Smile Fight by Golemm: This is definitely Hideki Naganumas reheated nachos, but that’s been a thing forever. This album is straight groovy funky Drum n Bass beats that feel like grinding rails and hitting tricks in the beautiful sun. All of these songs can be slapped in Bomb Rush Cyberfunk with no

GRIP by serpentwithfeet: Sexy RnB jams all the way down. Some very light EDM influences here and there. Serpent’s vocals are absolutely beautiful and he’s truly in his element both sound-wise and writing-wise. This album is inspired by the gay nightclub experience and the sounds that come with it.

This Is How Tomorrow Moves by beabadoobee: This is an incredible collection of tracks. beabadoobee’s voice weaves through all of these songs so well through the solo ukulele or acoustic guitar or full band electric instrumentals. Even her singing alone is just absolutely amazing. Everything to make

Count Up Dracula by Jaydes: This album is everything “Eh” about pop punk/punk rock. Everything is just done too much, the vocals are a little too nasally, the drums are a little too eclectic, the guitars are drenched in distortion that make them sound crusty and dirty. This was a very middling

Gemini Rights by Steve Lacy: Sexy grooves and romantic lyrics clash with rock influences to make ‘Gemini Rights’ a truly entrancing experience front to back. As is the idea of a Gemini, the sounds here are two sided, but still work together to make a beautiful result. This album boils down to a

dvmb fvcks by d_goods: A dark, gritty modular experience. All of the music on this album was made using one modular synth rig. ‘dvmb fvcks’ brings an amazing drumless sound, only needing its own melodies to fill the void. If there’s a comparison to be made, it would be Death Grips instruments.

SWAGGOT! (B SIDE) by ISSBROKIE: Immediately this is better than first ‘SWAGGOT’. Minus the 11 minute intro, there’s like one miss, an it’s ‘FALALA’, so it’s a little trip right at the beginning but everything else hits. The range of style that ISSBROKIE shows is impressive from glitchcore, to

Parts of this list are now outdated.

Five Nights at Freddy’s 2: I went in with some mid expectations and still walked out quite impressed. The acting is great, the interactions between all of the characters work so effortlessly. Matthew Lillard still stands out as William Afton, knowing how to carry himself as a killer, his history

My 2025 year in review! Top 5 Albums: 1. Vanisher, Horizon Scraper by Quadeca 2. Let God Sort Em Out by Clipse 3. HYPERYOUTH by Joey Valence and Brae 4. WHERE IS MY HEAD? by Rich Brian 5. Revengeseekerz by Jane Remover Top 10 Songs In No Specific Order: 1. DANCING WITHOUT MOVING by Quadeca

MY FIRST UNTITLED by DIRTYBUTT: This is a really fun set of hyperpop songs in the lane of other albums like ‘1,000 gecs’. Big 808s carry most of the beat with some trap hi-hats to keep a rhythm and flow going on each song. If you’ve come for a lyrical

Lacey’s Flash Games(Demo): Yes, I’m reviewing a demo for a game that doesn’t drop until next year. This is one of the coolest things I’ve ever played. It is pretty much what it says on the cover, a game translation of Lacey’s Games with more content somehow.

Mickey 17(dir. Bong Joon Ho): This was amazing. I generally knew what U was getting into with clones and being in space, but I did not expect the plot to go how it did. This is a great film about the morality and philosophy of making clones of dead people. Robert Pattinson is continuing to prove and

Breach by Twenty Øne Pilots: The fourth act of the Trench is here, and it sounds pretty good. TØP once again proves that they can continue to make great music. This album makes a really great example of a balance of alt-rock. Never too heavy, but it’s never light either. That does lead to the major

Scott Pilgrim vs. The World: I don’t understand why people hate this movie. Everything about is so good. The acting is on point for the whole movie, Michael Cera as Scott Pilgrim is an absolute genius choice. The visual effects are absolutely amazing, and star almost as heavily as the actors.

