbabwean cult folk artist John Phillips’ debut ‘John’ is a beautifully fragile outsider folk record, now available again through Strawberry Rain.

“The Old Factory Demanded Obedience. The New One Demands Permanent Engagement” www.psychedelicbabymag.com/2026/06/laib...

On their debut album, THERE pull together the wild histories of Steve Mattos, Pat Crump, Josh Kemp and Brent Frattini and turn them into a strange, heavy, psych stew that’s equal parts chaotic and hypnotic.

The Rippers' 'Honesty' is a raw 1968 German beat record with early psych touches, organ, fuzz guitar and a rough, 60s charm.

For him, the important thing is the freedom to publish books he believes in. www.psychedelicbabymag.com/2026/06/ken-...

‘Going for Broke’ by Straight is a long-shelved early ’70s British folk-rock album, recorded in London between late 1971 and summer 1972 by a young Portsmouth band comprising Tom Powell, John Lytle, Andy McGuigan and Mike McGuigan. www.psychedelicbabymag.com/2026/06/stra...

On 'Moonstone', Kæry Ann follows the dark folk and psychedelia of her debut, 'Songs of Grace and Ruin', with heavier doom influences, exploring loss, nature and existential struggle.

Frank Hannon, co-founder and lead guitarist of TESLA, has released a new solo instrumental album, ‘Reflections’. www.psychedelicbabymag.com/2026/06/fran...

‘Everlasting Tributes’ by the Champaign, Illinois-based Finchley Boys is a monster slab of heavy blues rock in that perfect ’60s psych vein. (Guerssen reissue)

The Jack Rubies returned in 2024 with ‘Clocks Are Out of Time’, their first album in more than 30 years. Less than two years later, the original five-piece return again with ‘Visions in the Bowling Alley’, released by Big Stir Records on 23 January 2026. www.psychedelicbabymag.com/2026/06/the-...

The Blasters came from Downey, California, with a repertoire grounded in early rock’n’roll, postwar Chicago blues, rockabilly and country. www.psychedelicbabymag.com/2026/06/the-...

Imaad Wasif’s new album ‘Superconsciousness’ came out on March 18, 2026, through his own label, Voidist Records. www.psychedelicbabymag.com/2026/05/imaa...

‘Emerald Dream’ by Fangus is high-energy, fuelled heavy rock. Consisting of jagged riffs, eerie keys, and occult influences, ‘Emerald Dream’ expands the band’s universe into wilder, more enchanted dimensions. All in all, a fantastic release.

The Glass Cage story begins with an acetate found decades later in a Port Alberni thrift store. It was worn, unmarked, and separated from its original context, but it contained a 1968 recording... www.psychedelicbabymag.com/2026/05/the-...

Bill Holt was not supposed to make one of the great lost American head records. In the late ’60s he was working for 3M in Philadelphia, a young sales and marketing executive in a three-piece suit. www.psychedelicbabymag.com/2026/05/bill...

India Tigers in Texas return with ‘DOSE,’ a second album that builds on their psych-garage sound and captures the energy of a band becoming a firm part of the Texas psych scene.

Void resurfaces with lost hardcore punk recordings from D.C.’s outer edge. A must!

Edwin “Eddie” Prévost stands as one of the defining figures in postwar experimental music: a percussionist, theorist, publisher and founding member of AMM, ... www.psychedelicbabymag.com/2026/05/eddi...

Tee Pee Records Brings The Heavy Underground Back To Brooklyn With Cosmic Sonic Rendezvous www.psychedelicbabymag.com/2026/05/tee-...

A Liverpool-born guitarist and songwriter who emerged from the late ’60s folk circuit, Steve Tilston announced himself with ‘An Acoustic Confusion’ in 1971,... www.psychedelicbabymag.com/2026/05/stev...

Chevreuil’s ‘Stadium’: Two People, Four Amplifiers and a Strange Force www.psychedelicbabymag.com/2026/05/chev...

The 2nd Coming’s long-unheard 1969 Florida psych-rock album Evaluation finally gets its moment via Guerssen Records with our full album stream. www.psychedelicbabymag.com/2026/05/the-...

“All what you hear was created spontaneously.” www.psychedelicbabymag.com/2026/05/paul...

The Glass Key’s full-length album ‘Memoria,’ out via The Weird Beard and Echodelick Records, pushes the London trio’s instrumental psych sound into a heavier, more cinematic space, mixing electronic rhythms, layered guitars, dub, Afrobeat, marimba, violin, saxophone, and apocalyptic groove.

