Spring perspective

Uni 🦉🩵

New Yorker in Carrboro, NC 🩵

Empatía, observación, registro, y método agnóstico en una época de héroes y mitos; Epidemics 1 y 3 de Hipócrates ca. 470 BC no solo fue un quiebre definitivo en la historia de la medicina si no, también, en la descripción filosófica, histórica, y ética de la naturaleza humana⚡️

L.H.O.O.Q (1919); Nude Descending a Staircase (No. 2, 1912), Fountain (replica, 1950). “I have forced myself to contradict myself in order to avoid conforming to my own taste.”—Marcel Duchamp exhibition at the Museum of Modern Art, NYC.

Sonata (1911); Portrait of Dr. Dumouchel (1910); Garden and Chapel at Blainville (1902) Early paintings—Marcel Duchamp exhibition at the Museum of Modern Art, NYC.

Marcel Duchamp in Buenos Aires 🇦🇷—To Be Looked at (from the Other Side of the Glass) with One Eye, Close to, for Almost an Hour (1918); Chess Pieces (1918); Handmade Stereopticon Slide (1918-19); in the Duchamp exhibition at the Museum of Modern Art, NYC.

Sam Gilliam (1933-2022): STITCHED exhibition at Pace Gallery, NYC.

Chuck Close: On Paper exhibition at Pace Gallery, NYC.

Obra de arte señalada — Philippe Labaune Gallery

Valentines Day (2003); Miracle Under 34th Street (2009); New Eustace (2014)—Carter Goodrich: Covers for The New Yorker magazine, at Philippe Labaune Gallery, NYC.

What a thrilling performance of Philip Glass music by the über-talented students and alums of the Juilliard School at Carnegie Hall last night 🙌 👏

Waiting for the concert “Juilliard at Zankel Hall—A Celebration of Philip Glass”, in honor of his 90th birthday year, at Carnegie Hall, NYC.

Angelus Militans (1940); Untitled (Angel, Still Ugly, 1940), Angel, Still Ugly (1939). Last Works in “Paul Klee: Other Possible Worlds” exhibition at The Jewish Museum, NYC. #JewishMuseumNYC

Protected Children (1939); Expressions of a Face I (1939); Outbreak of Fear III (1939). Leap Year in “Paul Klee: Other Possible Worlds” exhibition at The Jewish Museum, NYC. #JewishMuseumNYC

Fire at Full Moon (1933); Reflections in the Dark (1932); Riding Star (1931). Idyll in the Light in “Paul Klee: Other Possible Worlds” exhibition at Rhe Jewish Museum, NYC. #JewishMuseumNYC

Harlequin on the Bridge (1920); Young Proletarian (1919); Inventions (1903)— Klee before Bauhaus in “Paul Klee: Other Possible Worlds”, a superbly emotional and unimaginably beautiful exhibition at Rhe Jewish Museum, NYC. #JewishMuseumNYC

Sunlight (1978); Tilted Mirror (2002); Parade (2023)—paintings by Joan Semmel (b. 1932, The Bronx, NYC), artist-observer-subject of a groundbreaking reinvention of the female nude, in the extraordinary exhibition “In The Flesh” at The Jewish Museum, NYC. #JewishMuseumNYC

Spellbinding performance of works of JS Bach, Osvaldo Golijov, Gabriella Smith, and Mathilde Wantenaar in the “Fragments 5” concert by Alisa Weilerstein at Carnegie Hall last night 🙌

An Imagined Dialogue: Alberto Giacometti and Mark Rothko, at the Museum of Fine Arts, Boston.

Tailleur pour Dames (1957, Remedios Varo); L’Art de la Conversation (1950, René Magritte); Femme entendant de la Musique (1945, Joán Miró)— “Beyond Reality: Surrealism in the 20th Century” exhibition at Museum of Fine Arts, Boston.

