Here are the nominations for the 2025 IFMCA Awards! filmmusiccritics.org/2026/02/ifmc...

Presenting the 2025 Movie Music UK Awards! Here are my choices for the best scores of 2025. moviemusicuk.us/2026/02/06/m...

My latest film music review is of the score for Apple TV+ animated sci-fi adventure series WONDLA, with music by Joy Ngiaw.

My latest film music review is of the Oscar-nominated score for one of 2025's most critically acclaimed films, ONE BATTLE AFTER ANOTHER. Music by Jonny Greenwood.

My latest film music review is of the score for the British parody comedy FACKHAM HALL, with music by Oli Julian.

Today's events in Minneapolis. Furious. Appalled. Disgusted. I just don't know what we're supposed to do about all this. Democrat lawmakers need to step up and be counted. We can't let this continue. People are literally being executed in the street.

My latest film music review is of the score for the comedy adventure ANACONDA, with music by David Fleming.

My latest film music review is of the score and songs for the smash-hit animated action musical K-POP DEMON HUNTERS. Score by Marcelo Zarvos. Songs produced by Mark Sonnenblick, Eun-Jae Kim, and Ian Eisendrath.

My latest review in the Throwback Thirty series - the final review of music from 1995 before I move on to 1996 - is of the score for the acclaimed action-thriller HEAT, with music by Elliot Goldenthal.

My latest review in the Throwback Thirty series - delayed a day to avoid New Year - is of the score for the lush period drama RESTORATION, with music by James Newton Howard.

My latest film music review is of the score for the blockbuster sci-fi sequel AVATAR: FIRE AND ASH, with music by Simon Franglen.

My latest review in the Throwback Thirty series - a day early for Christmas! - is of the score for the animated adventure film BALTO, with music by James Horner.

My latest film music review is of the score for the new James L. Brooks comedy drama ELLA MCCAY, with music by Hans Zimmer.

My latest review in the Throwback Thirty series is of the score for the inspirational drama MR. HOLLAND'S OPUS, with music by Michael Kamen.

My latest film music review is of the score for the Shakespeare-era drama HAMNET, with music by Max Richter.

My latest review in the Throwback Thirty series is of the Oscar-nominated score for the romantic drama SABRINA, with music by John Williams.

My latest film music review is of the score for smash hit musical sequel WICKED: FOR GOOD, with music by John Powell and Stephen Schwartz.

My latest review in the Throwback Thirty series is of the Oscar-nominated score for the political biopic NIXON, with music by John Williams.

My latest film music review is of the score for the satirical Hollywood-centric comedy/drama JAY KELLY, with music by Nicholas Britell.

My latest review in the Throwback Thirty series is of the Oscar-nominated score for the classic Jane Austen adaptation SENSE AND SENSIBILITY, with music by Patrick Doyle.

My latest review in the Throwback Thirty series is of the score for the family drama FRANKIE STARLIGHT, with music by Elmer Bernstein.

My latest film music review is of the score for WWII-era legal drama NUREMBERG, with music by Brian Tyler.

My latest review in the Throwback Thirty series is of the music for the groundbreaking animated film TOY STORY, songs and score by Randy Newman.

My latest film music review is of the score for director Guillermo del Toro's new take on the classic horror story FRANKENSTEIN, with music by Alexandre Desplat.

My latest review in the Throwback Thirty series is of the score for the classic action adventure JUMANJI, with music by James Horner.

My latest film music review is of the score for the new satirical comedy-drama BUGONIA, with music by Jerskin Fendrix.

My latest review in the Throwback Thirty series is of the score for the romantic/political drama THE AMERICAN PRESIDENT, with music by Marc Shaiman.

My latest review in the Throwback Thirty series is of the score for the serial killer thriller COPYCAT, with music by Christopher Young.

A few notes about composer Klaus Doldinger, who sadly passed away last week.

My latest review in the Throwback Thirty series is of the score for the Pierce Brosnan James Bond film GOLDENEYE, with music by Éric Serra.

My latest film music review is of the score for the long-delayed sci-fi action movie LONG DISTANCE, with music by Steven Price.

My latest review in the Throwback Thirty series is of the score for the scifi-drama POWDER, with music by Jerry Goldsmith.

My latest film music review is of the score for the action-crime-thriller PLAY DIRTY, with music by Alan Silvestri.

My latest review in the Throwback Thirty series (a day late because I lost track of the week) is of the score for the literary period romance THE SCARLET LETTER, with music by John Barry.

My latest film music review is of the score for the new Downton Abbey film, DOWNTON ABBEY: THE GRAND FINALE, with music by John Lunn.

My latest film music review is of the score for the new nature documentary feature THE AMERICAN SOUTHWEST, with music by Noah Sorota.

My latest review in the Throwback Thirty series is of the score for the serial killer thriller SEVEN, with music by Howard Shore.

My latest film music review is of the score for the new western crime thriller AMERICANA, with music by David Fleming.

My latest review in the Throwback Thirty series is of the Oscar-nominated score for the comedy-drama UNSTRUNG HEROES, with music by Thomas Newman.

My latest film music review is of the score for the ghost story movie APPLEWOOD, with music by Penka D Kouneva and additional music by Deniz Aktaş.

My new article for the IFMCA about Simi Film Fest, the Simi Valley Symphony Orchestra, and their recent film music concert conducted by Joseph Metcalfe.

I'm back with a new review! My latest review in the Throwback Thirty series is of the score for the classic crime thriller THE USUAL SUSPECTS, with music by John Ottman. Hopefully full review service will resume next week.

My latest review in the Throwback Thirty series is of the score for the Shakespearean tragedy OTHELLO, with music by Charlie Mole.

My latest film music review is of the score for the new sword-and-sorcery epic RED SONJA, with music by Sonya Belousova and Giona Ostinelli.

My latest review in the Throwback Thirty series is of the score for the comedy-horror DR. JEKYLL AND MS. HYDE, with music by Mark McKenzie.

My latest film music review is of the score for the new French-made version of DRACULA, with music by Danny Elfman.

My latest film music review is of the score for the new Hulu adventure TV series WASHINGTON BLACK, with music by Cameron Moody.

My latest review in the Throwback Thirty series is of the score for the wilderness adventure LAST OF THE DOGMEN, with music by David Arnold.

My latest film music review is of the score for the new comedy sequel THE NAKED GUN, with music by Lorne Balfe.

My latest review in the Throwback Thirty series is of the score for the ocean-going action/adventure WATERWORLD, with music by James Newton Howard.