Exploring Iris Murdoch's view of imagination, fantasy, and morality, Idil Çakmur argues that Murdoch takes it be a moral imperative that we become more imaginative.

Lloyd Strickland on how Leibniz develops a logic of imagination or, more precisely, a logic of what is imaginable. As he suggests, the key to developing the account "lies in distinguishing imagination as a faculty from the objects that fall under it."

Drawing on her paper on “The Role of Value in Creative Imagining”, Julia Langkau argues for a distinction among imaginings over and above the one between constrained/unconstrained uses of the imagination: "Whether (epistemically) constrained or not, imagination may or may not be guided by values."

This week @lukeroelofs.bsky.social blogs about their forthcoming book, *Empathic Reason* over at The Junkyard. The book argues for a view they call "empathic rationalism" and makes the case for a tight connection between empathy and altruism and also for the epistemic indispensability of empathy.

In this week's post at The Junkyard, Miranda Anderson argues that there is a "fission-fusion dynamic" between imagination and art, and she then suggests that this means that our imaginative engagement with art enables us to become more critical, creative and compassionate thinkers.

In an exploration of imagination-oriented design, Monika Dunin-Kozicka asks: “how can we design things so that they trigger or afford imaginative actions to those who perceive them?”

Bruce G. Shapiro on two distinct ways that imagination operates in stage acting

Georgie Brighouse argues that consideration of aphantasia suggests that we should adopt a pluralistic account of imagination.

Though sensory imagining is often used to provide pleasure in place of a real experience, Vincenzo Grasso argues in his post at The Junkyard that there is a second pleasure involved in sensory imagining, namely, the pleasure of imaginative agency.

Great new project from Sheila Pontis! Every day for 365 days, she is posting a new evidence-based practice designed to strengthen imagination, deepen inner development, and cultivate optimism. Check it out! www.instagram.com/everyoneimag...

Ana Elisa Ulloa Labariega draws our attention to an important aspect of scientific modeling that she thinks is often obscured, namely, "its narrative character, sustained and structured through imagination." (Via @the-junkyard.bsky.social)

It’s finally here!

Zachary Srivastava on whether there is a paradox of scientific fiction (re epistemic attitudes towards fictional scientific entities) akin to the paradox of fiction (re emotions towards fictional characters), and he also explores what this reveals abt the nature of scientific vs artistic imagination

Scholz, Liu, & Blomkvist discuss some important connections between mental imagery research and aphantasia research; they then suggest that both would benefit from interdisciplinary research/collaboration. Bonus: a plug for an upcoming interdisciplinary aphantasia conference at the Univ of Glasgow.

Claiming that imagining the minds of non-human animals involves an "informed imaginative leap," Luca Marchetti explores what kind of imagination is involved in our attempts to understand the minds of animals and what kinds of values are at stake when we make these attempts.

Zach Kohler on the essential role that imagination plays in our experience of magic

The interplay between the processes of learning and creativity is a complex matter but, as Kerry Clark argues in this post at The Junkyard, developing the skill of imagination proves beneficial for both of these processes.

Avshalom Schwartz explores the philosophical insights that can be gained by taking a philological route to the study of the origins of imagination.

In a post written while watching the Superbowl, Neil Van Leeuwen explores why we are considerably more inclined to rewatch movies and other fictions than we are to rewatch sports.

Hannah Fasnacht builds on others’ work on anticipatory grief to show that we can also grieve the impossible, i.e., we can have grief directed not at an actual person or object or something in the past, but rather at an imagined (im-)possible future that will never come to be.

Irene Lonigro, at The Junkyard, on whether we can imagine emotions that we haven't experienced before.

In the first post of 2026 at The Junkyard, Reza Hadisi explores Suhrawardī's views concerning the constitutive norm of imagination.

How big is a trillion? Grasping really big numbers is hard, but this week at The Junkyard Ansley Avis discusses how we can use imagination "to make these numbers more meaningful and clear for ourselves and others."

Dorothy Wade discusses her research into facets of the imagination that emerge in altered states of consciousness, research that she hopes will lead to new therapies for patients with delirium and thereby help them to cope "with the disturbing experience of the imagination going wild."

