Have a look to Kaligari by Anjali Sanu from India who received her #typeparis25 diploma. 🤩 typeparis.com/attendees ➽ Since 2015, we have been hosting a group of attendees who, for a little over 6 weeks will discover type design in Paris.

Have a look to Azuleros by Lucie Thomas from France who received her #typeparis25 diploma with distinction. 🤩 typeparis.com/attendees ➽ TypeParis Summer26: Apply before 14 march 2026 to learn type design in Paris.

Have a look to Ratatouille by Khoa Pham from Vietnam who received his #typeparis25 diploma. 🤩 typeparis.com/attendees ➽ TypeParis Summer26: Apply before 14 march 2026 to learn type design in Paris. typeparis.com/faq

Have a look to Egeria by Marina Sbrana from Italy who received her #typeparis25 diploma with distinction. 🤩 typeparis.com/attendees ➽ TypeParis Summer26: All levels are represented in the group, from truly beginners to typography enthusiasts.

Have a look to Lutèce by Guillaume Rapoport from France who received his #typeparis25 diploma. 🤩 typeparis.com/attendees ➽ TypeParis Summer26: We created a place where every kind of design professional can learn about type design in a relatively short amount of time.

Have a look to Oriena by Sharon Ng from Hong Kong who received her #typeparis25 diploma. 🤩 typeparis.com/attendees ➽ TypeParis Summer26: Apply before 14 march 2026 to learn type design in Paris.

Beautiful roman capitals from 9th century. Merci @labnf.bsky.social 🇫🇷🫶

Have a look to Keltiek by Jules Guillemot from France who received his #typeparis25 diploma. 🤩 typeparis.com/attendees ➽ TypeParis Summer26: Apply before 14 march 2026 to learn type design in Paris.

Last night was the conclusion of six incredible weeks. The progress of each of the #typeparis25 attendees was lightning.

Have a look to Lef Serif by Anastasiia Rozhkova from United States who received her #typeparis25 diploma. 🤩 typeparis.com/attendees ➽ TypeParis Summer26: Apply before 14 march 2026 to learn type design in Paris. Discover typeparis.com/summer25 + typeparis.com/faq

Have a look to Sapientis by Tejpal Tara Trinkush from India who received his #typeparis25 diploma. 🤩 typeparis.com/attendees ➽ TypeParis Summer26: Apply before 14 march 2026 typeparis.com/summer25 + typeparis.com/faq

Have a look to Quinta by Shreya Maheshwari from India who received her #typeparis25 diploma. 🤩 typeparis.com/attendees ➽ TypeParis Summer26: Apply before 14 march 2026 to learn type design in Paris.

This final stage centers on the last overall reviews to correct, polish, and complete all typeface families. It also involves designing the specimens and preparing the final presentations for these typeface projects. Check typeparis.com/news/phase-5... for more complete report. #typeparis25

Deberny & Peignot 1. Factory, La Courneuve from 1910. 2. Studio-office, rue Ferrus, Paris.

Last night was the conclusion of six incredible weeks. The progress of each of the #typeparis25 attendees was lightning.

This is probably the busiest and shortest part of the programme, which brings together the final reviews and checks to fix, refine, and complete everything needed for the last submission. Check typeparis.com/news/phase-4... for more complete report. #typeparis25

The #typeparis25 attendees have deployed a crazy energy since Friday to complete their typeface project that will be presented next Friday. Congratulations to all! Malou Verlomme and Jean François Porchez. typeparis.com/events/prese...

The #typeparis25 attendees have deployed a crazy energy since Friday to complete their typeface project that will be presented next Friday. Congratulations to all! Malou Verlomme and Jean François Porchez. typeparis.com/events/prese...

Last session of the penultimate week #typeparis25, the crucial moment where projects take shape, become a typeface family. Only a few days left to finalize, polishing glyph after glyph! Register typeparis.com/events/prese...

On 3 July 2025, we received our last type guest @albertjanpool who was there to advise our attendees #typeparis25. In parallel, Marc Rouault, Rainer Erich Scheichelbauer and Jean-François Porchez were there to push the crew for the best outcome.

Since the Tuesday 3 June 2025, a group of sixteen attendees from 10 different countries worked everyday on a typeface family. A long and dense learning process, but which will have given this still excellent results. Register now for free at typeparis.com/events/prese... #typeparis25

This third stage of TypeParis Summer25 is a compact yet pivotal phase where the evolution and expansion of all designs consistently astonish us! 🤩 Check typeparis.com/news/phase-3... for more complete report. #typeparis25

This week we were at the Arsenal library to discover the collection of the French type designer Ladislas Mandel. Fantastic moment! #typeparis25

Big day, and so hot that we were in the basement, to stabilize the different masters of the typeface part of #typeparis25 final project in production. Instructors Mathieu Réguer and Jean François Porchez.

This week we were at the Arsenal library to discover the collection of the French type designer Ladislas Mandel. Fantastic moment! #typeparis25

Already a month since #TypeParisNow25 Graphic and Type conference. A fantastic moment shared by the speakers and the audience! How was your experience? Tell us in comment. typeparis.com/now25 🎯 See you at #TypeParisNow26 on Saturday 30 May 2026!