What No One’s Thinking by AJR: Ughhhhhhhhhhhhhhh. I don’t understand how these fuckers are the face of indie pop. Continuing with their previous albums they’re 30 somethings singing like they’re still 17. Lyrically it’s so egotistical and boring, Adam just sings about himself the whole time, but in

Near the end of year. Probably mid-December, I will make a post recapping my favorite music from this year. Potentially worst, but we will see.

The Amazing Digital Circus review coming when the show is all the way over.

FNAF 1 REMAKE: Holy shit. I’m a little late to this one(as always), but I really don’t care. Coming back to anything FNAF in a good while, this was very nice. The gameplay is close enough to original FNAF 1 that anyone who’s even seen gameplay can pick it up easily. There’s a few changes, but it

Vanisher, Horizon Scraper by Quadeca: Album Of The Year. 10/10.

WHERE IS MY HEAD? by Rich Brian: This was such a sonic smack to the face. I wasn’t ready for what would happen in the slightest. It’s been 6 whole years since Rich Brian’s last album ‘The Sailor’. The amount of growth is absolutely spectacular. The use of acoustic sounds across this project is

HYPERYOUTH by Joey Valence and Brae: WASSUP WASSUP! This crushed all of my expectations, and they were already pretty high after ‘NO HANDS’. We get a mix of some absolute crazy bangers and deep tracks about wanting to be young again. The title fits the feeling of this album through and through.

Willoughby Tucker, I’ll Always Love You by Ethel Cain: To start this off: I am not familiar with the actual lore of Ethel Cain’s albums, specifically this and ‘Preacher’s Daughter’. This album is a prequel to the story between Ethel and the namesake of the album, Willoughby Tucker. I will not be

Happy Gilmore 2: I really did not expect this to be good whatsoever, but I ended up liking it a lot. Adam Sandler hits his stride as he returns to being Happy Gilmore. Having a decent chunk of the movie be based in callbacks to the first movie definitely helps. All of the characters played their

Dopamine by BØRNS: Whoa. This is pretty good. BØRNS’ voice is damn near angelic top to bottom on this album. He brings his instrumental skills as well, and everything comes together to make the best of mid-2010s pop. It’s a psychedelic feeling that not many can capture. To add, everyone has heard

Thank you, God. For it all. by Childish Major: A little disappointing, but I don’t know what I really expected. We’ve got some auto-tuned vocals on most of the songs, good lyrics, some generic trap beats, and great features. This doesn’t really stand out from other albums like it. It’s nice and

Pink Tape by Lil Uzi Vert: Holy crap. There’s a lot to say. First: this is much to. It’s 90 minutes long, and it is a boring 90 minutes as well. The only high points in this album are features from Bring Me The Horizon and BABYMETAL, and everything else is either boring, just ok, or bad.

I’m back

BOMINATION by ISSBROKIE: BROKIE comes back with a short, yet varied album filled with the expected attitude and emotion across each song. Banger after banger for most of the album. The intro track definitely doesn’t leave a great taste, but that switches up on the first full actual song.

Laugh Tracks by Knocked Loose: Metal. That’s most of what there is to say about this album. It’s cookie cutter. Knocked Loose does what they know works, but they do it well. While this album bored me by the end due to its repetition. If you like plain metal, you’ll enjoy this. Overall. 5/10.

Yes! We’re Open! by Carmel Lombardi: This is my first experience with something that is purely folksy. This album is laced with soft sounds of lightly strummed guitars and a soft alto voice. ‘Yes! We’re Open!’ is filled with love and heartbreak fueled lyrics on almost every song. I adored stumbling

TRUST CEREMONY by Jhariah: Unpredictable. Jhariah breaks molds all across this project. Things that I didn’t even consider. On the very first track, ‘TOOTH PACT’ the listener is greeted with a rock x big band/jazz fusion, which keeps coming back up, and each time it’s mind blowing.

BACK IN ACTION 4.0 by midwxst: Hyper-pop and rage veteran midwxst comes out with the fourth of installment of the “BACK IN ACTION” series of albums. I can’t say much about this album. It’s hyper-pop vocals and rage beats. All of the songs sound the EXACT same down to the lyrics, it’s such a waste of

star by 2hollis: This was an absolutely amazing time and an even better listen. This album shifts pretty unpredictably from track to track, from a rage beat on ‘flash’ to cloud rap on ‘cope’, and it’s all wonderfully done. Yet, it all comes to a head with this album’s main meaning and theme, anxiety

Fuck it. I’m gonna start going more in depth with reviews. They’re feeling shallow, so be ready for longer reviews and discussions!