Canberra’s Lost Heavy Prog Underground: Samuel D. Rich Break Out Of The ’70s Vaults www.psychedelicbabymag.com/2026/05/samu...

On their new ten-inch for In The Red Records, The Art Gray Noizz Quintet and Lydia Lunch turn Iggy Pop’s 'Mass Production' and Magazine’s 'Permafrost' into two heavy pieces of no-wave damage.

Romeo Void came out of San Francisco at the end of the 1970s, shaped by punk, art school, queer culture, and the small-club circuit around places like Mabuhay Gardens. www.psychedelicbabymag.com/2026/05/debo...

Jerry Kranitz’s book looks at the cassette through the things people actually did with it. www.psychedelicbabymag.com/2026/05/jerr...

PRE were an underground band in the truest sense. They recorded one ambitious album in Kentucky in 1973, never got the label deal they hoped for, and then disappeared before the world had a real chance to hear them. www.psychedelicbabymag.com/2026/05/pre-...

Songwriter Harlan Howard said the essence of country music is “three chords and the truth.” For Ontario legend Fraser Wayne and their band The Desert Eagles, that “truth” is a kaleidoscopic view of the world through the window of a van. www.psychedelicbabymag.com/2026/05/livi...

Jonathan Sindelman is a Los Angeles-born keyboardist, composer, and sound designer whose work moves across contemporary composition, progressive rock, jazz, film-oriented production, and large-scale touring. www.psychedelicbabymag.com/2026/05/jona...

‘Lost Hotel’ is a set of dreamy, spaced-out, late-nite hotel-room duo blues songs by Kawasaki City’s foremost blues axeman, Tetsu Mineta (Early Scenes, Nishiga Higashi Ni), and Toronto’s Ayal Senior (3 Day Band, Sacred Lamp, Az Yashir).

“We started with no intentions to be a band,” says Flowers Must Die’s Rickard Daun, which explains why they still sound alive after twenty years. www.psychedelicbabymag.com/2026/05/flow...

Here’s a lesser-known 2002 release from the equally under-the-radar Multi Relax Foundation. #garage

Franz Wüstenberg’s ‘The King’s Gambit’ comes across as an upbeat folk rock record, full of strange warmth and melodies that seem to follow you out the door.

Michael Björn interviews Maxwell Hutchinson and Van der Graaf Generator co-founder Judge Smith about the making of ‘The Kibbo Kift: The 1976 Rock Musical’ that now sees its first-ever release on Think Like A Key Music. www.psychedelicbabymag.com/2026/05/the-...

Craig Williamson returns with Lamp Of The Universe’s Existence of the Self, a trance-like folk-psych album that carries the project’s acoustic and sitar-led sound into a deeper, more meditative space. (Sound Effect Records)

Alan Clayson is the theatre-fed, rule-dodging mind behind Clayson and the Argonauts, and his new solo album, ‘There’s Still Time,’ out via Think Like A Key, finds him still breaking the frame he built around himself decades ago. www.psychedelicbabymag.com/2026/05/alan...

Kontinuerlig Drift, now reissued by PQR with bonus material from the earlier Hela Havet Stormar period, were a short-lived Swedish underground group whose only album was privately released in 1977 on Trixie Bros. Records. www.psychedelicbabymag.com/2026/05/kont...

Hey, what about some always-amazing Jade Warrior? This latest reissue via Sommor/Guerssen brings ‘Eclipse’ back into the light. Recorded in 1973, the album was intended as Jade Warrior’s fourth Vertigo release, but was shelved before pressing and survived only through ultra-rare test pressings.

The Korgis and Stackridge occupy opposite ends of the same James Warren and Andy Davis continuum: one a compact pop mechanism built for radio, the other a West Country laboratory where prog, music hall, folk melody and English absurdism were allowed... www.psychedelicbabymag.com/2026/05/jame...

'Donnie’s Mood' finds D. Clinton Thompson drifting between jazz, blues, and folk in a loose, stripped-down set with a wandering feel. The 'Donnie’s Mood' release on Borrowed Records lands warm and easy, more about mood than structure...

COMA were one of those groups that sat slightly outside the usual narratives. Formed in the early 70s out of the Danish club circuit, they drew from Hendrix, Zappa and the late 60s underground. www.psychedelicbabymag.com/2026/04/coma...

Nothing’s more exciting than seeing these releases come home, especially since I wrote liner notes for some of them or am mentioned. Thanks a ton, Adam. Here’s to many more!! 😎 #underground