Sixteen attendees from 10 different countries worked everyday on a typeface family. A long and dense learning process, but which will have given this still excellent results. Join us to see their works on Friday 11 July 2025, 15:30 Register now for free at typeparis.com/events/prese... #typeparis25

🤗 How to draw S in Black from your Regular weight? The key is to move the original shape diagonally in order to preserve the middle weight hierarchy. Respect to alignment of the serifs as well counters proportions. @jf.porchez.com for #typeparis25 @typeparis.com attendees.

🤩 We’ve just published an interview of Albert-Jan Pool, one of our 4 #typeparis25 international Type critics. — — — Read the interview typeparis.com/news/q-a-alb...

We were yesterday in Antwerp for the Plantin collections, a jewel of 16th century typography. Fantastic place, full of history, punches, matrices in quantity. #typeparis25

Last session of the #typeparis25 week dedicated to optimizing the regular and exploring an extroverted version that adds to the type family under construction. Because learning to draw fonts also means learning to explore new forms.

This second phase of TypeParis Summer25 featured two different international type guests, several visits between Paris and Antwerp, and continued development of the students' personal type design projects! 🤩 Check typeparis.com/news/phase-2... for more complete report. #typeparis25

Yesterday, we had our #typeparis25 3rd guest, Diana Ovezea who advised all the participants and ended with an exchange and presentation of her Blast foundry. In parallel Jean François Porchez explained how to draw numerals!

For the #typeparis25 week 4, yesterday’s objective was to imagine impossible variations (in few hours) based on the regular. The results are spectacular! Can’t wait for their implementation in Glyphs. Instructors Mathieu Réguer, Julie Soudanne, Marc Rouault.

🤩 We’ve just published an interview of Diana Ovezea, one of our 4 #typeparis25 international Type critics. — — — Read the interview typeparis.com/news/q-a-dia...

Friday at the end of a long #typeparis25 week, we approach the drawing of the italics in 2 hours! Technique developed by Jean François Porchez who every year confirms its effectiveness! This same day, Mathieu Réguer and Marc Rouault introduced ponctuations and diacritics too.

We received Ramiro Espinoza our 3rd type critic. His feedback will have allowed the attendees to confirm certain type design choices. He ended his day by presenting his projects. In parallel, Marc Rouault and Jean François Porchez made their comments on letterforms made by the crew. #typeparis25

All attendees had their initial meeting with some of the instructors for the #typeparis25 programme, Gina Serret & Jean François Porchez. They introduced humanistic calligraphy and highlighted its significant role in achieving a strong understanding of type design. typeparis.com/news/phase-1...

This week it is a matter of stabilising the design options, before expanding to a type family. The developments are important, thanks to the incredible work of all the participants. Instructors Marc Rouault and Jean François Porchez. #typeparis25

🤩 We’ve just published an interview of Ramiro Espinoza, @retypefoundry.bsky.social one of our 4 #typeparis25 international Type critics. — — — Read the interview typeparis.com/news/q-a-ram...

We were yesterday in Antwerp for the Plantin collections, a jewel of 16th century typography. Fantastic place, full of history, punches, matrices in quantity. #typeparis25

Last Friday afternoon, we discussed the first stage of the personal project #typeparis25. Serifs, drops, proportions, contrast, style, references. With Julie Soudanne, Mathieu Réguer and Jean François Porchez in closing.

🤩 We’ve just published an interview of Ramiro Espinoza, @retypefoundry.bsky.social one of our 4 #typeparis25 international Type critics. — — — Read the interview typeparis.com/news/q-a-ram...

The most beautiful examples of typography gathered on the same table in the rare books department at the @labnf.bsky.social It’s a magical moment and it’s made possible thanks to @typeparis.com #typeparis25

The best way to become aware of the history of typography and its importance in contemporary type design is to see books in real. What #typeparis25 do every year! Thanks to @labnf.bsky.social for its welcome🇫🇷.

What a wonderful day! Thank you to Cecilia del Castillo (type critic of the day by also #typeparis18 alumni) for being with all of us, to share your experience, your multiple talents, and your good mood. #typeparis25

What a wonderful day! Thank you to Cecilia del Castillo (type critic of the day by also #typeparis18 alumni) for being with all of us, to share your experience, your multiple talents, and your good mood. #typeparis25

🤩 We’ve just published an interview of Cecilia del Castillo, one of our 4 #typeparis25 international Type critics. — — — Read the interview typeparis.com/news/q-a-cec... 👋 You should apply to #typeparis26 before 14 March 2026!

We’re are launching an independent industry-wide survey for font users. We want to hear about your experiences: What works? What’s confusing or frustrating? What would you change? Your answers will help us decide how licensing works within the Fontstand Cooperative. fontstand.com/survey

Today, it was both the first type project and the beginning of the personal project #typeparis25. Incredible work done by the attendees in such a short time. Instructors Julie Soudanne and Mathieu Réguer.