In this week's post at The Junkyard, Joshua Myers and Johannes Mahr argue that episodic construction is fundamentally compositional in nature, and they offer reasons that their Episodic Compositionality view is more plausible than an associationist alternative.

In this week's Junkyard post, Eric Peterson explores the connection between imagination and interpersonal knowledge; in doing so, he offers reasons to think that imagination might indeed have a unique epistemic end (contra some claims by Nick Wiltsher in a previous post on the blog).

Happy World Philosophy Day! The current presidents and past presidents of the APA Divisions will match up to $3,000 in donations that the APA receives today, November 20. Double your impact with a gift to the APA. Donate now: apaonline.org/donate

Ready to start thinking about summer? ☀️ Issues in Philosophy of Memory 5 is headed to Purdue June 10-12, 2026 Keynote lineup is 🔥🔥🔥. Come join us! Call for papers is live. 750 word abstracts, on any philosophical topic related to memory. Submit by Dec 20th!

Raquel Krempel discusses her work aiming to better understand aphantasic experience. This draws on studies she conducted (w/ collaborators) that compared aphantasics and controls when they were asked to describe their experiences trying to imagine and trying to remember something.

In this week's Junkyard post, Julia Minarik offers reasons to think that "machine-made images have less content than images created by human hands."

In this week's Junkyard post, Jianghao Liu attempts to bridge empirical neuroscience and philosophical accounts of imagination and awareness by defending what he calls *the attention model* of aphantasia.

This week at The Junkyard, Maria Fedorova explores the nature of psychedelic visions and argues that they are immersive mental simulations. "quasi-perceptual in terms of their phenomenology and imaginative with respect to their cognitive origin."

This week at The Junkyard, Luke Roelofs asks: What exactly do we do when we leave something to the imagination? And what is the “imagination” that things are being left to?

Sheila Pontis on how to harness the power of imagination to improve emotional well-being.

In this week's post at The Junkyard, Edvard Aviles-Meza argues that imaginative experience plays an important role in determining whether phenomenal consciousness overflows attention.

Noting the diversity of strategies that we use in empathizing with others, Sarah Vernallis argues that the roles of imagination in empathy are more varied than the standard story allows.

How can we learn through play? According to Lucia Oliveri, our learning owes to imagination. In her post for The Junkyard, she presents an argument for this claim inspired by the work of Comenius and Leibniz.

Niklas Maranca discusses his work to develop imagination games – formats that integrate perception, imagination, and reflection – towards the goal of showing how imaginative processes can be practiced, observed, and investigated in a structured yet experiential way.

Seth Goldwasser reviews Melz Owusu's *Undisciplined* -- a book that calls upon the need for radical imagination as part of its argument for the abolishment of academia as an institution.

The Junkyard returns from its summer hiatus with a post from Mark Windsor and Jakub Stejskal on the archaeological sublime and the imaginative failure it involves.

APA Pacific 2026 paper submissions are open with two new options: workshops for structured discussion of in-progress work, and lightning sessions for testing out new ideas. Colloquium and symposium options are still available as well! Submit a paper today. papers.apaonline.org

Call for Abstracts Workshop: Creative Imagination from Art to Science University of Geneva, September 29–30, 2025 Organizers: Julia Langkau and Amy Kind

Eric Peterson on the mutual reinforcement of value between imagination and free speech

I'm Dr. Annie Andrews. I’m a pediatrician, not a politician. But either way I know how to handle people who are full of sh*t. Today I am announcing my campaign for US Senate to replace Lindsey Graham. Share this if you're with me. www.youtube.com/watch?v=J8wM...

Come join me at the WCA in Edmonton this fall! philevents.org/event/show/1...

Felipe Morales Carbonell on imagining how, epistemic friction, and epistemic freedom

Congratulations to Dustin Locke of Claremont McKenna College, winner of the 2024 Anthony J. Lisska Prize! www.apaonline.org/page/2025pri...

Brendan Bo O'Connor reports on recent work from his lab that sheds light on the question of how co-imagining a shared future with someone else might influence social connection, and also how it might shape the phenomenology and content of what is imagined.

Tom Schoonen raises a worry for the truth-conditional condition of one prominent logic of imagination, Berto’s two-component semantics.

Cassi Vieten on how imagination can heal our relationship to the past and can also help us build a better future.