New Yorker in Boston ☘️

In Love with the World (2021, Anicka Yi, South Korea)—“New Humans: Memories of the Future” exhibition at @newmuseum.bsky.social

The new New Museum ✨

Dempsey and Firpo (1924, George Bellows); New York Interior (1921, Edward Hopper); Gettin’ Religion (1948, Archibald John Motley Jr.)—“Untitled” (America) exhibition at the Whitney Museum, NYC.

“Atom Moore: Second Nature” exhibition at Wave Hill Public Garden, The Bronx.

Juliette. Juliette. Juliette. Screening of “In-I In Motion” (2025, with Akram Khan, directed by Juliette Binoche) last night at MoMa, NYC.

“Boy with a Basket of Fruit”—Caravaggio (1571–1610) at the Morgan Library and Museum, NYC (on loan from Galleria Borghese, Roma).

CENTO—Nancy Baker Cahill (b. 1970) at the Whitney Museum, NYC.

Anna May Wong Altar (2025, Agosto Machado); Beneath the Ruins (2024, Kamrooz Aram); Sun Twins (2023, Raven Halfmoon)—“Whitney Biennial 2026” exhibition at the Whitney Museum, NYC.

A Bird (2017); Black Hole (2018); Offenbach Barcarolle (2019)—Carol Bove (b. 1971, Geneva, Switzerland) at the Guggenheim New York.

Togethercoloured

Gay Liberation Front poster (1969, Peter Hujar); The West Side (1973, Saul Steinberg); Untitled (Keith Haring, 1980)—New York Stories in “Come Together: 3,000 Years of Stories and Storytelling” exhibition at The Morgan Library and Museum, NYC.

Epic of Atrahasis (Akkadian, Mesopotamia, ca. 1646–1626 BC); The Iliad, Homer (papyrus fragment, 4th century AD); Apocalypse (London, ca. 1255-65)—Life stories in “Come Together: 3,000 Years of Stories and Storytelling” exhibition at The Morgan Library and Museum, NYC.

Geometry in motion, in black and white, and in silence, in the absolutely dazzling, totally electrifying, utterly mesmerizing performance by the Lucinda Childs Dance Company last night at @Guggenheim 🙌

Waiting for the performance of “Early Works” by the Lucinda Childs Dance Company at the Guggenheim Museum, NYC.

Mozart’s portable clavichord (used for composing “The Magic Flute” and “Requiem”); childhood violin; earliest compositions (for piano; he was five years old) in “Wolfgang Amadeus Mozart: Treasures from the Mozarteum Foundation of Salzburg” at The Morgan Library and Museum, NYC.

La erudición y, sobre todo, la gracia y la elegancia de la escritura del gran Richard Holmes convierten temas que podrían ser pesados e intocables como bolsa de plutonio en libros maravillosamente iluminadores y entretenidos. Y los comienzos son siempre geniales ⚡️

Golden hour.

Jimi Hendrix: singer-songwriter, guitar miracle worker, voodoo child, systems engineer ⚡ spectrum.ieee.org/jimi-hendrix...

Ivana 18/25

New Yorker in Buenos Aires.

Time be thine.

Time be thine.

“Face Value: Celebrity Press Photography” exhibition, a close look at the celebrity-making machinery of the 20th-century Hollywood star system, at the Museum of Modern Art, NYC.

Self portraits (1884-5, 1912, 1937, 1945) in “Seeing Silence: The Paintings of Helene Schjerfbeck” (1862–1946) at @metmuseum.org

Woman with a Child (1887); Maria (1909); The Tapestry (1914-16) in “Seeing Silence: The Paintings of Helene Schjerfbeck” (1862–1946) at @metmuseum.org

— I thought you hated Pride and Prejudice. —Or was she too prejudiced and Mr. Darcy is too proud? I can't remember.

Togethercoloured

Mary Magdalene (1535-40, Giovanni Girolamo Savoldo); Saint Francis in Meditation (1635-9, Francisco de Zurbarán) at the National Gallery, London, UK.