Revengeseekerz by Jane Remover: Jane Remover returns with their newest album ‘Revengeseekerz’, and with it, a modified sound. They take a more electronic approach to this album compared to ‘Census Designated’ which lands this album in a cradle of shoegaze and hyperpop. These genres have much more in

Kyle Gordon is Wonderful by Kyle Gordon: Just as his previous album did, dead on accuracy, stupidly funny writing, and good music. I did end up not liking this one as much as ‘Kyle Gordon is Great’, but it was still a great time! Overall, 7/10.

Kyle Gordon is Great by Kyle Gordon: This title says it all. I do not know how he does it, but every single song is spot on to the genre is a parody of. It’s very hard to talk about this album because of its purpose. It, out of necessity, doesn’t stick to one sound, but it works incredibly well.

Census Designated by Jane Remover: I’ve finally tapped in, and I don’t regret it at all. This album is really hard to pin to a genre, or even a mix of genres. ‘Census Designated’ makes its own path with reverb soaked guitars throughout and depending on the track, hell, depending on the part of

The Backrooms created by Kane Pixels: Holy moly. This is pretty good! For an analog horror series this is easily one of the best I’ve seen. It’s not too long, just about 2 hours front to back, and everything makes some sort of sense within the lore. The work in Blender shown here is absolutely

Connection Anxiety by Thotcrime: 2010s punk/metal aesthetic have an iron grip here, but it mixes in a little nit of electronic. It works pretty well instrumentally, but the vocals, especially on the front half, are not very good. They are definitely 2010s punkish at times.

TRYHARDS 1 by Fortye and static armor: It’s what it says on the cover. A Fortnite parody of ‘VULTURES 1’ by Kanye West and Ty Dolla $ign. It uses all of the beats and from the original album song for song, but changes the titles to Fortnite jokes and the songs follow. Now, this

Isekai by RJ Pasin: Guitars. Do you like those? You’ll have a good time here. I don’t think I’ve heard guitars used in so many ways at once. They make up the reverb filled melodies and harmonies, synths, and sometimes even the percussion is done on guitars. This comes together to

Tampa's DemoTape by Tampa and deadman死人: It's what it says on the box, a collection of demos. Although, they sound damn near finished. I wouldn't question if any of these demos were just an "Eh" song on a full album. This mixtape brings light instrumentals with sparse

SHINBANGUMI by Ginger Root: Modern city pop brought to the next level. Funky guitars give the feeling of walking through a city lit by neon and wrought with the hustle and bustle of a slightly too cramped street. The sounds of hi-hats, cowbells, xylophones, and snares lay the

punk2 by brakence: Glitchpop expert and master brakence brings his eclectic production yet again on his second album, 'punk2'. Going back after listening to 'hypochondriac', the pieces are clearly all together, just in a slightly different way. Each song has amazing writing,

Quiet Music For Young People by Dana and Alden: Truly lo-fi beats to study to. Soft drums, light saxophones, calm vocals, and slight techno synths. They all come together to create an experience to get lost in. Hi-hats make up almost all of the percussion on this album, giving

The Children Of Clay: Holy shit this was cool. The Children Of Clay is an investigative game in which you have to figure out the secrets of the statue in front of you. It’s very simple in its mechanics, but they are used incredibly well. My main thing is that I wish there was

The SMILE Tapes: One of many analog horror series comes to be picked apart. ‘The SMILE Tapes’ covers a mysterious disease that causes people’s faces to contort into wide smiles, then into something unrecognizable. What is brought to the table with this series is very well done

Alligator Bites Never Heal by Doechii: I feel like I’ve been sleeping on this album for a decade. Doechii comes with a collection of 19 tracks which show SO much variety. Her flows and word play are something to admire along with her damn near perfect singing.