Our latest issue, 'Performing Identities in a Mediatised Age', has just bee published in open access: tinyurl.com/52r4pnv7 🔓 Edited by Martin Procházka & Ondřej Pilný, it brings together essays from a conference held at @charlesuni.cuni.cz in 2025 as part of the project 'CoRe: Beyond Security.'

From our latest issue on 'Romantic Shock and Surprise': 'Romantic Shock and Industrial Catastrophe' by Stephanie O'Rourke (@arthistorysta.bsky.social @uniofstandrews.bsky.social). 🔓 Read in open access: litterariapragensia.ff.cuni.cz/2025-69-5/

From our latest issue: “Radical Reform and the Shock of the Past in Mary Robinson’s Vancenza” by @eleanorfranzen.bsky.social (Birkbeck, University of London). Read in open access: doi.org/10.14712/257...

From our latest issue: “‘Deep the Raven Wades in Gore:’ Death Songs and the Norse-Gothic Spectacle” by @sharonchoe.bsky.social (University of Copenhagen). 🔓 Read in open access: doi.org/10.14712/257...

From our latest issue: “Revolutionary Shocks in Translation: Political and Linguistic Change in the Discourse of Radical Translators (1789-1815)” by Rosa Mucignat (@kingscollegelondon.bsky.social). Read in open access: litterariapragensia.ff.cuni.cz/2025-69-2/

Our current issue "Romantic Shock and Surprise", edited by David Duff and Laurent Folliot, examines "manifestations of aesthetic shock and surprise across a broad spectrum of Romantic literature from Britain and beyond." 🔓 Available in open access: litterariapragensia.ff.cuni.cz/2025-69-1/

Litteraria Pragensia has been included in the Directory of Open Access Journals. DOAJ is an index of diverse open access journals from around the world which aims to increase the visibility, accessibility, reputation, usage and impact of peer-reviewed, open access scholarly research journals.

From LP 68: "'Inspiration’s darling child': The Romantic Ode" by Paul Hamilton (Queen Mary University of London). Read in open access: litterariapragensia.ff.cuni.cz/2024-68-10/

From LP 68: 'Blake's Public Addresses' by David Duff (Queen Mary University of London). Read in open access: litterariapragensia.ff.cuni.cz/2024-68-9/

From LP 68: 'Poetic/Rhetorical Ethos and the Performative Power of Words in the 'French' Books of The Prelude' by Catherine Bois (Université Paris Nanterre), examining The Prelude in the context of eighteenth-century rhetoric. Read in open access: litterariapragensia.ff.cuni.cz/2024-68-8/

The new LP issue has arrived: 'Romantic Shock and Surprise,' edited by David Duff (Queen Mary University of London) and Laurent Folliot @sorbonne-universite.fr. Université Cover design by Karolína Bendová. Read in open access: litterariapragensia.ff.cuni.cz/magazin/2025...

In our latest issue: "'Religion’s firm-rooted truths': Richard Polwhele, Pulpit Oratory and Loyalist Romanticism in the English Province" by Dafydd Moore @plymuni.bsky.social. Read in open access: litterariapragensia.ff.cuni.cz/2024-68-7/

From our latest issue: "'The spouting rant of high-toned exclamation': The Art of Oral/Aural Caricature in Paine’s Rights Of Man" by Pierre Lurbe (@sorbonne-universite.fr). 🔓 Read in open access: litterariapragensia.ff.cuni.cz/2024-68-5/

In our latest issue: 'La voix de la girouette: The French Connections of John Thelwall’s Elocutionary Theory' by Judith Thompson (@dalhousie.bsky.social). 🔓 Read in open access: litterariapragensia.ff.cuni.cz/2024-68-4/

In our latest issue: 'Toasting, Oratory and Parody in Britain during the French Revolution' by Rémy Duthille (Université Bordeaux Montaigne). 🔓 Read in open access: litterariapragensia.ff.cuni.cz/2024-68-3/

From the latest LP issue on 'Oaths, Odes and Orations': 'How to Do Things with Oaths: Militancy and Loyalty in the French Revolutions' by Francesco Buscemi @francescobuscemi.bsky.social, University of Groningen @rug.nl. Read in open access: litterariapragensia.ff.cuni.cz/2024-68-2/

The latest issue of Litteraria Pragensia: Studies in Literature & Culture on 'Oaths, Odes and Oration', co-edited by David Duff and Marc Porée. 🔓 Available in open access: litterariapragensia.ff.cuni.cz/magazin/2024... @bars.bsky.social

In LP 67, David Livingstone discusses Brendan Behan’s singing, focusing on his most well-known recording of Irish folk songs and ballads. Read 'Rowdy and Rough: Brendan Behan Sings Songs from The Hostage' in open access: litterariapragensia.ff.cuni.cz/2024-67-9/ 🔓

Using drafts of The Quare Fellow as a case study, James Little draws attention to the collaboration between Brendan Behan and Pike Theatre co-founder Carolyn Swift, whose major dramaturgical contributions have thus far been downplayed. Read in open access: litterariapragensia.ff.cuni.cz/2024-67-8/ 🔓

In LP 67, Klára Witzany Hutková highlights parallels and contrasts between Brendan Behan and Maeve Brennan's work. Her essay 'Irony, Trauma, and Compassion: Brendan Behan’s and Maeve Brennan’s Mid-century Short Prose' is available in open access: litterariapragensia.ff.cuni.cz/2024-67-7/ 🔓

In “’A splendid figure of revolting womanhood’: The Women of Brendan Behan’s Short Fiction”, Nathalie Lamprecht @paradisecitygal.bsky.social focuses on Behan’s female characters. Read the full essay in open access: litterariapragensia.ff.cuni.cz/2024-67-6/

LP 68: 'Oaths, Odes and Orations', edited by David Duff & Marc Porée. Essays by Francesco Buscemi, Rémy Duthille, Judith Thompson, Pierre Lurbe, Robert W. Jones, Dafydd Moore, Catherine Bois, David Duff, and Paul Hamilton. 🔓 Available in open access: litterariapragensia.ff.cuni.cz/magazin/2024...